Tag Archives: books

Far Reaching Effects Of Visual Culture In Our World Of Appearances

Dusty book stall archeologist and writer Jonathan Guyer oversees the far reaching effects of visual culture in our modern ‘all about appearances’ world.

Jonathan Guyer on CBC -Canada Broadcasting Corporation 

Through frequent excursions to the bookshops of downtown Cairo in Egypt,  Guyer has unearthed a wealth of forgotten political narratives and overlooked illustrative histories. Book-ending his fascination with the alternative story lines of locally appropriated Western comics, Guyer’s faith in the ethical and ideological potential of cartoons and satirical imagery extends to the underground artistic movements of contemporary self-published zine-makers. In his eloquent interview, the prolific and level-headed writer remarks on welcome shifts in the Middle Eastern visual landscape, the necessary and terrifying obligations of artists, and the autonomy of art in an authoritative society.

Bascha Mon Prince Street Rag oil on canvas

Adaptive and indomitable painter Bascha Mon has traced each frame of light between the new and full moons. Bound to spontaneity and guided by intuition, Mon’s practice feels out a logic from the sanctuary and purgatory of a blank canvas. Impelled by the psychic pains of a laboring human family, Mon retrieves the fragments of her commiserating heart from the cold grasp of reality, like pulling her distorted reflection from the surface of the water. Expressed in her stirring and poignant interview, Mon’s necessary attachment to art conceals a deep solidarity with the misplaced souls of the Earth, who struggle to make sense of an existence where whimsy and intense meaning coexist. The sage observer and painter is never dissatisfied by an individual work, as no piece is anything less than perfect if it belongs to a whole.

Shipping Container is a book on Literary Theory by Craig Martin

Reading something interesting?

Tom Allen, is ensnared by the vehement poems of mid 19th century writer Jules Laforgue, the progenitor of free verse in the French tradition and treasure to the great modernist poets. Laforgue fashioned his fervent style of observation from the fiery idealism of the symbolists and the microcosmic subjectivity of impressionism. Another one of our users, Niels Van Tomme, is pleasantly amused by the playful and engaging Shipping Container, Craig Martin’s contribution to the Object Lessons series. Martin’s colorful prose enlivens the itinerant existence of this ubiquitous transport vessel, the unsung hero of our convenient and mobile world.

Urging the flow of time and water is the promise of change made by a fork in the stream.

For the Silo, Brainard Carey.

Seriously, What The F**k Do We Know About Reality?

Whether you subscribe to the ideas presented in the movie and the book or not, it is worthwhile to consider that everything we think we know is wrong. CP
It is worthwhile to consider that everything we think we know is wrong.

Nearly two decades ago in a small theater in Yelm, Washington a little film called What The Bleep Do We Know?!? screened to its first audiences and the term “I Create My Reality” was thrust into the collective consciousness.

Since then countless films and books have extolled the wonders of quantum physics and how understanding the nature of reality could change your life, often in just 3 easy steps. I too thought it was easy, heck I made a movie about it! And for a while it was easy, until I realized that I had only scratched the surface of what “it” all means.

For sure, at a party I could rattle off the wonders of quantum this and quantum that, I could throw around words like entanglement and heady concepts like The Copenhagen Theory, I could wow you with the double slit like nobody’s business. But the truth was, it was really all just smoke and mirrors.

What did understanding quantum physics have to do with my happiness?

What did understanding the workings of the brain mean to my life, in reality, at least this reality, the one where I have kids and bills to pay? I mean it’s fun to dream about other dimensions and my life as electron popping in and out, but in the end I felt as though it was becoming mental masturbation an easy way to escape from the fact that even though I knew I wasn’t really touching that chair, that it is possible I wasn’t even real.

Betsy was one of the three filmmakers (along with Willliam Arntz and Mark Vicente) involved in What the Bleep Do We Know !?
Betsy was one of the three filmmakers (along with Willliam Arntz and Mark Vicente) involved in What the Bleep Do We Know !?

What I was truly seeking was not the facts about how that chair manifested itself into my reality, but how I could be happy whether I had that chair or not.

Happiness has nothing to do with quarks and the discovery of the Higgs Boson was not going to bring me ever-lasting peace and joy. That I was going to have to find all on my own.

I began to explore the sacred cows, not only in my life, my beliefs about who I was and what I wanted, but also the sacred cows of spirituality, new thought and yes, quantum physics and how I could take all this knowledge and use it to create the happiness I sought, because after all, that is what we are all after. It is why we ask “why?”. It is why we explore the deepest depths of the quantum foam and so far quantum physics hasn’t found the happiness particle, because it doesn’t exist within the particles out there, it exists within the immeasurable particles within me.

