This piece quizzes you by presenting the interior of some of the most lavish celebrity homes and asking which celebrity owns the property.
Look closely and think before making your choices- there are clues hidden…..somewhere.
This piece quizzes you by presenting the interior of some of the most lavish celebrity homes and asking which celebrity owns the property.
Look closely and think before making your choices- there are clues hidden…..somewhere.
Maybe Groundhog Day can become a National or Provincial Stat Holiday because February 2nd isn’t officially known as Groundhog Day. Technically it isn’t a National Holiday. It isn’t a Provincial Holiday. [Is Quebec the only province with a Provincial Holiday? CP] But maybe it should be. Groundhog Day isn’t an exclusive celebration that targets a specific demographic such as Family Day. It isn’t religiously or politically motivated. It doesn’t specify Muslim, Buddhist, Marxist, agnostic or atheist beliefs. It is inclusive, quirky, wacky and fun. There is no need to worry about political incorrectness.
Maybe Groundhog Day can become a rallying point for Ontarians. Groundhogs are robust creatures. They handle our long winter with style. Groundhogs might be cute but they are also tough!
Maybe the Groundhog can become Canada’s national animal. Does anyone remember the politician who wanted to make the polar bear our national animal? Most of us aren’t likely to run into polar bears. It’s that old adage: “Out of sight, out of mind” and since we’re more likely to see a groundhog and associate with a groundhog it is an ideal choice. Incidentally Canada’s national animal is the beaver. Another obscure animal that most of us have never seen.
Maybe Groundhog Day is spiritual after all. If a Holiday need to be justified on a basis of spirituality or community consider the following short list:
For the Silo, Rick Fess. By the way, groundhogs are no joke. They can carry rabies and pose a direct threat to our crops.
Supplemental- “Pothole Pete” is a growing legend in New York City. Canada’s groundhog is an albino.
When I think back to the 1980’s I have mostly fond memories. It was time of great fun and discovery for me personally. I had both Commodore and Apple computers and a hairstyle that is happy to remain in my past. I listened to cool groups like “Twisted Sister” and wouldn’t publicly admit that I enjoyed “Culture Club”. Being in high school, I was painfully shy and didn’t have a lot of success with girls.
Apple had a pretty similar experience if you think about it. They were a little shy and reserved, but very much loved by those who understood them. They didn’t go out much – choosing to stay in schools and in a very few select homes. They had their share of identity crisis’ in the early 80’s and tried to break free with a whole new persona called “Macintosh” in 1984.
They walked around confused between educational, business, and recreational use and staggered out of the fog towards the end of the decade.
The 1990’s brought about a new confidence and independence. I had started a business just at the end of the 80’s and took my experience to heart as I tried to find the right niche for me. I knew that computers was where I was meant to be and grew a business from nothing to exceptional sales in a short time.
I also saw the market hinge and my sales erode and I wasn’t quite able to move fast enough to recover my previous glory.
Apple saw their market share grow and decline in the 90’s as well. They knew that computers were where they were meant to be, but they couldn’t decide if they were the company to make them. They tried licensing out their operating system to others in a move that ultimately
muddied the market and left their loyal customers wondering just exactly where they were going next. Following graph courtesy of www.saypeople.com
The 2000’s became a year of maturity for me. More confident in the path I was following, I followed my dreams to open a computer museum and finally saw it through in 2005. I refocused my energies with my passion for video games to acquire the largest collection in Canada while at the same time educating others along the way.
I worked my way towards a global following for those that have shared my vision. Apple made the move from niche computer to dedicated
music device, to a more advanced smart phone in the 2000’s. They grew their loyal following in the computer market by making some radical
changes to their core operating system and integrating their new consumer devices flawlessly. They became the company they had always
dreamed they could be.
Today, I ’m following my dreams and am no longer the shy, awkward guy I was in high school. I ’m successful and I ’ve moved on from “Culture Club”. My life is very interesting because I like to keep one foot in the past to enjoy the good times, while putting another foot forward into the exciting future.
The best is yet to come, and I think the same is true for Apple. For the Silo, Syd Bolton. Check out www.pcmuseum.ca in Brantford,Ontario.
Feel Cooler Than You Really Are. If you want to learn to dance the tango the place to be is Buenos Aires, Argentina. This is a city that expresses its passion and national pride through their music, soccer, dancing, horses, and writing earning it the title of “City of Cool”.
Buenos Aires, (English meaning Fair Winds) Argentina.
With a population of 2.7 million people this capital city of Argentina is a place oozing with charm and things to do. From the moment you begin wandering downtown streets you know it’s going to be interesting. It’s a place to be cool even if you aren’t. Okay, let’s make it clear, I’m not cool, but for some unknown reason I started to feel this way when I mingled with the Argentineans. They spoke, what sounded like to me, an exotic language (Castilian Spanish), and looked and dressed like they were right out of the pages of Vogue magazine. It’s a city that never sleeps, populated by residents obsessed with fashion and image. Slim is beautiful is an established and largely uncontested fact.
Architecture
The downtown architecture is quite different from the rest of Latin America. It is strongly influenced by European styles with more than the half of the city buildings being French style. Countless museums, historical buildings, shopping centres, and hotels are yours to discover. And if you do get the urge to learn to tango there are plenty of tango-dancing schools (known as academias) throughout the city.
The Tango
Tango music was born in the suburbs, notably in the brothels of poorer suburbs. Its raw sensual dance moves were not seen as respectable until adopted by the Parisian high society in the 1920’s and then all over the world. There are loads of places with free tango shows in restaurant-bars such as Gitanos, where you can also try the national drink. I found it more like herbal tea than anything and its drunk out of a pot-like container through a metal straw. Even though it was foul-tasting, Argentineans say, it’s more addictive than coffee. To each their own.
Walking and Safety
When you walk in any largely populated area don’t be silly and carry an expensive camera slung over your shoulder and don’t ever wear an expensive watch that sets you apart from the crowd. It’s like saying rob-me, rob-me. Use common senses; err on the side of caution. I hid my camera in a plastic shopping bag. Always cross street at crosswalk. I’ll say it one more time to be sure it sinks in…Always walk at crosswalks and don’t begin until all vehicles have come to a stop.
Recoleta Cemetery
Don’t pass up the chance to visit to the Recoleta Cemetery established in 1822. It’s the final resting place for Argentina’s wealthiest and most famous families and people. The mausoleums are fairly small, befitting the size of the cemetery in an urban setting, and it’s common for many members, and generations even, of the same family occupying one mausoleum. One grave that I did seek out was that of Eva Peron who was the wife of Juan Peron, 3 time president of Argentina. Both are idolized for their efforts to eliminate poverty and to bring dignity to the labour movement. Because of this they were despised by the oligarchy of Argentina’s wealthy and powerful. I found it strange and a bit sad that her neighbours in death are those that despised her in life. Her husband is buried in another cemetery in the city.
Art and Craft Museums
These museums are all the rage here, with the top attraction being the Malba, which is dedicated to Latin American modern art, the Museo National de Bellas Artes (National Museum of Fine Arts) and Recoleta’s Cultural Centre. You’ll find the general atmosphere in most of these places is more snooty than sincere. If art and crafts is not your thing, you’ll want to bypass all of these places and scout out somewhere to eat or sit on the grass in Plaza Francia. It’s easy to while away a few hours people-watching. I did both.
The Obelisk
Another must see is to join the gaggle of tourists (and pigeons) that flock to the Plaza de Mayo. This is the site for some of the country’s most important historical occasions, including the revolution in 1810 which led Argentina gaining independence from Spain .If your legs are willing, take a stroll along Avenida Corrientes. When you get to the junction with Avenida 9 de Julio, which claims to be the world’s widest road where you can’t miss the famous Obelisk monument. For goodness’ sake use the pedestrian crossing if you don’t want to die! It’s the cities icon and the place the very spot where the Argentina flag was raised for the first time. For the Silo, George Bailey.
