Tag Archives: Brazil

Outdoor Luxury Brazilian Furniture For Spring

CaraivaInspired by Caraiva, a charming Bahian village by the Brazilian sea

 Simplicity and rusticity converge at the Caraiva line. This line is composed of a recliner, a lounger, a bench, and an armchair. Simplicity and rusticity converge with the Caraiva line using variations of woven wood. The pieces have a wooden and aluminum structure with a rope finish and are meant to capture the feeling of ‘feet in the sand’ and the pleasure of enjoying the best of outdoor life. 

The Caraiva Line

DropInspired by the most important natural resource on the planet, water

 The Drop Line consists of a swing chair; and has rounded shapes complemented by modern patterns of nautical rope on the sides, base, and top. Different from the Caraiva line, the Drop line uses an aluminum structure along with an upholstered seat and back. The Drop line emphasizes comfort by utilizing upholstered cushions, while giving a sense of peace with inspiration from the sea.

The Drop Line

RoundProjects gain new possibilities with the Round line

The Round line consists of two dining table models: square and rectangular in two sizes. The top is made out of stone or wood and the base is covered in nautical rope. 

The Round Line

SaharaInspired by the dunes’ movements in the Sahara desert.

The product pieces have an elegant design with rounded corners and a feature that adds lightness for both indoor and outdoor areas. The Sahara line includes a sofa, a chair with backrest and back support, four main modules, two side modules, and a corner module.

The Sahara Line

ShellInspired by the design of the seashells

 The delicate design of seashells was the starting point for creating the rounded chair designs in nautical rope for this line. The pieces include an armchair, a loveseat, and a chair – all have an upholstered seat, rope finish, wooden legs, and an aluminum structure.

The Shell Line

SplitVersatility is the strong point of the Split line

The Split line consists of seven sophisticated yet versatile modules that allow the building of different composition designs in multiple varieties of styles and sizes.

The Split 

For the Silo, Claudia Safavi.

How We Set In Motion Coffee Global Business

If you are like me- someone who has drunk much more than one coffee in your life, you might be interested in pondering this question: Why do you think the multi-billion-dollar global coffee industry can be a losing business for the growers, whose hands till the land from where coffee starts?

In fact, if you drink 2 cups of coffee a day for one year, you’ll be spending more than the annual income of the coffee farmer in a developing country. To help present to fellow North American coffee drinkers this huge disparity between the farmer and the other key players across the coffee value chain, take a look at the infographic below.

Considering that North America is the biggest coffee consumer in the world, we can make a big dent by supporting the fair trade advocacy that ensures farmers get paid properly. Take a look at the infographic again. It describes how coffee is made from the farm to the mill, to the roasting plant and all the way to the consumer. Here are some of its highlights that show the bigness of this industry:

– 100 M people depend on coffee for livelihood; 25 M of which are farmers

– The U.S. spent 18 B for coffee yearly, equivalent to Bosnia’s GDP

– Coffee is the second most globally traded commodity after petroleum

For the Silo, Alex Hillsberg Web Journalist

 

Here's How You Make Coffee A Billion Dollar Business

Supplemental- How North Americans can help the #fairtrade program

http://financesonline.com/cherry-to-cup-the-economics-of-coffee/

http://financesonline.com/why-fairtrade-should-matter-to-you/

UNESCO Seeks To Open Markets For Global South Cultural Goods

Paris, 30 May – Experts, stakeholders and government representatives will examine ways to improve exports of cultural products from the Global South, reinforce cultural entrepreneurship and improve the status of artists during the biennial meeting of the signatories to UNESCO’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions, at the Organization’s Headquarters from 5 to 7 June.

Government officials and cultural professionals will address these and other issues at three Create|2030 debates during the session:

Rebalancing trade flows: making the case for preferential treatment in culture, will examine ways to open markets to cultural goods and services from the Global South, in line with the Convention’s binding provision to grant them preferential treatment in international trade.  Cultural goods and services from developing countries currently only account for 26.5% of the global trade in this rapidly growing sector. Panelists will also examine how the concentration of creative content on large online platforms is impacting the distribution of cultural products and expressions. (7 June, 10 am—1 pm, Room II)

Strengthening cultural entrepreneurship: The International Fund for Cultural Diversity (IFCD) will discuss investments in vocational training andbring together beneficiaries of UNESCO’s IFCD from Brazil, Cambodia, Colombia and Senegal. The Fund, which aims to address the gap between developed and developing countries in the creative economy, has provided more than 10,000 artists and cultural professionals with new skills in project management, business and career development to date. (6 June, 10 am—1 pm, Room II)

Rethinking the status of the artist will explore ways to enhance the professional, social and economic conditions of artists through policies concerning training, social security, employment, income, taxation, mobility and freedom of expression. (6 June, 2—5 pm, Room II)

During the meeting, participants will also examine an Open Roadmap designed to strengthen the Parties’ capacities to promote the diversity of cultural expressions in the digital age, as well as other innovative policy practices. Priorities in line with the UN’s 2030 Agenda for Sustainable Development will be set for the next two years, with particular attention to gender equality, fundamental freedoms, quality education, economic growth, decent jobs, and equality between countries.

The 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions provides a framework for the design of policies and measures that support the emergence of dynamic cultural and creative industries around the world. The 146 Parties (145 States and the European Union) that have ratified the Convention meet at UNESCO every two years to examine its impact and determine future action. Twelve new Members will be elected to the Convention’s Intergovernmental Committee during the session.