For the Silo, Betsy Chasse.

image courtesy of: science.howstuffworks.com
Image courtesy of: science.howstuffworks.com

What the Bleep Do We Know

Clairtone Canada Stereo Equipment Was Art-like

The Art of Clairtone: The Making of a Design Icon, 1958-1971 is a fully illustrated stylish look back at the stereo story behind a Canadian design icon. This handsome hardcover is by Nina Munk and Rachel Gotlieb and is available on Amazon.

At its peak in the 1960s, Clairtone Sound Corporation was one of the most admired companies in the field of electronics. Founded by Peter Munk and David Gilmour in Toronto, Canada, Clairtone made the wildly modern Project G hi-fi system and, later, the G-TV. The commercial, shot in July 1967 by famous Canadian cinematographer Frank Spiess, was produced by Young & Rubicam. It features Munk and Gilmour, then in their 30s, at a studio in Toronto and includes footage from Clairtone’s infamous factory in Stellarton, Nova Scotia.” east19thstreet via YouTube

For a decade, in the 1960s, Clairtone Sound Corporation captured the spirit of the times: sophisticated, cosmopolitan, liberated. From its modern oiled-walnut and teak stereos to its minimalist logos and promotional materials, Clairtone produced a powerful and enduring body of design work. Founded in 1958 by two young Canadians, Peter Munk and David Gilmour, Clairtone quickly became known for its iconic designs and masterful advertising campaigns.

Its acclaimed Project G stereo, with its space-age styling, epitomized the Swinging Sixties. Famously, Hugh Hefner owned a Project G. So did Frank Sinatra.

Oscar Peterson affirmed that his music sounded as good on a G as it did live.In 1967, suggesting how deeply Clairtone’s G series had come to be identified with popular culture, the G2 appeared in The Graduate with Dustin Hoffman and Anne Bancroft.

With 250 illustrations, including previously unpublished drawings, rare film stills, confidential memorandums, and original photography, The Art of Clairtone is a candid and in-depth look at the company’s skyrocketing success — and sensational collapse. Through the recollections of those who knew Clairtone best, from its founders to its designers, engineers, and salesmen, and with comments from Karim Rashid, Douglas Coupland, Tyler Brûlé, and Bruce Mau, among others, this elegant book, published on the 50th anniversary of Clairtone’s launch, celebrates an iconoclastic company that once seemed to represent the promise of Canada.

A peak inside this gorgeous book- CP
A peak inside this gorgeous book- CP
  • Hardcover: 176 pages
  • Publisher: McClelland & Stewart
  • Language: English
  • ISBN-10: 0771065078
  • ISBN-13: 978-0771065071

Featured Image-  vornadoblog.blogspot.com

Supplemental- Caring for Oiled Walnut Wood (Table)  http://www.doityourself.com/forum/furniture-wood-cabinetry-finishing/371338-best-oil-care-oiled-walnut-slab-table.html

What Is The Future Of Book Libraries?

Endangered Species?
Endangered Species?

“Libraries are our friends” said famed writer Neil Gaiman. Katharine Hepburn once asked “what in the world would we do without our libraries?” When last polled about a decade ago in 2011, Toronto was home to ninety-eight public libraries and two book mobiles; with approximately thirty thousand programs hours and more than 19 million in person visits.

Ghostbusters (1984) Dr. Egon Spengler: “print is dead”

Despite the seeming popularity of the time honored library, there have been very legitimate concerns about the decline of the library in our digitized world. The cynical pronouncement from the Annoyed Librarian blogger is that no one will even notice as libraries vanish because people will be “too busy renting ebooks from Amazon”.

What no Dewey!??
What no Dewey!?? Something is being lost…cardboard catalogue placards…pile carpeting…the esoteric ‘quest’ of locating a physical book…the sensation of walking between the rows and aisles of paper books….

 

Is there a future for Libraries?

Books are being replaced with ebooks and the other popular resource, DVDs, are also rapidly being replaced by online movie providers. Publishing companies are not easily persuaded to turn over ebooks (as Libraries offer their use for free, and it’s easier to control the distribution of e-resources than print media which can be obtained anywhere), so although Libraries attempt to acquire as many ebooks as possible, this isn’t always easy.

 

A pile (!) of books. Heavy but hard to ignore. Physical media have a permanence and that permanence affords respect and care. Digital media not so much.
A pile (!) of books. Heavy but hard to ignore. Physical media have a permanence and that permanence affords respect and care. Digital media not so much.

Other sources argue that if people believe the internet is making libraries obsolete, it’s because they haven’t been in a library recently.

The reality is that libraries, like so many public institutions, have adapted to new digitized world.