Every year 8.5 million visitors see the renowned work of art that is the Mona Lisa. It is a vision that graces t-shirts, calendars, coffee mugs, and art history books worldwide. Still, among those millions, I would wager that few are those that have left Paris remarking on the wall on which Mona is placed. More on this later….
Did you know that the Mona Lisa is the only work of art to be stolen from the Louvre( in 1911) and recovered? Not only that, but in 1956, it was attacked with acid and, in that same year, cut open with a rock thrown at Mona’s elbow. It would seem that times haven’t changed much either. In 2009 a coffee mug was thrown at it by a gazing woman.
Time has provided the foresight to maintain Mona’s beauty. With 2 centimeters of bullet proof glass and an inner casing protecting against heat and humidity the artwork seems safe. But what about the wall ‘holding’ the Mona for all of us to admire?
As a dentist I am prone to notice the wall and that famous Mona Lisa smile. That smile, seen on TV and used in advertising everything from vacations to toothpaste, would be worth little without considering the healthy gums and bone that keep it in place. In other words, without noticing the wall. Years spent in my business have taught me, that if not protected properly, a smile can be stolen from us, chipped, and worn away with acid leading to very costly repairs. If you value your smile then the bullet proof glass is a worthy investment.
By focusing on in-office prevention and care the need for extensive intervention is often averted. It is more time and cost effective to put up and maintain a very impressive wall for your work of art than it is to meticulously rework the masterpiece. This analogy holds true for your teeth, gums and your smile. Maintenance is the greatest security from acid and coffee alike and with it, your smile can continue to break the ice… but I wouldn’t count on 8.5 million visitors. That may be a little more than any of us can chew. For the Silo by Dr. Peter Gunn. Dr. Gunn’s practice is in Port Rowan, Ontario. www.facebook.com/caredental
Supplemental– New Scientist article: Mona Lisa’s smile a mystery no more
In my last Silo travel column, I featured five of my favorite travel destinations in Ontario within 250 kilometres of Niagara. Here’s another five, but this time “on the other side of the ditch”. First, I’d suggest if you travel into the United States frequently like I do apply for a NEXUS pass (www.cbsa-asfc.gc.ca/prog/nexus). This pass is available to Canadian and U.S. citizens and costs around $50.00. It allows you and every other occupant in your car that has the pass to quickly cross over the border and return. It’s saved me hours of waiting at the border. Also be sure to carry health insurance for travel outside of Ontario.
[The nexus card will save you time at US Canada border crossing but part of the application process involves finger-printing and the completed card uses the same controversial RFID technology used across parts of the US Mexico border CP]
Now let’s get down to business…….and in no particular order ;>
Ellicottville, N.Y.
(120 kilometres from the Canada/U.S. border)
This is a place I go to two or three times a year because there’s always something happening. They have 11 festivals spread throughout the year. Ellicottville has a compact pretty-as-a picture postcard downtown. It’s void of big-box retailing. There are plenty of historic brick and wooden buildings that have been re-born as unique, quirky, crayon-coloured stores and restaurants www.ellicottvilleny.com or 1-800-349-9099
Randolph, N.Y.
(140 kilometres)
Not far from Ellicottville you’ll find the tiny village of Randolph. This village and the outlying countryside are deliciously peaceful. You’ll find a large thriving population of Amish families. As you drive the back roads, you’ll pass numerous styles of Amish horse and buggies. Loose your camera for this part of the trip. The Amish don’t like to be photographed. We spent all day visiting and speaking with these fine people who operate numerous businesses along, “The Amish Trail” that are open to the,” English”. Some of the places we visited specialized in toy making, farming, jams, pies, cheese making, quilting, pillows, and rugging. Forget your credit card. The Amish only accept cash and they’re closed on Sundays.
www.NYAmishTrail.com or 1-800-331-0543
Hammondsport N.Y.
(250 kilometres)
I was originally trying to find Watkins Glen when I got lost and stumbled upon Hammondsport N.Y. What a hidden gem it turned out to be. This small community is nestled at the southern end of Lake Kueka and set in a protected valley in New York State’s Finger Lakes region. You can’t be in a hurry here. An old-fashioned town square anchors the village. Historic buildings snuggle side-by-side around its perimeter. The star attraction here is pristine Lake Kueka. There are also well maintained homes on the tree-lined streets date back to the 1800’s.Just on the outskirts of town is the Glenn H. Curtis Museum. It pays tribute to Glenn Curtis a pilot who took the first preannounced flight in America on July 4, 1908.In January of this year Budget travel voted Hammondsport the, “Coolest Small Town in America”. Well, so much for my hidden gem.
www.hammondsport.org
Medina, N.Y.
(69 kilometres)
I have known some great breakfast joints in the past but Rudy’s Diner (closed Sundays) found in this friendly village along the old Erie Canal is one of the best. Just about everything here is made from scratch and reasonably priced in this converted 1940’s Sinclair Gas Station.
This town founded in the 1820’s echoes of the nineteenth century. Check out these things. Their beautifully restored downtown is very walkable. Don’t pass up seeing the Oak Orchard River Gorge and Medina Falls. It’s hard to find so ask a local. On the outskirts of town is the Culvert Road Tunnel. It’s the only arched roadway running under the Erie Canal. This narrow tunnel is like going through the eye of a needle! One must, is a visit to the Medina Railroad Museum (closed Mondays and major holidays).If you have kids they’ll love it and so will you. Tell owner Marty that George and The Silo sent you.
www.medina-ny.com
So there you have it. Enjoy the remaining bit of Summer holidays and remember September and October are beautiful months. For the Silo, George Bailey.
Acupuncture, a word that literally means, “puncture with needle”, has been practiced around the world for over 2500 years. The historical origins of acupuncture are rooted in Traditional Chinese Medicine, and one of key fundamental is the intrinsic balance of energy or “qi” within the body. The best way to visualize this balance is by looking at the well-known yin yang symbol.
Yin [According to urbandictionary.com ying-yang is an erroneous spelling CP] and yang are found everywhere in nature, as complementary opposites, neither exist without the other. Humans are always in a dynamic balance, and optimal health requires the body to be able to adapt to various internal and external changes. Illness arises when this balance is disrupted, and homeostasis is now longer intact.
Traditional Chinese Medicine practitioners found they were able to access the vital energy of the body through the insertion of acupuncture needles into points along the 12 different energetic meridians within the body. These “points of insertion” or “where the needle goes” have been developed over many years of pattern recognition and diagnosis. The goal of acupuncture is to restore normal functions by stimulating certain points on the meridians to restore the body’s flow of energy.
Contemporary evidence- based medicine looks to understand the acupuncture from the reductionist perspective focusing on determining the mechanism of the concern, and diagnosing a neurological dysfunction in the individual. This new type of clinical knowledge has made acupuncture increasingly popular within the western medicine.
Physiotherapists and chiropractors commonly use acupuncture for musculoskeletal problems. This type of acupunctures needling induce a chain of events that results in the release of neurotransmitters and neurohormones resulting in widespread and measurable effects on pain, and tissue healing.
In addition, clinical studies have demonstrated efficacy [the capacity to produce an effect ] for treatment of irritable bowel disorder, insomnia, fertility and support with assisted conception.
While the use of acupuncture has been increasing in popularity, it is important to continue to respect the vast amount of clinical knowledge Traditional Chinese Medicine acupuncture point indications are based in.
Naturopathic Doctors are a wealth of knowledge regarding use of Traditional Chinese Medicine and Acupuncture. We are trained from the Traditional Chinese Medicine background, but embrace the modern scientific explanations of acupuncture to treat a variety of conditions. Training for Naturopathic Doctors incorporates understanding Traditional Chinese Medicine, clinical case taking, and hands on clinical practice utilizing various acupuncture needling techniques. For the Silo, Ashley Beeton ND.
