Tag Archives: Audrey Azoulay

Ocean Warming and Sea Level Rise Double at Alarming Rates- UNESCO

With contributions from more than 100 scientists from nearly 30 countries, UNESCO’s State of the Ocean Report 2024, published with the support of Iceland, reveals alarming new data on threats facing the ocean. This comprehensive assessment provides an evidence-based review of challenges including ocean warming, rising sea levels, pollution, acidification, de-oxygenation, blue carbon and biodiversity loss. This UNESCO report shows that climate disruption is having an increasingly strong impact on the state of the ocean. Temperature, acidification, sea level: all the alarm bells are ringing.

In addition to implementing the Paris Climate Agreement, we call on our Member States to invest in the restoration of marine forests and to better regulate marine protected areas which are important reservoirs of biodiversity. Audrey Azoulay, UNESCO Director-General The rate of ocean warming has doubled in 20 years. While atmospheric temperatures tend to fluctuate, the ocean is steadily and constantly heating up. The State of the Ocean Report indicates that the ocean is now warming at twice the rate it was twenty years ago, with 2023 seeing one of the highest increases since the 1950s. While the Paris Agreements pledged to keep global warming below 2°C above pre-industrial levels, ocean temperatures have already increased by an average of 1.45°C, with clear hotspots above 2°C in the Mediterranean, Tropical Atlantic Ocean and Southern Oceans.

One dramatic consequence of this warming is an increase in sea levels across the globe. The ocean absorbs 90% of the excess heat released into the atmosphere, and as water heats up it expands. Warming ocean temperatures now account for 40% of the global rise in sea levels, and the rate of rising has doubled over the past 30 years totaling 9cm. Coastal species are suffocating from declining oxygen levels. Since the 1960s, the ocean has lost 2% of its oxygen due to warming temperatures and pollutants, including wastewater and agricultural run-off. Coastal areas are especially impacted, with species finding themselves on the frontline of a battle to breath: roughly 500 “dead zones” identified where almost no marine life remains due to a dwindling oxygen-content.

Rising acidity is also a major cause for concern: with 25-30% of fossil fuel emissions absorbed by the ocean, this overabundance of CO2 is reshaping the very chemical composition of the ocean. Since pre-industrial times, ocean acidity has increased by 30%, and will reach 170% by 2100. UNESCO’s findings reveal that once again coastal species are the hardest hit: while the high seas are steadily becoming more acidic, coastal waters are seeing dramatic fluctuations from high- to low-acidity, which young generations of animals and plants too fragile to survive, causing mass die-offs.

Blue Carbon and MPAs: Beacons of hope. Marine forests including mangroves, seagrass plains, tidal marshes are able to absorb up to 5 times more carbon than forests on land. As well as being vital harbours for biodiversity, they represent one of the best ramparts against global warming. However, UNESCO reveals that nearly 60% of countries still do not include marine forest restoration and conservation in their Nationally Determined Contribution plans.

Marine Protected Areas[1] are known to protect biodiversity, harboring 72% of the 1500 endangered marine species on the IUCN Red List. UNESCO’s new data evidences that the higher the level of regulation in an MPA, the more it is effective at protecting local ecosystems.

UNESCO is leading the United Nations Decade of Ocean Science for Sustainable Development, from 2021 to 2030. Since the start of the Decade, more than 500 projects have been launched in all regions of the world and more than a billion dollars has been mobilized to improve knowledge and protection of the ocean.The Organization is supporting dozens of scientific cooperation programs in all regions of the world, combining data sharing, high-definition mapping of the seabed, prevention of natural disasters and the search for innovative solutions to protect ecosystems. Through its more than 230 marine biosphere reserves and more than 50 marine sites inscribed on the World Heritage List, UNESCO is also the guardian of unique ocean sites which are home to critical biodiversity.

[1] A marine protected area is a defined region designated and managed for the long-term conservation of marine resources, ecosystems services, or cultural heritage.

Great Barrier Reef: Australia to put in place urgent safeguarding measures requested by UNESCO

Paris, June, 2023 – UNESCO welcomes Australia’s decision to implement urgent new protection measures to safeguard the Great Barrier Reef recommended by UNESCO. The measures include a ban on fishing with gillnets. The Australian government formalized its commitments in a letter addressed to Audrey Azoulay, the Director General of UNESCO this week.
 
“The Great Barrier Reef is a fragile jewel of world heritage. For many years, UNESCO has not ceased alerting the world to the risk of this site losing its universal value forever. We have proposed several concrete measures which provide a roadmap for tackling the problem. I am delighted that the dialogue between our experts and the Australian authorities has now resulted in a set of formal commitments,” said Audrey Azoulay, UNESCO’s Director-General.
 
For many years, UNESCO has sounded the alarm on the Great Barrier Reef.
In 2021, with regard to very worrying data on the reef’s poor state of conservation, experts at the Organization went as far as to recommend the site was inscribed on the List of World Heritage in Danger. This warning had global resonance.  

The fruits of a long process of discussion  
In March 2022, a UNESCO-IUCN joint mission travelled to the Great Barrier Reef in order to examine the reef in even greater detail, and to dialogue with all the relevant actors: public sector decision-makers, scientists and non-government organizations (NGOs). In their report, the experts confirmed that due to the threats posed by pollution, over-fishing and the rise in sea temperatures, the outlook for the Great Barrier Reef was worrying.   UNESCO and the IUCN also emphasized that the implementation of corrective measures could significantly improve the state of conservation of the reef, listing ten precisely-defined actions the Australian authorities should take.   In July 2022, Audrey Azoulay, UNESCO’s Director-General, met with the new Australian Prime Minister, Anthony Albanese and recalled the urgency of taking action. A discussion between UNESCO experts and the Australian authorities followed, with the aim of establishing an implementation plan for the ten priority measures including costs and timetable.   This process has just been completed. In a letter addressed to Audrey Azoulay, the Minister of the Environment, Tanya Plibersek announced that the urgent new measures for the protection of the Great Barrier Reef UNESCO had requested, would be carried out.
 