Book circulation may have declined, but the Library now offers a wider diversity of services. Libraries offer free wi-fi, public computers for personal use, an assortment of programs for all age groups, Library accounts accessible online, and even offer services such as income tax filing assistance and computer classes for seniors.  For the Silo, Charity Blaine.

 

Creativity Espoused By Mainstream Media Is Sadly About Machine Creativity

Science!

[You may know him from the movies “What The Bleep Do We Know”  and “Down The Rabbit Hole” – Two great introductory documentaries on Quantum Physics you really owe it to yourself to see.  Let the Silo introduce you to a welcomed, new contributor-  Dr. Amit Goswami – Author, Speaker and Scientist. Ed.]

“I am very excited about one of my recent books- Quantum Creativity.  The main message of this book is this: If you are interested in creativity and in thinking quantum, you have the basics of what it takes to be creative, in fact, to be extraordinary in your creativity.

Quantum physics is the physics of possibilities. Quantum physics says reality is both possibility and actuality.

The objects of the universe are possibilities, quantum possibilities; they become objects of actuality in our experience when we observe because we have chosen actuality from the possibilities proffered.  This two-level complementary reality is an important aspect of our consciousness. The unmanifest, (psychologists call it the unconscious, spiritual traditions call it the transcendent) is the realm where consciousness processes possibilities (unconscious processing) but without awareness, without subject-object separation.

The manifest (psychologists call it the conscious, spiritual traditions call it the immanent) is the domain of actualities that consciousness processes with awareness, with subject-object split.

Quantum thinking consists of this two-level processing—both unconscious and conscious.  Quantum thinking understood in this way liberates you, anyone, from any assumed ordinariness.  With its help, anyone can be creative.

A stylish dude? We love the sun hat Dr G. :)

Creativity was difficult for people of the olden days because they had to pursue it blindly, they did not know how human creativity works; they assumed it is all mystery, all arts.  And today, lots of people shortchange their creativity because of their faulty mechanistic worldview.

The truth is, we cannot discuss the relevant issues of human creativity without a lot of make-belief within our current mechanistic worldview based on the metaphysics of scientific materialism—everything is matter moving in space-time and material interaction.

The science of creativity that the protagonists of a mechanistic worldview talk about, and which today you read about in the media, is about machine creativity.  To a large extent it is sophistry, about how determined machines can somehow appear to be creative.

It is self-evident that human creativity requires consciousness as a causal entity with free will, freedom to choose.

It is self-evident that human creativity requires the capacity to process meaning, that human creativity involves affects (agony and ecstasy), and that human creativity begins with intuition.

sophistry

Dealing with human creativity requires a worldview in which consciousness is causally potent, in which not only our physical experiences but also our experiences of thinking, feeling and intuition are validated. Quantum physics, properly interpreted, gives us that worldview. Engaging the two level complementary reality of quantum physics gives human creativity all its wonderful and mysterious attributes that material machines moving in a one-level space-time reality cannot possibly simulate.” For the Silo, Dr. Amit Goswami.

Audiobooks Are A Quickly Growing Industry In Canada

Canada is in the midst of an audiobook boom. Though sales numbers aren’t available yet, they’ve been growing rapidly in the United States, and north of the border, there’s been a substantial influx of publishers entering the audiobook market.

Why Do Canadians Listen to Audiobooks?

What’s behind their growing popularity? It all comes down to the pleasure of listening. Canadians are busy, stressed out, and looking for a way to slow down. Carving time out of the day to sit back and listen to a book is a chance to clear out the cobwebs, recharge, and rebalance. You can listen to audiobooks at the end of a long day, on your commute, on a lazy Saturday morning, or while you’re cleaning up and doing the dishes.

There’s also the appeal of the narrator. Talented voice actors bring great stories from the page to the speaker. They can bring a different personality to a book and new life to a story you already love.

While not every author has a voice made for narration, some of the best audiobooks available are narrated by the authors themselves. Neil Gaiman is a standout in this category. A natural-born storyteller, Gaiman has narrated a number of his own audiobooks and graced other works with his signature voice, though he’s not alone. Writers like Jenny Lawson, Christopher Hitchens, and Seamus Heaney have all made names for themselves narrating their own books

Indie Canadian Publishers Getting into Audiobooks

It’s not just international publishers that are producing audiobooks in Canada. Independent publishers like House of Anansi and ECW Press have entered the audiobook market, producing some of their own award-winning titles and making them available on various audiobook platforms.

Titles like Tanya Talaga’s Seven Fallen Feathers, Eden Robinson’s Song of a Trickster, and Cherie Dimaline’s bestselling Empire of Wild are just some of the titles available as audiobooks thanks to the recent uptick in the Canadian market.