Busy moms share a common stress during the holiday season. There is too much to do, and not enough time to do it. The best way to reduce stress levels is to reduce expectations. The only woman obligated to entertain like Martha Stewart is Martha Stewart. By lowering personal expectations and opting for timesaving options, moms can reduce the pressure they put on themselves. The following are a few of Kleven’s holiday tips and tricks for busy moms:
Purchase holiday baking at fundraising bake sales or from community-based charities. Moms can stock up on a supply of festive treats while supporting worthwhile organizations. Get together with girlfriends for an afternoon of baking. Each woman bakes enough batches for herself and the others. Once cooled, everyone has a selection of festive baking that can be combined on disposable platters ready for gifts giving or holiday get-togethers. Offer to watch a friend’s children while she does her gift shopping. Get her to do the same for you. Shopping without children is faster and less stressful. Moms can also do their gift shopping online, in the comfort of their own homes.
Arrange to have the items shipped to a nearby neighbour or friend, where they can be stored away from prying eyes until just before the big day.
Money doesn’t have to be an issue. Re-gifted items make perfectly acceptable presents. So do homemade treats like cookies, flavoured popcorn, or peanut brittle. Check the internet for quick and easy recipes. Another gift that is sure to please the other moms on the list is an I.O.U. for a free afternoon of babysitting. The only cost to the giver is a few hours of her time, while her friend enjoys a quiet afternoon all to herself.
Simplify entertaining wherever possible. Meet friends for coffee and dessert at a local restaurant instead of at home. The holidays are about spending time with loved ones. Holding the festivities somewhere else ensures that everyone, even the hostess, gets to sit down and enjoy the visit.
If you do decide to invite friends and family to your home, have them drop by in the afternoon. Daylight get-togethers are far less formal. Ask guests to bring finger foods or purchase them ready-made. The selection and quality of hors d’oeuvres, vegetable and fruit platters available at grocery stores has come a long way in the past few years.
Rather than creating a pile of dirty dishes for afterward, pick up plastic cutlery, disposable plates, paper tablecloths, and napkins in festive patterns. For best selection, shop early. This holiday season, prepare for a house full of guests in advance. Borrow sleeping bags and air mattresses from family and friends and tell children they are all “camping out” in one bedroom. This creates extra sleeping areas for grandparents, aunts and uncles.
Over the next several weeks, make double batches of dinners like spaghetti sauce, chili, soups and casseroles. Freeze leftovers to thaw and serve during the holidays.
When planning for meals, go for the easiest alternative. Pick up a mixture of lunch meats and buns for self-serve lunches, and order pizza for dinner one night. By taking a more relaxed approach to the holiday season, busy moms stand a better chance of actually enjoying themselves instead of starting the New Year exhausted and disappointed. For the Silo, Colleen Kleven.
Daniel Johnston is not a secret anymore. Thirteen years ago, in 2005, director Jeff Feuerzeig released the Sundance award-winning documentary on Johnston’s life “The Devil and Daniel Johnston,” his songs have been covered by renowned artists like Beck, Tom Waits and The Flaming Lips and he has also been featured in the 2006 Whitney Biennial of American Art. It seems that over the past few years the enigma that was Johnston has mutated into a proverbial “cult figure.” However this cliché is an inaccurate description. Where is the line between cult figure and pop culture icon drawn? The common theme found in essays and reviews on Johnston’s work is the examination of his mythology rather than the examination of his work. This type of analysis tends to do more harm than good: the myth swells while the work rusts.
The lack of critical texts on Johnston’s artwork is alarming considering that he has exhibited internationally and in his home country of the United States. Moreover, his work resides in numerous public and private art collections (including my own). Anyone even remotely familiar with Johnston’s work can recognize his assorted cast of unusual characters, symbols and motifs like Jeremiah the Frog (refer to images above and below), Vile Corrupt and the Dead Dog’s Eyeball. The latter image surfaces in Johnston’s early work as a result of a traumatic encounter with exactly that, a dead dog’s eyeball. In the book The Life, Art, and Music of Daniel Johnston, Johnston himself describes a childhood incident where he witnessed a dead dog hanging from a swing set: “He got himself caught on the rope and got hanged. I asked this girl where was her dog and she pointed over at him and said right there.” As the authors of the book point out, the same incident was addressed in lyrics from Johnston’s song “Catie” on the album Fun (1994):
I saw the dog hanging on the swing set
I asked the girl
Where was your doggie at?
I walked on down to see my grandpa yeah!
Well I’ve had a lot of horrors
And I’ve had a lot of fears
But the worst of horror
Is when there’s nothing here
What is fascinating about the reproduction of the dead dog’s eyeball in lyrics and illustrations is that it may be connected to the trauma Johnston experienced when first encountering the dead dog on the swing set. Trauma is characterized by an affective shock that has the capacity to wound the body and the psyche, which in turn causes anxiety, stress and other forms of neurosis. Seeing the dead dog’s eyeball during childhood might have registered trauma in Johnston that affects him well into his adult life and it could have taken the form of an obsession (fig. 4). In one particular drawing from his early work Johnston asks himself in bold text, “WHY DO I KEEP DRAWINGS [sic] THESE SILLY LITTLE EYEBALLS?” Here and elsewhere, the artist is consumed by flashbacks of the dead dog’s eyeball to the extent of being overwhelmed.
While Johnston’s manic depression and schizophrenia have been well-documented—and largely contribute to his mythic status—his encounters with trauma and its relation to his artwork have not. Keeping this idea in mind will help to better understand and appreciate the construction and trajectory of his characters, symbols and motifs. It may be time for writers, critics and scholars to take a step back, allow Johnston’s myth to rust and the impact of his work to swell. He is not a secret anymore. For the Silo, Matthew Ryan Smith, P.H.D.
Tarssa Yazdani and Don Goede, The Life, Art, and Music of Daniel Johnston (San Francisco and Colorado Springs: Smokemuse and Last Gasp, 2006). 33-34.
Artificially intelligent humanoid robot, Sophia, will make her first comic convention appearance at the first annual Ogden UnCon June 7-9, 2019. Sophia the Robot, the masterpiece of Hanson Robotics (www.hansonrobotics.com), has captivated nations and has become an internet sensation. Sophia has met with world leaders, addressed the United Nations, appeared on TV shows such as The Daily Show and The Tonight Show starring Jimmy Fallon, and has graced the cover of Cosmopolitan, ELLE magazine, and more. Now, this modern marvel is coming to Ogden, Utah to meet her fans and kick off Ogden UnCon’s first event.
Ever since her unveiling in 2016, Sophia has quickly rocketed to stardom. Sophia is Hanson Robotics’ most advanced human-like robot, created by combining breakthrough innovations in robotics, AI, and artistry. The epitome of artificial intelligence, Sophia is endowed with remarkable expressiveness, aesthetics, and interactivity, and can simulate a full range of facial expressions, track and recognize faces, and hold natural conversations with people.
Just like Ogden UnCon, Sophia shares a remarkable, unique and unexpected story that captivates and surprises, making her the perfect headliner for our inaugural year.
“Sophia is the personification of the comic con spirit.” says Russ Adams, Ogden UnCon founder. “She is science fiction, fantasy, technological marvel, and superhero come to life. And we are honored she is making her geek-dom debut at Ogden UnCon.”
Fans attending Ogden UnCon will have the chance to engage with Sophia as she greets them on celebrity row, performs on multiple panels and parties with other celebrities and VIP ticket holders at the UnCon VIP Party. Other celebrities such as Naomi Grossman of American Horror Story, Amy Hill of Preacher, Neil Kaplan of Voltron: Legendary Defenders, and many more who have yet to be announced, also round out the show’s guest list.
“Ogden UnCon is going to be a huge event for Ogden,” shares Ogden Downtown Alliance’s Danielle Collier, “not only will it bring guests to share in all Ogden has to offer, but it will drive our local economy, add excitement in a different realm and create an opportunity to celebrate arts and culture.” This three-day event will bring $700,000 USD in economic impact to local businesses.
Ogden UnCon is focused on bringing unconventional shows, panels, workshops and celebrity guests to Northern Utah. As Ogden’s “Untamed & Unconventional” popular culture con, this convention seeks to inspire and support local artists while entertaining and thrilling our community.
Innagural Ogden UnCon
June 7-9, 2019
Ogden Eccles Conference Center
2415 Washington Blvd, Ogden Utah 84401
Tickets for Ogden UnCon go on sale October 1, 2018. To see a full celebrity lineup and purchase tickets visit OgdenUnCon.com. Stay up to date with happenings and announcements by following @OgdenUnCon on Facebook, Twitter and Instagram.
About Ogden UnCon
Ogden UnCon is a limited liability company and an annual event dedicated to the appreciation of pop culture, its creativity, and art forms. Through our convention, we will shine a light on the arts, artists, and city of Ogden, Utah.
http://www.ogdenuncon.com/
https://www.facebook.com/OgdenUnCon/
https://twitter.com/ogdenuncon/
https://www.instagram.com/ogdenuncon/
About Hanson Robotics Limited
Hanson Robotics Limited (HRL) is an AI company dedicated to research, robotics and the creation of the world’s most realistic humanoids. We quest to create robots with intellect, empathy and wisdom, traits future AI technologies and robots will need in order to solve some of humanity’s toughest problems. Led by renowned roboticist, sculptor and former Disney imagineer David Hanson, HRL recently received the prestigious 2018 Edison Prize for Robotics. For more information, please visit http://hansonrobotics.com.
I first took notice of this film because of where I live- which is not that far away from Long Point, Ontario, a mecca for birdwatchers. I find that it’s a more immersive experience to watch a movie that is connected thematically in some way to the sorts of activities that the area I live in has to offer. This reinforces the suspension of disbelief while watching and serves to supercharge the imagination. If you live in a seaside community and you’ve ever watched Jaws followed by a bit of swimming you know exactly what I mean.
Back to the birds
The main story arc of The Big Year goes a little like this: A ready-to-retire-but-not-quite-sure-its-the-right-time-to-retire businessman and a mid-thirties-divorced-unemployed-savant (he can identify any bird just by hearing a few notes of its birdsong) aim for beating the current single year record of bird sightings. In the parlance of the ‘birding’ community, this is known as doing a ‘big year’. The current record holder, played by Owen Wilson, is the rock-star of the ‘birding’ community and is completely obsessed with stopping anyone else from beating his record- even if this means missing the birth of his child and ruining his second marriage.
Highly competitive obsession
I always believed that birding was a slowly paced albeit serious hobby but this movie turns the notion on its head. The story develops and moves quickly. The characters are highly competitive and race against each other as the suspense and intensity builds.
The Big Year is satisfying, clever and funny . If you are a birder there is a good chance that you will love this movie (especially if you can relate to the obsessive compulsive behavior of the main characters) but then again you might end up blaming this movie- you might decide on doing a big year and to hell with anything and anyone in your path. For the Silo, Doug McKenzie.
Supplemental- The Big Year:A Tale of Man,Nature and Fowl Obsession by Mark Obmascik. http://www.pbs.org/newshour/bb/entertainment/jan-june04/bird_04-12.html
The brief: Wild animal prints have come roaring back onto the fashion scene for the past few years. From handbags and shoes to diaper bags and bed linens, this hot, fun and funky trend seems like it’s here to stay. This trend has also extended into the jewelry world with the dark colored prints and animal-shaped jewelry pieces.
Chelsea Taylor leads the pack with a collections of rings, bracelets, and earrings, perfectly designed and crafted to complete your ensemble. How can you enjoy this fun trend and bring out your wild side? E-A-S-Y. By incorporating Chelsea Taylor’s animal inspired pieces into your wardrobe.
Each jewelry piece is designed with perfectly placed Swarovski crystals in various sorts of colors, creating elaborate patterns and designs fit for every occasion. Chelsea Taylor Jewelry is being worn by celebrities such as Debra Messing, Miss Jay Alexander from Project Runway, Jill Zarin from Real Housewives of NY, Tinsley Mortimer and many more.
More About Chelsea Taylor: Chelsea Taylor is all about big and bold, simple and sweet, statement and layering pieces, enamels, floral, retro 70’s and 80’s looks, animal motifs, and more. Everything is customizable and available in up to 19 different shades. Certain colors available, olivine, amethyst, blacks hematite, fuchsia, peach, topaz, smoky brown, and more, for particular pieces retail at about $200 usd. In addition to the website, the collection can be found in The Mandarin Oriental, Las Vegas’ Bellagio, MGM, and retail jewelers / boutiques throughout the country. For the Silo, Belagio Dubois.
I used to watch more foreign films. In my idealistic twenties I guess. But lately I’ve gotten lazy, and when I sit down for a movie the last thing I want to do is read subtitles. I do make some exceptions however. This is fortunate, for there are some truly exceptional films out there not made in English. And really, after five or ten minutes I completely forget I’m reading anyway.
A few years ago, I caught two incredible French films on Netflix Canada that I still highly recommend. The first is 2010’s Les Emotifs Anonymes (Romantics Anonymous), a genuinely delightful romantic comedy that follows the formula to some extent, but also transcends it with the originality of its script and the utterly captivating performances of its leads.
The formula I’m referring to is this: two attractive people meet, there is instant chemistry, and then numerous obstacles appear to twist and turn the plot and thwart their progress in realizing their love. The difference here is that the male and female protagonists look like real people, and the principle obstacles at play are their near crippling anxiety disorders.
How refreshing it is to watch a female lead (the luminous Isabelle Carre) who is truly “pretty as a picture,” but with imperfect hair and very-little-to-no makeup, make sparks and then run away from a co-star (Benoit Poelvoorde), who looks like the quintessential everyman, and, simultaneously, like a quirky and charming French gentleman.
This is a laugh out loud comedy that may have you, by the end, falling in love with one or both of these marvelous, messed up characters and doing some deep, warm smiling in the process, something I value most highly.
The second film, Coco Avant Chanel (Coco Before Chanel), goes back to 2009 and stars French beauty Audrey Tautou (Amelie, Dirty Pretty Things) as the now iconic Gabrielle “Coco” Chanel.
In this outstanding bio-pic we watch Chanel transform from a smart but bitter young woman in late 19th century France who must overcome obstacles of her own—in this case gender and poverty, two major impediments to success and independence at that time—to realize her dream of something greater. We watch that dream, vague at first, take greater definition and clarity until Chanel is revealed as the creative and business genius whose name would become a household word and whose designs would literally revolutionize women’s fashion in the west.
Gone are the restrictive corsets http://www.marquise.de/en/themes/korsett/korsett.shtml and meringue-y feathers and frills; Chanel was inspired to make clothes for women that were simple, elegant, modern and, perhaps most revolutionary of all, comfortable to wear. Tautou herself, as Chanel, becomes more compelling and beautiful as her character gradually realizes her destiny. And I would be remiss not to mention another dynamite performance by Benoit Poelvoorde, whose demeanor is so different in this film that I didn’t even recognize him as the same actor. Of course he has a mustache here as well—devious disguise.
This story solidifies Chanel’s stature as the woman who changed the direction of western fashion and created couture. How many artists have such a profound effect on their culture, let alone in their own lifetimes? Chanel continued to work until her death in 1971. Both films can be found by searching their English names on Netflix or, if you’re lucky, at your local video store. For the Silo, Alan Gibson.
Supplemental: If you enjoy foreign, kooky, and subtitled films, spend a few minutes at Backyard Asia. There’s some solid trailer action and a bunch of info stuff CP http://backyard-asia.blogspot.ca/2011_01_01_archive.html
Indeed, the prevalence of roadside memorials has increased significantly over the past several decades and there is little doubt that each of us has encountered them at some point. Roadside memorials are essentially visual manifestations of profound suffering and loss. They mark the site where a motor vehicle accident has occurred and the death that resulted from it (however , many memorials, especially in major cities, have little to do with motor vehicle accidents and more to do with cycling accidents, innocent bystanders or anything else that faithfully marks the site of passing).
In areas where large gravestones or plaques cannot be placed, for a variety of reasons, makeshift memorials take their place. These sites grow with each flower, ribbon or object and deplete with the wind, rain or snow; they are in a continuous state of flux. The organic quality of roadside memorials may directly reference the very epehemerality of life itself. Moreover, in their various forms and inclinations, they challenge Western society’s visual seperation of the living from the dead; therefore, as they subsist, roadside memorials carry the spectre of mortality into the public sphere, a space where even speaking of death remains taboo.