Great Canadian Talent

Canada has been relatively slow to enter this market, but it’s uncovered a hidden talent pool. As independent publishers have looked toward local actors, they’re discovering Canadians have a knack for narrating. Some audiobook producers are hoping more Canadians will make it easier to find great voice actors for their titles.

How Audiobooks Are Changing Book Clubs

Audiobooks have also opened up new opportunities for book clubs, moving from solitary reading to listening as a social activity. Clubs can now appreciate titles together and talk about what they think chapter by chapter. Club meetings can even be hosted online.

How Do Canadians Get Their Audiobooks?

Subscriptions have become the preferred way for Canadians to get their audiobooks. They work like a “book of the month club.” For example, a subscription with Audible gets you credits to pick one audiobook each month. You can buy more if you’re a voracious listener, and there are usually other membership benefits, such as access to podcasts.

With fast-growing sales and increased production, Canadian book-lovers can look forward to lots of new Canadian titles making the transition to audiobook format.

You’re Writing A Book So Tell Your Tale, And Tell It Well

Know What They ExpectYou have probably always wanted to write a book. You have probably tried to start writing it several times and gave up. Or maybe you did write it, but it didn’t quite turn out the way you wanted it to. You have most likely been scared and frustrated by the writing process, as well as exhilarated and thrilled. And you probably wondered how you could tell exactly what you wanted to tell, and tell it well.
I’m not going to give you an answer to your burning questions. I’m still searching for it myself. But I will maybe alleviate your pain in sharing with you my own search on the way to telling my stories in the best way I can. After four years of writing full-time, I have turned a corner and am no longer scared. No, this is a lie. I am scared, but being scared no longer stops me. And the answer is simple: study the craft of writing. How? By doing it and by learning how others did it before you.

When I started out, I charged ahead like mad, high on the possibility of writing my very first book and actually doing it. I disregarded rules and channeled my inner self on the page, believing it was true art (not that I understood what that meant). I was fine for a while. But on my fourth book I got lost and quickly finished it because I didn’t know how to make it better. And on my fifth book I got stuck and had to scrap everything and reengineer my entire writing process. Why? Because I ignored the rules. I thought writing was an expression of something intangible and divine that couldn’t be touched lest it be wrecked by such rudimentary and boring things as plotting, theme development, grammar, character arcs, etc. And I was wrong, and maybe because you read these lines you will trust that what I’m sharing with you is true and will spare yourself the pain I went through (or maybe you won’t, but you will remember these lines when you hit rock bottom).

Know what they expect ;)
Know what they expect 😉

Writing isn’t some nebulous ethereal substance to be caught from the air and randomly spun into a story. Writing is both an art and a craft, and the two can’t be separated from each other. If you’re a painter, you must know the types of paints and brushes you use. What would happen if you didn’t? Same with writing. The boring grammar is not boring at all. It’s a wonderful tool to help you say exactly what you want to say the best way you can. It’s a tool that you have to learn and allow yourself to be awkward with, at first, and keep practicing until you master it, and it becomes a skill that you don’t have to think about.

Jemaine Clement as frustrated author Dr. Ronald Chevalier in Gentleman Broncos.
Jemaine Clement as frustrated author Dr. Ronald Chevalier in Gentleman Broncos.

That frustration we talked about, remember? It comes from the feeling that something isn’t right, but you can’t pinpoint what exactly. Studying the craft of writing will show you what’s wrong and how to fix it. Without it you’ll be lost and tempted to give up.

But there are so many ways to write! You might be thinking. There are writers who plot, and writers who don’t! You’re right, of course. But here is what I’ve learned. Until you study the rules of your craft, you won’t know how to break them. And by not studying the rules at all you’re robbing yourself of a chance to learn how to tell your tale and tell it well. You might get lucky and stumble on it. You might not. Are you willing to spend days, months, years groping around in the dark? That’s what I did, and it’s not an easy road. I nearly quit writing altogether several times, that’s how bad it got.
So where do you start? You start by doing and learning. What do I mean by that? Simple. Start writing your tale. Just start. When you get blocked and don’t know how to proceed, look at what’s stopped you and study it. Read about it. Is it grammar? Revisit your grammar. Is it sentence structure or style? Read about style. Is it your character who gives you trouble? Study how to write characters. Plot problems? Learn about plotting. And so on. You will find that every time Confucius On Learning By Doingyou get stuck you will get unstuck, and with new knowledge keep charging forward. You will see that learning how to write well takes time, and you will allow your tale to be bad and awkward and messy, because you will know that it’s normal, and this is what will keep you from quitting. That’s huge. I wish someone told me this when I started.
I had to find out for myself. I hope my telling you this now will keep you from quitting. We need your tale. We want to read it. So tell it. And while doing so, learn how to tell it well. It may be that it’ll take you ten bad tales to arrive at one good one. Or maybe twenty. Or thirty. But never give up. Do and learn, do and learn, and you will get there. And now I’m done telling you my tale about how I learned that to tell my tale well I needed to study how to do it. Your turn.
For the Silo, ksenia anske | fantasy writer
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PUSH TURN MOVE Book Focuses On Interface Design In Electronic Music

Coming to Kickstarter April 18th. Meet the designers, makers, musicians and their instruments and learn how they have shaped the world of electronic music. Richly illustrated with a unique collection of sketches, photos and graphics and with a foreword by electronic music visionary Jean-Michel Jarre.


The book’s essence is to celebrate innovative interface designs, provide a categorization of gear and explore the functional, artistic, philosophical and aesthetic world of user interfaces in the context of making and performing of electronic music.

Featuring exclusive interviews with: Roger Linn, Dave Smith, Keith McMillen, Richard Devine, Suzanne Ciani, Olivier Gillet, Ean Golden, Brian Crabtree, Matt Moldover, Axel Hartmann, Dorit Chrysler, DiViNCi, Skinnerbox, Native Instruments, Ableton, Teenage Engineering, Roland, Elektron and many more.


A wide range of landmark pieces of equipment is featured along with chapters on design principles, interface elements, visualization of sound and instrument and controller concepts such as grids, touch and modular. PUSH TURN MOVE is the very first of its kind in both scope and depth. Please sign up on www.pushturnmove.com or follow along on http://fb.me/pushturnmove/

PUSH TURN MOVE is written by friend of The Silo-  Danish designer, author and electronic musician Kim Bjørn and edited by Mike Metlay, editor at Recording Magazine and Paul Nagle, reviewer at Sound on Sound Magazine.

Click me!

Mediocrity Prevents A Peoples Revolution Against Publishing Giants

The world is full of writers but has this led to the rise of mediocrity? image: philosophyslam.org
The world is full of writers but has this led to the rise of mediocrity? image: philosophyslam.org

When I was growing up, I imagined being a novelist meant I would write for a living.  This is not always the case.  There is a darker side to the writing and publishing profession, even more disturbing than the constant criticism, rejection and pirating of e-books.  We’re not all dedicating our lives to the manipulation of words for entertainment value.  Most habitual readers I know don’t realize that gone are the days when writers were intellectuals and academics spending their whole lives with their nose in a book.  In 2013 every other person I meet online claims to be a writer, many of them bestselling authors at that.

A writer in this decade is an everyman.  You probably know one yourself because anybody can claim the tag now.  They could be writing e-books, blogs or letters to the editor of a newspaper to supplement their income, but the fact remains that if you are trying to make a living from writing, your time will mostly be spent promoting and networking, and networking means you’ll come across the type of people who will inspire you to write a murder mystery just so you can make them the victim.

Life just might be creative literature...or at least a series of punctuation marks CP
Life just might be creative literature…or at least a series of punctuation marks

 

What’s brought about this change in the profession?  I’m not one of those intellectuals or academics, so I can’t say.  I am a person who has had a series of dead-end jobs but naively dedicated the last twelve years of her life to the craft of creative writing, making numerous sacrifices to find fulfillment.  To me it’s a vocation rather than a career or hobby because no matter what I do I can’t stop writing.  I mentally plot the story of job interviews during the event to cope with the pressure.  When my husband had a stroke, I imagined the blood clot that caused it as a series of ellipses in our lives, whereas the birth of my son was an exclamation mark.  People I don’t like have faces like twisty question marks and any bad luck I have is merely a comma.  I ceased to become part of my own reality a long time ago.  It verges on mental illness.  This is not particular to a writer in the 21st Century and could be said of anyone so obsessive about the craft at any time.

Now there are so many would-be writers, there is no people’s revolution against the publishing giants, despite what many independent authors, including myself, have thought and said in the past couple of years.  There are hundreds like me to whom writing is like breathing but thousands of bandwagon jumpers who rush out book after book then market them in questionable ways.  I even had one man send me private messages on Twitter every day for almost a year in an attempt to get reviews for each book his wife has written – a total of twenty three in the last two years.

"Tractor beam" - Dr. Evil
“Tractor beam” – Dr. Evil

 

I self published through choice, without knocking on agents’ doors because I knew my novel was too contemporary to wait and within a few years would be dated.  Self publishing is what the majority of wannabes do but it tars us all with that opportunist brush.  The Internet is awash with distinctly average literature written on a whim by someone who never had ambitions to be a writer and was bored one day so self published on one of the many websites that allow you to do so without a book deal.  I suspect many of them aren’t even readers.