Post-mortem/momento mori photography during the Victorian age is a fascinating though dark and unsettling movement.
Encountering the idea of death may be one of the reasons why people take issue with the appearance of roadside memorials. For them, they represent a veritable “distraction” while driving, are considered “unsightly” or a “vandalism of public property”. For the families of the deceased, roadside memorials allow the opportunity to mourn their loved one(s) at the very place of their passing. The level of emotion generated by being near the actual site where a loved one has died is different from standing beside their final resting place in segregated communities of loss that are the modern cemetery.
Not only are roadside memorials, as markers of loss, important to the families and groups that maintained a relationship to the deceased, but they powerfully address the living by acting as memento mori (reminders of death). It is through them that one may better appreciate the present.
Toronto-based photographer Erin Riley’s series of photographs depicting roadside memorials in and around the Greater Toronto Area (GTA) specifically engages the publicization of loss and its visual manifestation. Riley’s images are strikingly beautiful and skillfully composed, yet they raise ethical questions precisely because they aestheticize markers of death sites by transforming them into visual objects to behold. This theme was explored in Jarrod Barker’s April 2010’s Umwelt at the Norfolk Arts Center with a central piece depicting a virtual gallery memorial in conjunction with projected audio/video loop of a recently deceased Deer- struck down by a motorist, the piece becoming essentially a rural memento mori.
Another question concerns the identification of deceased individuals and whether or not their names should be made public through the vehicle of art. That being said, Riley’s photographs do provide an eloquent record of roadside memorials within the GTA and speak to their social and cultural value. Ask yourself: where do you stand on this issue?
It would seem that, for the families of the deceased, roadside memorials serve the purpose of exactly that: the memorializatin of a life. [ “even” an animal life CP ] They also serve a function for the living, reminding us that life is fleeting and that the dangers of the road are real. Ultimately, rather than causing drivers to collide, roadside memorials may force drivers to more aware of the consequences of speed, negligence and drunk driving. May roadside memorials continue to stand where lives have fallen. For the Silo, Matthew Ryan Smith.
Supplemental– http://www.rideofsilence.org/memoriam.php
Asa Soltan Rahmati has had many lives. From fleeing Iran as a child and living as a refugee in Germany and then the U.S. to becoming a celebrated reality television star on Bravo TV’s Shahs of Sunset; from launching a successful designer line of women’s kaftans to becoming a brand new parent with beau Jermaine Jackson Jr. – she is a master of reinvention and personal-betterment. In her newest life – as a published author – she sets out to empower other women to truly love themselves and take control of their own destinies.
Her book GOLDEN: Empowering Rituals to Conjure Your Inner Priestess is hitting bookstore shelves now. In it she shares seven sacred rituals that she developed throughout her life as she went from refugee (twice) to “artsy” to the Persian Pop Priestess that fans of Shahs of Sunset have grown to admire. I’d love to send you a copy of the new book for consideration of coverage in an upcoming story.
Asa’s life has been a filled with great challenges and deep loss, but through it – and through her outsider status – she learned to face life fearlessly and with her own style. From her self-love ritual to her chapter on confidence (“Radiate Beauty from the Inside Out”), Asa provides readers with the ultimate “green juice, master cleanse and z pack” for life. It all starts with her Priestess Detox, the total mind, body, soul cleanse to get the reader in touch with her own Inner Priestess. Asa’s ability to translate her rituals have helped hundreds of thousands of her fans become more empowered. GOLDEN is her gift to them and to anybody who is ready to take control, learn to love themselves, and face the future with confidence and strength.
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It’s dangerous to pick winners. Everyone knows that and yet it’s difficult to not put your stamp, your intuition and your ego into choosing a winner. Heck, some folks even make a decent living out of it. They’re called critics and advertising executives and sometimes they’re known as a marketing committee.
But just for a moment let’s consider what it means to be in a position of influence- your very thoughts and words will ripple out and possibly affect opinion, access to resources and ultimately success or failure. Choosing winners should be done with the utmost caution. (Does anyone remember Dewey defeats Truman? Okay that is a bit obscure….what about the story of The Beatles being rejected by the first batch of record labels they approached? “Sorry, Lads- You’ll never make it in the music industry”). This holds true for social media and the internet- no one and I repeat NO ONE should be promulgating ‘accepted and preferred methods of blogging, tweeting, linking et al. After all, censorship is just another form of propaganda and that’s bad right?
The internet is perhaps the last true vestige of individuality, of a digital ‘Wild, Wild West’, of a digital ‘Gold Rush’. Choosing winners is not always a bad idea if it’s done without malintent. It’s a great form of entertainment (Dave’s Top10 list) and conversation and debate (Top 10 universities in Canada) but when a list is garnered based on subjective criteria (“Sorry, Lads- You’ll never make it in the music industry”)- one must question the motivation and prevent ‘cronyism’.
A gala premiere screening party for King of the Dancehall was well attended on Sunday, September 11th at the Toronto Film Festival.
Star watchers noticed Film star and director Nick Cannon in attendance as well as additional talent from the film including Busta Rhymes, Kreesha Turner and Kimberly Patterson. Adding to the excitement, Kardinal Offishall, Extra’s A.J. Calloway, professional boxers Lennox Lewis and Adonis Stevenson, Drew Dazzle, Louis Gossett Jr. and more, also stopped by EFS for CIROC cocktails and to congratulate the cast.
*Main Photo credit: Matt Winkelmeyer / Wireimage
“The Countess of Beverly Hills Mansions” Before Paris Hilton and Kim Kardashian, socialite Dorothy Taylor may have been the first Hollywood celebrity who wasn’t in the entertainment business. She was the ultimate party host and frequent 1930’s scandal rag fodder. Her lovers included Gary Cooper, Bugsy Siegel, George Raft and an Italian count.
Dorothy’s trip to celebrity fame began after she inherited $12 million in 1916, the equivalent of about $275 million today. The first thing she did with her money was divorce her British aviator husband, Claude Grahame-White, and embark on a long party in Europe’s best circles. In 1923, she married Italian Count Carlo Dentice di Frasso, many years her senior. On the outskirts of Rome, the new countess acquired and restored one of Europe’s most famous homes, Villa Madama, that had been designed in the sixteenth century by Raphael. It was later used by Benito Mussolini during World War II for National Fascist Party functions.
While residing in the villa, actor Gary Cooper was doing a movie in Rome and became quite ill. Dorothy took him in and during his recuperation began an intense affair with him under her husband’s nose. Since she and the count were at that point leading separate lives, Dorothy went on with the affair and moved to Hollywood where she purchased a mansion in Beverly Hills. Making friends of some of Hollywood’s most important stars through her Cooper connections, Dorothy called in the best decorators and landscapers and created a luxurious estate that was classic Art Deco filmdom glamour. Dorothy and Cooper eventually went their own ways but remained distant friends. She was always known as the woman who taught Gary Cooper how to dress, making him the most elegant man in Hollywood.
Through her new Hollywood friends, Dorothy eventually rented her mansion to Marlene Dietrich and headed off to search for sunken treasure on the studio-owned schooner, Metha Nelson; Captain Bligh’s ship in the 1935 movie “Mutiny on the Bounty.” Also on the ship was American gangster Bugsy Siegel. Although the trip turned into a disaster when the schooner was tossed violently by 70 mile-per-hour gale winds that split the main mast and destroyed the sails, it was the start of a new affair with Bugsy. She always rejected gossip of her association with Bugsy, instead referring to him as Benjamin to her friends.
In 1947, Dorothy sold the Beverly Hills house to MGM pianist Jose Iturbi, who lived there until he died in 1980. In 1954, Dorothy died of heart failure in a train compartment while she was traveling with George Raft from Las Vegas to Los Angeles after attending one of Dietrich’s performances.