Stories of people who have written twenty or more titles over the course of a few months and sold hundreds of thousands of copies both impress me and rile me in equal measure because despite having spent years working at it, as an independent writer without a publishing deal and only Amazon et al behind me, we are all on the same level. For the Silo, Lacey Dearie.

Book Snobbery, Fairy Tales And Reality

“The way to read a fairy tale is to throw yourself in.” ― W.H. Auden

“In a utilitarian age, of all other times, it is a matter of grave importance that fairy tales should be respected.” (Frauds on the Fairies, 1853)” ― Charles Dickens, Works of Charles Dickens

“If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.” ― Albert Einstein

i dream of genie with blue djinn and darrens living room

I was “that child”, the one who wanted fairy tales and magic to be real. As far back as I can remember I dreamed about having supernatural powers (always good of course…well, almost always) having carpets that flew, potions that could transform anyone or anything, the ability to speak to animals. I never understood why Darren and Samantha worked so hard at concealment. Or why Jeannie didn’t dump the Major and go back to live with the Djinn….I mean, LOOK at the decor!!!! Who wouldn’t rather have scarves and pillows and elaborate brass lamps instead of that godawful avocado and mustard vibe?

Music for a fairy tale. Click me.
Music for  fairy tales. Click me.

Books fueled this. Small witches, talking mice, flying nannies, rings and boxes and mysterious rooms and islands all combined in a grand and glorious stew. Why couldn’t I have a wizard for a teacher? (maybe I would have learned math) Why couldn’t bullies simply be turned into flowerpots? Alas, eventually the adulting creeps in. And people stop being indulgent about your whimsy. And your imagination….

You stop inviting your friends over to play make believe. Or, at least, they stop accepting. And you are encouraged to put away childish things. To accumulate the right kind of books….improving books. High tone books. Books with Purpose. The wishing frogs and tall towers and magic mirrors are packed away… Book Snobbery. Where Fantasy books in the annoying “Y.A.” category are barely tolerated. Stuff and Nonsense.(keeping it G rated here. I expect points…) Children should be encouraged to read whatever they reading-on-the-buswant and adults should enjoy the same free pass. You should be proud of displaying your book on the bus whether you are reading Kafka or Twilight. There are life lessons to be found in fantasy. Fairy tales teach you that sometimes bad things do happen. (The original version of some of the most beloved and well known can be a bit brutal.

For example, the Ugly Stepsisters in Cinderella actually cut their toes off to fit into the slipper. Kiddiewinkle Disney this ain’t.. ) But good and kind usually triumph. Sometimes help can come from unexpected areas. And there is always a way out of the woods. I do live in the real world. Drive. Work. Pay taxes. Cook, clean, shop. Watch the political situation (although “real” and politics lately….never mind) When I sit at a stop light I do not think a gnome is changing the colors. I rarely look for dragons. But I still yearn for them. Magic is everywhere and everything. It may not have glittery wings, it may not be vanquished with a sword, there might not be a house dropped on it or a incantation spoken…..but it is here.

Writers poets, artists, storytellers; all know this on some level. Even if we disguise it.The human imagination is ancient. The roots of stories are found far back in oral traditions and the tales were only modified later to make them illustrations of good versus evil. We do research, we discuss, we delve and write learned papers. We collect quotes and materials, and most importantly buy the books buy the books buy the books…. Books are the real magic. The tangible, in your hands, in your face, take you wherever you want to go – Magic. Read it. Whatever the cover, whatever the rating.

If you like it, read it. Do not let any house of cards pompous proclamation tell you it’s wrong. Secretly we are looking for the elves. We want there to be fairies in the garden. We never see a shooting star without wishing. And if you are very, very lucky. You will never lose that. For the Silo, Jaye Tomas. 

 

 

LEGO Mindstorms EV3 book is a guide to building and programming Robots

Raise your hand if you want to build a Lego robot arm.
Raise your hand if you want to build a Lego robot arm.

San Francisco, CA,  The LEGO MINDSTORMS EV3 Discovery Book (No Starch Press, June 2014, 396 pp., $34.95, ISBN 9781593275327) is the latest No Starch Press book to tackle the LEGO MINDSTORMS robotics system. This second edition of the best-selling LEGO MINDSTORMS NXT 2.0 Discovery Book remains the ultimate beginner’s guide to this powerful kit for anyone who wants to start making their own robots. http://post.oreilly.com/rd/9z1zpuf5li32jp78bt80j96lr32hkugv7u2d0q5lpag

Author Laurens Valk brings his robotics expertise to bear as he teaches readers  the techniques essential to successful robot building. Valk has been building  MINDSTORMS robots for years and was even recruited by the LEGO Group to test  and develop this new generation of LEGO MINDSTORMS. The depth of his knowledge  comes through on every page.

LEGO Mindstorms Book Cover

The first full-color MINDSTORMS book from any major publisher, The LEGO MINDSTORMS EV3 Discovery Book features all new content that takes readers from gearing and fundamental mechanics through advanced programming techniques as they build these six robots:

The EXPLOR3R, a wheeled vehicle that uses sensors to navigate around a room and follow lines
– The FORMULA EV3 RACE CAR, a streamlined remote-controlled race car legged walking creature that adapts its behavior to its surroundings
– SK3TCHBOT, a robot that lets you play games on the EV3 screen
-The SNATCH3R, a robotic arm that can autonomously find, grab, lift, and move an infrared beacon
– LAVA R3X, a humanoid robot that walks and talks

Valk rounds out the fundamentals with more than 150 building and programming challenges that encourage readers to discover the countless possibilities of the EV3 kit and to start inventing robots of their own.

About the Author
Laurens Valk is a member of the MINDSTORMS Community Partners, a select group of MINDSTORMS enthusiasts who help test and develop new MINDSTORMS products. One of his robot designs is featured on the EV3 packaging as a bonus project. His previous work, the best-selling LEGO MINDSTORMS NXT 2.0 Discovery Book, introduced more than 50,000 beginners worldwide to the powerful world of LEGO
MINDSTORMS robotics. He blogs about robots at robotsquare.com. http://post.oreilly.com/rd/9z1zd3clg63cmhkarcqv9pht1e936tdk1htdcus1rs8

Hole Up And Create Is Best Advice For Aspiring Writers

"Do it for the love of it. Ignore the scary things you read about book publishing industry. In fact, don’t read news at all. They will only distract you from writing. Hole up and create." Ksenia Anske
“Do it for the love of it. Ignore the scary things you read about book
publishing industry. In fact, don’t read news at all. They will only distract you
from writing. Hole up and create.” Ksenia Anske

For aspiring writers-  I thought very hard about what to write, and decided to settle on a little advice for aspiring writers. Because if you’re one of those hopefuls, you might get scared too easily and give up. The world of book publishing is changing. It looks frightening. The big publishers are fighting for survival, buying off little companies, merging, you name it. Why? Because big companies like Amazon made it possible for anyone to publish a book.

And the world of indie books is growing. I can imagine any starting writer look at this, get the scare of her life and run and hide, and give up on her dream. Because how can you possibly make it? Moreover, how can you possibly make a living? It’s harder than ever to get through to agents.  It’s very intimidating to try to self-publish, with all these scary things to be done: finding an editor, a book cover designer, a text formatter, figuring out how the online uploading tools work, promoting your book once it’s published. If you have any kind of embonpoint in any part of your body, metaphorically speaking, it’s enough to lose it, and your brains too. Just by reading this you’re probably already getting scared. There is no way you will make it, is there? There is.

Let’s for a second imagine that none of this exists. Let’s think that writing a book is something you always wanted to do. Not to make a lot of money. Not to become rich and famous. Not to flaunt it into your former classmates faces at your high school reunion. None of it. Let’s imagine you simply always wanted to write a book because you have a story to tell. It’s bursting out of you. You can’t help it. Like a chronic tosspot with this irresistible draw toward alcohol, you simply can’t hold yourself back. May I say something to you? I might not have enough credibility, or clout, or whatever you want to call it. I have only started writing full time 2 years ago and have self-published only 4 novels so far, but I’ve

Ksenia Anske- "writer in bloom" CP
Ksenia Anske

been never happier in my life. In fact, I can’t remember the last time I saw a doctor. I started writing for therapy, and never in the million years did I think anyone would be interested in reading my writing. But people do! People read my books! Can you imagine? I still can’t. I still pinch myself. It’s a miracle. There is a lesson I learned from it, and I keep shouting it at every corner. I want to shout it here, to you, so that you will hear me. It’s very simple. You can do the same.

Don’t be intimidated by the amount of books already published (I know I am, still). Don’t worry about making a living (I know I am, still). Don’t even think about wether or not anyone will read your books (I think about it, too). That doesn’t really matter. What matters is, while you write your book, you get a high which no other drug can give you. You are so happy. When you hold your finished book in your hands, the only other experience that can be compared to it is maybe that of holding your child  in your hands for the first time. It is your child. It’s your story. You did it. Funny enough, if you write it for yourself, you’re more likely to find readers. If you forget about the business of book writing and think about the art of book writing, you will produce something extraordinary.