Once again for sale, the beautifully preserved Spanish Revival estate hasn’t changed much since its heyday in the 1930s when it was featured in “House and Garden.” At approximately 8,000 square feet, it has four bedrooms and five baths on 1.12 acres. The home was built for entertaining with large public rooms and although it looks like wallpaper, the walls are covered in hand-painted murals. In the dining room, the walls are mirrored verre églomisé panels that depict towering palms. There is also a two-bedroom guest house and pool nestled within the mature landscaped grounds. The asking price is USD $26.9 million. Dimitri Velis of Hilton and Hyland in Beverly Hills is the listing agent. For the Silo, Terry Walsh.
Visit our friends at TopTenRealEstateDeals.com for more famous homes and real estate news.
Donald Trump was born into the real estate business in 1946 in New York City where his father, Fred Trump, was a developer. Donald got a jump-start in the business while he was still in college in the 1960s working menial jobs at his father’s lower middle-class apartment complex in Cincinnati. In 1971, he moved back to New York City where he took over his father’s company changing the name to The Trump Organization and earned a reputation as a fast-rising real estate tycoon on hotel, condominium and casino projects. In 1986, he made a deal with New York City Mayor Ed Koch to renovate Central Park’s Wollman Rink. The ice skating rink was going on its seventh year of renovations when Trump volunteered to finish and finance the restoration with his own money. He completed the job in just three months.
With his business success and wealth, Trump owns a roster of mansions. His main home is a posh three-level penthouse at Trump Tower on New York’s Fifth Avenue where he also runs his vast business operations. Also in the Gotham area, in 1996 Trump purchased a 60-room mansion in Bedford, New York with three pools and a bowling alley. He later bought Albemarle, a 23,000-square-foot mansion, vineyard and winery on 2,000 acres in Virginia for $12.7 million, a fraction of the original asking price of $100 million. Trump also keeps a large home on Rodeo Drive in Beverly Hills.
When he isn’t running for president, firing someone or saying something controversial, Trump relaxes at his Mar-A-Lago mansion in Palm Beach, Florida that he purchased in 1985 for $10 million. The 1920’s mansion with 62,000 square feet and over 100 rooms was originally built for Post Cereal heiress, Marjorie Merriweather Post. Trump upgraded it to a private resort with initiation fees of $100,000, annual dues of $12,000 and nightly rates up to $3,000. Mar-A-Lago guests have included Bill Clinton, Regis Philbin, Tony Bennett and Barbara Walters.
Trump was only 35 in 1982 when he and wife, Ivana, purchased their first mansion, a 5.8 acre home on a peninsula in Greenwich, Connecticut for $4 million. Always a family-oriented business, Ivana was also remodeling the Plaza Hotel in Manhattan in the early 1980s and was able to incorporate many of the same materials in the decoration of their new home creating a residence dripping in gold leaf, elegant chandeliers and crown moldings. When they divorced in 1991 after 15 years of marriage, Ivana won the mansion in the property settlement. She sold the Greenwich home for $15 million in 1998, and the mansion’s new owners immediately began a renovation to tone it down to more livable neutrals and added tennis courts as well as a 4,000-square-foot addition which includes guest suites, a lap pool and a sauna. It is currently for sale at $54 million.
Originally built in 1939, the 19,773-square-foot Georgian Colonial-style main house and a guest house have eight bedrooms, thirteen baths, a three-story rotunda foyer with double grand staircase, formal rooms overlooking views of the pool, grounds and Long Island Sound, home theater, a putting green, multiple terraces and patios, tennis courts and three fully-equipped staff apartments.
Awaiting a new Greenwich billionaire resident, Donald Trump’s former Connecticut mansion with major additions, six waterfront acres and private boat dock. The listing agent is Tamar Lurie of Coldwell Banker in Greenwich, Connecticut.
Real estate is never boring at TopTenRealEstateDeals. Check out today’s most entertaining, important and unusual real estate news stories of the week. News such as “Obama Vacation Home For Sale,” “Bacall’s Dakota Apartment Sells At Big Profit” and “New York’s First Penthouse.”
Visit TopTenRealEstateDeals.com for more historic, spectacular and celebrity homes.
Cedar Waxwings are sleek, masked birds found year round in our area with unusual red, waxy deposits at the tips of their secondary feathers. They are cinnamon-colored, with grayish wings and tails and yellow terminal tail-bands. They have distinctive crested heads, black throats, and black masks lined with white.
The Cedar Waxwing is one of the few North American birds that specialize in eating fruit. It can survive on fruit alone for several months. They also eat flying insects and can often by seen fly-catching, particularly over Haldimand and Norfolk County streams.
Cedar waxwings are very sociable, non-aggressive birds that often travel in flocks, though they may pair off during breeding season. It is very rare to find solitary waxwings. Because they frequently feast on overripe fruit, these birds can become “drunk” on the fermented juices. For the Silo, Dixie Greenwood.
Miriam Toews’ Irma Voth follows the trials and tribulations of a rebellious, yet eager to please, 19 year old young woman from a strict Mennonite community near Chihuahua. The story begins with Irma recalling the failure of her marriage to local Mexican man. Irma provides the reader with a brief glimpse into her past while she pines over her botched marriage. Her family’s mysterious and seemingly unexplained relocation from the Canadian prairies and her father’s disapproval and disownment over her marriage are vaguely addressed. The story, told by Irma, weaves her past with her present in an effort to understand her situation and the situation of those around her. In her attempt to reason and understand her surroundings, Irma reveals what she knows and what she longs to understand.
As Irma guides the reader through her interactions with the family and community that has cast her aside, the reader catches a glimpse into her very foreign and complex world. As the story unfolds, different characters are exposed. Irma’s younger sister, the 13-year-old Aggie, sees her older sister’s life as an adventure and longs to follow in her footsteps—however resistant Irma may be to this. Aggie’s innocence seems to mirror what Irma has lost in her recent actions and through her actions, the reader can understand the difficulty facing Irma: protecting her sister vs. letting her find her own way, no matter what mistakes she may possibly make. The reader cannot help by admire Aggie’s eagerness and lust for life. Irma robustly contrasts this and the reader is left to try to decipher Irma’s motivations.
The novel is told through the eyes of Irma. Much of the dialogue and action is driven by Aggie’s character. Irma takes the position as an observant watcher, but through her actions and inner musings, drives the plot and offers the reader a detailed insight into her past. Not until the end does Irma take a long overdue aggressive stand and make bold moves for reasons she feels justified in. With an ending that will resonate with any reader, this novel tells a haunting tale of moral obligations and maturity.
Sarah Purdy is an educator and a book and literary reviewer for The Silo. Search “Sarah Purdy” from our site to read more Canadian book reviews.
The stunning three sheet movie poster for the lost 1926 Paramount big budget silent film The American Venus realized $35,850 to lead the day in Heritage Auctions’ July 25-26 Vintage Movie Posters Signature Auction in Beverly Hills. The auction realized, in total, more than $1.45 million. All prices include 19.5% Buyer’s Premium.
“Demand was steady and prices were, overall, quite good across the more than 1,300 lots we featured in this auction,” said Grey Smith, Director of Movie Posters at Heritage. “We saw a trifecta of focuses in this auction as collectors went after early Hollywood, Disney animation and Universal Horror. At the end of the day, we were all quite pleased with the solid results.”
The American Venus (Paramount, 1926) three sheet is a film that is now lost to history, minus a few trailers. What is known about it, however, is that the poster spectacularly features Louise Brooks, though this was only her second film appearance. She was relatively unknown at the time and her role in the film was very minor. The producers, however, obviously realized her star potential as they featured her exclusively on the poster. Brooks would go on to become one of the most iconic female stars of the late silent era.
“Brooks crafted a personal style that left an indelible mark on 1920s popular culture that’s still imitated today,” said Smith. “She achieved a cult status rarely garnered by entertainers of that time and is clearly a star that still resonates with collectors at the top of the hobby.”
Rare and early Disney posters always create a stir when they appear at auction and the presence of a 1932 United Artists one sheet for Disney’s The Wayward Canary, depicting Mickey and Minnie Mouse, set collectors buzzing on its way to a $26,920 final price realized. Released in November 1932, the same year that the Academy awarded Disney a special Oscar for his creation of a nationwide phenomenon, Mickey Mouse, this is a key addition to any top Disney collection.
Universal Horror posters are still the gold standard in movie posters and this auction boasted several prime pieces from the top films of the genre, including a beautiful pre-war 1935 Belgian one sheet for Bride of Frankenstein, James Whale’s sequel to his 1931 masterpiece Frankenstein that quickly became a classic in its own right, realizing $20,315 from a determined collector, while a 1943 one sheet for Frankenstein Meets the Wolf Man — often cited as one of the best posters in the Universal horror cannon — was the subject of intense collector interest before finding a new home at $15,535.
Time flies. Seven years ago, The Silo visited the AGO’s Picasso exhibition. We were not disappointed. Approximately ¼ of the entire second floor was dedicated for displaying works from Picasso’s private collection. That’s right- these are the pieces that Pablo himself deemed specially significant for archiving and for his personal reflection. We were not disappointed.
Organized by the Art Gallery of Ontario (AGO) and the Musee National Picasso , Paris- the exhibition is chronologically organized with each period having its own dedicated gallery space and covers the following phases of Picasso’s VASTLY productive lifetime: From Spain to Paris 1900-1905 Ancient, African and Oceanic Inspirations 1906-1909 Cubism, Collage and Constructions 1909-1915 Classicism, Marriage and Family 1914-1924 Surreal Anxiety and Desire 1924-1934 War Paintings 1936-1951 and lastly The Joy of Life and Last Years 1950-1972
According to the Picasso’s Picassos (Picasso’s Early Life and Art) on pg 2 of the AGO’s exhibition catalog, Pablo Picasso was recognized as “an artistic prodigy and began…formal artistic training when he was only seven years old” with his father, who was a painter and an art teacher. For the next 85 (!) years Picasso would go on to not only change the art world, but would leave behind a vast legacy that is as fresh and relevant today as it ever was. Strolling around this fine exhibition and noticing how the other visitors were dressed is proof enough for this writer that Picasso’s influence on society is far from over. For the Silo, Jarrod Barker.
KATUSHA VOLUME ONE: EDGE OF DARKNESS, the first of a three volume graphic novel series by historical graphic novelist Wayne Vansant, is now available exclusively in digital format from digital publishing imprint Grand Design Communications.
KATUSHA is a coming-of-age story set in the Eastern Front of World War II, following the life of a Ukrainian farm girl Ekaterina Tymoshenko, nicknamed Katusha, starting with the invasion of the Soviet Union by Nazi Germany in 1941. The three-volume graphic novel, which when finished will total 540 pages, follows her journey from farm girl to partisan fighter to tank commander in the Red Army, along the way participating in the Battles of Stalingrad and Berlin, among others.
During the second world war, hundreds of thousands of Soviet women served in the Red Army as pilots, snipers, tank drivers and other essential roles. Although KATUSHA is a work of fiction, Vansant based his story on interviews he conducted with living veterans in Ukraine and extensive research. He will return for another trip this fall, to conduct more interviews and do research on locations.
KATUSHA VOLUME ONE: EDGE OF DARKNESS, the first of three volumes, is out now exclusively in digital format for iPhone, iPad, Android, and in-browser reading. It is available in two formats – as six separate chapters priced at $.99usd each and as a single one hundred eighty page edition priced at $4.99usd, and can be purchased through iVerse’s ComicsPlus app and from Grand Design’s electronic storefront on iVerse’s website.
A native of Marbleton, Georgia, writer/artist Wayne Vansant has created many historical graphic novels – both fiction and non-fiction – in a career spanning more than twenty five years. His non-fiction graphic novel about the Allied invasion of Europe in World War II, NORMANDY, were be published in September by Zenith Press.
His recent collaboration with writer Dwight Jon Zimmerman, THE HAMMER AND THE ANVIL (2012), a graphic novel about Abraham Lincoln, Frederick Douglass, and the end of slavery in America was published by Hill and Wang, and Vansant was the primary artist for Marvel’s The ‘Nam for more than five years.
His other non-fiction graphic novels on military history include DAYS OF DARKNESS, ANTIETAM: THE FIERY TRIAL (with the United States National Park Service), BLOCKADE: THE CIVIL WAR AT SEA, and THE VIETNAM WAR: A GRAPHIC HISTORY.
Within the past 12 years I have traveled to and written about over two hundred travel destinations, many within a few hours drive of Niagara. That said, I ‘m often asked what are my favorites. Well, I’ve finally taken the time to think back and jot them down. Before I begin, I should say that I have learned to love the journey just as much as the destination. My primary route to get to a place, when possible, is usually the back way, not the highway, preferably with lots of twists and spectacular scenery. I don’t sweat about getting lost; I’ve found some of my most interesting adventures that way. Another thing that makes for a pleasant journey is to travel on the arm of someone you love. The following are the Coles Notes version of some of my favorite trips.
Port Rowan, Ontario (138 kilometers)
When you discover this lovely community that hugs the northern shoreline of Lake Erie you’ll be charmed. Nothing shouts. When we walked their tiny main street, which consisted of restored century old stores, we could feel the past. At one end was one of the prettiest habors in Ontario. The whole world slows down when we walked the mature tree-lined side streets where we found historic turn-of-the-century homes that called out to be photographed. If you decide to stay over there are plenty of cozy Bed and Breakfast places to choose from.
Stratford, Ontario (159 kilometers from Thorold- the center of Niagara)
This is a jewel of a city located on the Avon River surrounded by a plethora of affordable eateries, restored Victorian homes on streets lined with majestic mature trees. We fell in love with their walkable downtown filled with plenty of unique shops and a majestic 12–sided red brick building with Queen Anne features built in 1898-99 that serves as their City Hall. The place was buzzing with life. Stratford Tourism offers two free escorted walking tours, a Downtown Historic Tour and a River Walk Heritage Tour.
And of course, there’s the Stratford Festival which serves up top-notch live theater. This season’s calendar opened in mid-April with the musical 42nd St.
This is the home of teen idol Justin Beiber and your teenagers can get a free map from the tourist folks outlining his favorrite places.
www.visitstratford.ca or 1-800-561-7926
Elora, Ontario (126 kilometers)
This lovely 177 year-old village is a place that will grow on you the minute you arrive. It’s located on the Grand River where the Elora Gorge begins. Check out the magnificent waterfall and the high rock known as The Tooth of Time, behind the Elora Mill Inn.
We continued to explore the shops, boutiques and restaurant found on Mill and Metcalfe Streets. One unique shop is The Village Olive Grove. It’s one of the few stores in Canada that sells (and allows you to sample) exceptional olive oils and vinegars. One site not to miss is the reflection in the Grand River of the back of the downtown stores.
www.elorafergus.travel or 519-846-0971.
[If you are planning a long road trip with a dash of night driving- remember to fully rest up and stop driving when you are feeling tired CP]
Lindsay, Ontario (229 kilometers)Lindsay is the gateway to the Kawartha Lakes tourist region. It’s pretty as a picture. One of the main features is Kent Street, the town’s wide main street. It looks like a Norman Rockwell painting. The first to fall under the lens of my camera was the renovated 1893 Academy Theatre at one end of town. Lindsay’s renovated City Hall and Firehall also weren’t too shabby to photograph.
Their Saturday morning Farmer’s Market proved to be a real farmer’s market. It was filled with real farmers who sold produce they have grown on family owned farms for centuries. www.explorekawarthalakes.com or 1-866-397-6673
Aylmer, Ontario (187 kilometers)
Like many of my trips, you have to look beyond what’s found in the tourism publications to experience a community. It’s more than the location of the Ontario Police College. It has a large farming community. Take a ride along the back roads where you will share the road with an industrious Amish community who travel by horse and buggy and operate farms without most modern-day luxuries. Aylmer’s indoor/outdoor Farmer’s Market held on a Tuesday is top-notch. Check out the nearby quaint village of Sparta where you’ll come upon examples of restored period homes dating back to 1825.Don’t miss visiting the Winter Wheat attraction set in a five-acre forest of towering pines.
http://www.aylmer.ca/. or 1-519-773-3164.
for the Silo by George Bailey wonderful.life@sympatico.ca
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Toronto – GPO leader Mike Schreiner is calling on the McGuinty
governmentto dedicate1% of the transportation infrastructure budget
to cycling and another 1% for pedestrians. Sustainable infrastructure
is a sound investment that will help people choose healthy
transportation options.