 

The Writers Retreat inspired by the garden retreats of two literary greats – Virginia Woolf and George Bernard Shaw – whose properties are under the care of the Trust. - See more at: http://www.scottsofthrapstonblog.co.uk/2012/06/a-magical-connection/#sthash.xvVzvEtp.dpuf
The Writers Retreat inspired by the garden retreats of two literary greats – Virginia Woolf and George Bernard Shaw – whose properties are under the care of the Trust. – See more at: http://www.scottsofthrapstonblog.co.uk/2012/06/a-magical-connection/#sthash.xvVzvEtp.dpuf

Know what it is? You will make yourself a little happier, and with that you will make people around you a little happier, and with that you will make the world around you a little happier. Now, imagine what happens when you write your second book, and your third, and your fourth. Do it for the love of it. Ignore the scary things you read about book publishing industry. In fact, don’t read news at all. They will only distract you from writing. Hole up and create. Pour your everything into it, do it so well, that people will want to see what the deal is about. It’s what happened to me, still happening. It’s what will happen to you. So go ahead, write that book. You know you want to. You know you can. I know you can. The rest will happen on its own. For the Silo, Ksenia Anske.

 

Click to view on I-tunes
Click to view on I-tunes

Writer Releasing Video Arcade Game Dragon’s Lair Book

Collecting for Dragons Lair and Space AceBrantford, ON. The Personal Computer Museum is publishing a brand new book called “Collecting for Dragon’s Lair and Space Ace” (ISBN 978-1490383583) that covers two of the most loved LaserDisc video games ever made. Dragon’s Lair officially turned 30 years old on June 19, 2013.

Written by Syd Bolton, who (according to the CBC) has the largest collection of video games in Canada.

Collecting for Dragon’s Lair and Space Ace not only chronicles the hundreds of home releases of games, clothing, collectible merchandise, magazines, toys and more, but also includes an incredible amount of behind-the-scenes information on the development of the games which continue to see home releases right up until this year.

“Along with an introduction that’ll likely slap a nostalgic smile across your face, Syd Bolton has exhaustively aggregated and annotated virtually every Dragon’s Lair and Space Ace video game and merchandise known to modern man” says Marc Saltzman, syndicated gaming and technology columnist, author, TV and radio show host. “While it’s a specialist’s book, game enthusiasts, retro fans, and old folks will find it a fun read” says Steven Kent, noted video game historian and author of “The Ultimate History of Video Games”.

The book will ship next week (July 24, 2013) and can be ordered through the website

www.collectingfor.com, which will contain support materials for the book shortly. The book will also be available on Amazon.com next week. It is 170 pages, 8.5″x11″, full color and perfect bound.

Dragon’s Lair recently celebrated its 30th anniversary and was the first fully animated LaserDisc video game. It generated millions in sales and revived, for a short time, the ailing arcade industry. The follow-up, Space Ace, was released in the Spring of 1984. Unfortunately, the arcade business continued to decline. Both games have been available for home computers and game consoles since 1984 spanning hundreds of releases and also spawned many related items.

 

Interest in the franchise has continued to this day and there is even a new documentary film “Inside the Dragon’s Lair” in the works which is expected to release in 2014. For the Silo, by Syd Bolton. 

 

Canadian Book Reviews The Sentimentalists

photo: Aaron_McKenzie_Fraser- www.amfraser.com

Johanna Skibsrud’s Giller Prize winning novel, The Sentimentalists, is a journey that sometimes takes place between the lines. Skibsrud’s unnamed narrator takes the reader across time as she tries to reconnect with her troubled past and with her father, which has always been shrouded in secret.

From the beginning, the reader knows little about the narrator. Skibsrud weaves details from the past as she navigates the narrator through a trip back to Casablanca (save yourself some Mapquesting- this is a fictional town CP), Ontario, her hometown. Sparked by recent heartbreak, the narrator travels to Casablanca to spend time with her father in the twilight of his life.

Novels often have multiple cover styles- this one reflects the ‘hidden, not quite visible’ character of the narrator.

In what seems like an attempt to distract herself from her own problems, she devotes herself to finding out some truths about her father’s life before he slips away….forever. The reader never knows much about the narrator. This will be a test for those who like to know about the person who is telling the story. Never named, the narrator releases little information about herself, but a clear and exhaustive picture is painted of her father, Napolean.


[One of the best Woody Allen films- uses an imaginary-advice-giving-fedora-wearing character straight out of Casablanca as a narrative device CP]

Lyrically written, this novel can be a frustrating read at some points. It is full of beautiful passages and poetic imagery. However, at times, the reader may find themselves somewhat lost in the fog of the past and present blending together.

“Lost in the fog of the present and the past….” Lost in the fog – Mount Washington (NH, USA) photo:traveldudes.org

A haunting and promising debut, The Sentimentalists leaves the reader with something to think about. Although difficult at times, it is definitely worth sticking with until the end.

Johanna Skibsrud’s second release is a series of short stories called This Will be Difficult to Explain and Other Stories.  For the Silo, Sarah Purdy.