[The song featured is by Mercury and was supposedly inspired by his observing a leg of Tour de France. It starts with a chorus unaccompanied by instruments. The chorus is followed by two verses connected with a bridge, both followed by a chorus. Around the middle of the song there is a solo played with numerous bicycle bells. During the live performances, it was often played by the audience who specially brought the bells for this purpose. The song has a very unusual chord progression with numerous modulations, a change of meter (from 4/4 to 3/4) in the bridge, and the multitracked vocal and guitar harmonies.
The video for the song became scandalously famous for featuring 65 naked women, all professional models, racing at Wimbledon Greyhound Stadium. It was filmed by Dennis de Vallance. The group rented the stadium and several dozen bikes for one day for filming the scene; however, when the renting company became aware of the way their bikes were used, they requested the group to purchase all the bicycle seats. The original video uses special effects to hide the nudity.
“Bicycle Race “é um single da banda de rock inglesa QUEEN. Foi lançado em 1978, no álbum JAZZ e escrito pelo vocalista da Queen FREDDIE MERCURY. Ela foi lançada como um duplo lado-A única juntamente com a canção” Fat Bottomed Girls “. A canção é notável por seu vídeo com uma corrida de bicicleta com mulheres nuas em Wimbledon Stadium, que foi editado ou mesmo proibido em vários países. A canção tem uma progressão de acordes muito incomum com modulações diversas, uma mudança de metro (de 4 / 4-6 / 8) na ponte, e os vocais multipista e harmonias de guitarra.
A canção foi escrita por MERCURY e foi supostamente inspirado por sua observação de uma perna do Tour de France. Ela começa com um coro acompanhados por instrumentos. O coro é seguido por dois versos conectado com uma ponte, ambos seguido por um coro. Ao meio da música há um solo com sinos de bicicleta numerosos. Durante as apresentações ao vivo, muitas vezes era tocado pelo público, que levavam os sinos especialmente para esta finalidade.
O vídeo para a canção tornou-se famoso por escandalosamente com 65 mulheres nuas, todas as modelos profissionais, competindo em Wimbledon Greyhound Stadium. Foi filmado por Dennis de Vallance. O grupo alugou o estádio e várias dezenas de bicicletas durante um dia para filmar a cena,. Porém, quando a empresa que alugou tomou conhecimento da forma como as suas bicicletas foram usados, eles pediram ao grupo para adquirir todos os assentos das bicicletas, o vídeo original usa efeitos especiais para esconder a nudez. Courtesy of http://www.youtube.com/user/lcsRamone CP ]
“If Premier McGuinty can find $1 billion dollars to build his
‘people’s highway,’ why can’t he find a few million dollars to make
streets safe for people?” asks Schreiner.
Today marks the launch of Bike Month in the City of Toronto. Cycling
plays an important role in the health of our citizens, strengthening
our local economies and our general quality of life.
Quebec spends $200 million on cycling infrastructure and earns $135
million each year from bicycle tourism alone. The US dedicates 1.6% of
its transportation budget for states to invest in cycling
infrastructure. Ontario has no dedicated funding to support cycling or
pedestrian infrastructure.
“Ontario needs infrastructure if we are serious about making our
streets and roads safe,” says Schreiner. “A small investment to
support cycling will reap big rewards — combating gridlock, reducing
health care costs and supporting local businesses.”
Two Danish studies showed that when 1% of car drivers switched to
riding bicycles, health care costs were reduced by 1%. Copenhagen
saves $300 per person per year on health costs because almost 80
percent of its population bikes regularly. Cycling and walking
projects create 11-14 jobs per $1 million spent, compared to just
seven jobs created per $1 million spent on highway projects. These and
other studies show that Ontario cannot afford not to invest in cycling
infrastructure.
The GPO’s 1% percent solution would create two funds for
municipalities to access the dollars they need for cycling and
pedestrian infrastructure. By doing so, Ontario would finally
recognize that cycling and walking are important forms of
transportation for growing numbers of Ontarians.
“We need a Complete Streets Act in Ontario to ensure that our streets
are safe for all users: cars, trucks, bikes, pedestrians, wheeled
mobility devices, and transit users” says Trinity-Spadina candidate
and GPO critic for transportation Tim Grant.
Jaymini Bhikha
(O) 416-977-7476
(C) 416-275-8573 [1]
jbhikha@gpo.ca
For the Silo by Green Party of Ontario
PO Box 1132
Toronto, ON M4Y 2T8
Canada
Let’s find alternatives to layoffs and program cuts. On May 16th, I introduced my Private Members Bill titled: An Act to address Ontario’s debt through alternatives to public sector layoffs and government program cuts while reducing the fiscal pressure on the people of Ontario who are having trouble paying their bills. This legislation offers options for tackling runaway spending that has us staring down the barrel of a $411.4 billion debt.
[ More on private member’s bills- http://www.revparl.ca/english/issue.asp?art=348¶m=91 CP ]
Servicing this debt impairs the ability of Ontario to function and has led to levels of taxation that restrict the ability of businesses to compete, and of individuals to survive financially.
There are over one million public sector employees in Ontario [ according to statistics in one recent study by the CMAJ http://www.cmaj.ca/content/178/11/1441.abstract , in 2007 the estimated adult population of Ontario was 7,996,653 which means 1/8 adult Ontarians or 13% of all adult Ontarians are a public sector employee, a staggering statistic CP ]- 70 per cent unionized compared to 15 per cent in the private sector. Labour costs account for over half of Ontario government spending. This spending sees public sector workers receiving higher compensation – wages, benefits, pensions… – than their private sector counterparts. The total amount paid to the public sector has jumped by 46 per cent since 2003.
My bill aims to take legislative steps address this trend, recognizing the Drummond report https://www.thesilo.ca/the-next-day-ontario-receives-drummond-commission-suggestions-on-public-service-reforms/ advice, “one recommendation that crosses all sectors is the need for prolonged moderation of growth in public-sector total compensation”. While the McGuinty team continues to dodge and weave through credit downgrades, flagging job numbers, and mounting debt, the truth is that unless the province gets its house in order, there will be no alternative but continued cuts to government programs and continued layoffs resulting in a lower level of service for all of us.
To limit the need for such extreme and harsh solutions, I feel the Government of Ontario needs to act immediately to limit compensation paid to employees in the public sector. At the same time, as spelled out in my bill, government must continue to recognize its legal duty to consult fully with those employees and their bargaining agents, and to negotiate with them constructively and in good faith.
My bill [if passed CP ] would amend the Crown Employees Collective Bargaining Act, 1993 to:
1. indicate government’s responsibility and objectives to fully engage, consult and conduct genuine and constructive negotiations with public sector workers on legislative changes to collective bargaining and compensation
2. link the total compensation package to the rate of Ontario’s real GDP economic growth per capita
3. allow for public sector furlough i.e. days off without pay. It’s important to note that between 2007 and 2009, over half the states have imposed mandatory furlough for their public sector employees
4. allow change in public sector pensions to defined contribution from defined benefit. Here as well, at least forty states have enacted significant changes to their public sector pension plans
5. limit length of public sector collective agreements to one year, after which wages are frozen until a new contract is settled, until budget is balanced
6. introduce a comprehensive and transparent benchmarking system for compensation, which would include a costing of the full compensation package, including benefits, pensions and moving through seniority grids
7. mandate stricter criteria for compensation awards in researching private vs. public comparables – achieved through a provincial wage board.
I look forward to providing more details as we approach debate of my bill June 7th For The Silo by Toby Barrett, Haldimand-Norfolk MPP