Key Measures  
In the letter the Australian government committed notably to: Create no-fishing zones in a third of the World Heritage site by the end of 2024, and to ban gill net fishing altogether by 2027; Reach water quality improvement targets by 2025, by significantly reducing pollutant discharges from farmers and industrialists, and restoring flora and fauna in drainage basins; Set successively more ambitious CO2 emissions reduction targets, in alignment with efforts to limit global temperature increase to 1.5°C. This comes in addition to the measures already announced by the Australian authorities in recent months.   UNESCO will closely monitor the effective implementation of these measures. The state of conservation of the Great Barrier Reef will be examined again by the World Heritage Committee at its 45th extended session (September 10-25, Saudi Arabia).
https://youtu.be/bb01n4uQZL0

How UNESCO Supports Exiled Ukrainian Women Artists

Paris, 9 June 2022 – UNESCO is launching a scheme to support Ukrainian women artists who have had to flee their country because of the war, in partnership with the NGO Perpetuum Mobile. It will enable them and their children to be hosted and cared for by a cultural institution in the country where they have found refuge.

“The war has driven millions of Ukrainians into exile, the vast majority of whom are women and children. Among these people, women artists who have been forced to suspend their creative activities often lack material and financial resources to resume their work in their host country,” says Audrey Azoulay, UNESCO’s Director-General.

For this reason, UNESCO decided to launch a programme dedicated to Ukrainian women artists in exile, born of a partnership with the NGO Perpetuum Mobile, initiator of the Artists at Risk platform, which brings together cultural institutions in over 15 countries.

Audrey Azoulay

The artists concerned will be supported for a minimum of three months by a cultural institution in their host country.

They will be taken care of with their children in artistic residencies, and will benefit from support in terms of networking, visibility and the conception of new cultural projects.

(Left) Ukraine electro-pop duo Bloom Twins: “It has really affected us,” said singer Anna Kuprienko. “We’re talking to our family, we have a lot of friends and our second manager living there. We go back to the Ukraine quite a lot. We were only there two months ago. We were hopeful that this situation with Russia wouldn’t go where it has and that it would resolve.” (Right) Ukraine singer Khrystyna Soloviy : “We are a generation that has never seen the Soviet Union and was born in a free Ukraine. Ukrainians are not Russians, as said by the Russian government. We have a difficult, depressed history of Russian colonisation.”

The scheme will aim to provide them with the means to become autonomous by the end of their hosting period, whether they then choose to return to live in Ukraine or to settle permanently in their host country. UNESCO has already set aside $140,000 usd (about $177,000 cad at time of this publication) to finance the scheme, which should initially benefit some 30 artists and their children.

A new link in UNESCO’s emergency response

The programme complements the range of emergency measures already deployed by UNESCO since the beginning of the war to safeguard tangible and intangible cultural heritage, secure museum collections and combat illicit trafficking in cultural property.

UNESCO partner Freemuse

Moreover, since the beginning of the war in Ukraine, UNESCO has been monitoring the situation of artists in close consultation with artists’ networks and cultural actors in the country. This work is also carried out in coordination with international organizations involved in supporting artists at risk: PEN America’s Artists at Risk Connection, Perpetuum Mobile/Artists at Risk, ICORN, Freemuse, Prince Claus Fund and the PAUSE programme. For the Silo, Lucía Iglesias Kuntz, UNESCO Press Service.

Featured image: Face of War (Putin in bullets) co-created by Daria Marchenko, 35 now exiled Ukraine woman artist.

Ukraine: UNESCO Statement Following UN General Assembly Resolution

Paris, France 3 March – Following the adoption by the United Nations General Assembly of the Resolution on Aggression against Ukraine, and in light of the devastating escalation of violence, UNESCO is deeply concerned by developments in Ukraine and is working to assess damage across its spheres of competence (notably education, culture, heritage and information) and to implement emergency support actions.

The UNGA Resolution reaffirms the paramount importance of the UN Charter and commitment to the sovereignty, independence, unity, and territorial integrity of Ukraine within its internationally recognized borders, and it demands “that the Russian Federation immediately cease its use of force against Ukraine.”

The Director-General, Audrey Azoulay, fully concurs with the opening remarks made by the Secretary-General at the Special Session of the General Assembly, during which he said that “this escalating violence — which is resulting in civilian deaths, including children – is totally unacceptable.”

In addition, she calls for the “protection of Ukrainian cultural heritage, which bears witness to the country’s rich history, and includes its seven World Heritage sites – notably located in Lviv and Kyiv; the cities of Odessa and Kharkiv, members of the UNESCO Creative Cities Network; its national archives, some of which feature in the UNESCO Memory of the World Register; and its sites commemorating the tragedy of the Holocaust.”

“We must safeguard this cultural heritage, as a testimony of the past but also as a vector of peace for the future, which the international community has a duty to protect and preserve for future generations. It is also to protect the future that educational institutions must be considered sanctuaries.”

Consistent with its mandate, UNESCO demands the immediate cessation of attacks on civilian facilities, such as schools, universities, memorial sites, cultural and communication infrastructures, and deplores civilian casualties, including students, teachers, artists, scientists and journalists. These include women and children, girls especially, disproportionately impacted by the conflict and displacement. 

In the field of education, Resolution 2601 adopted in 2021 by the UN Security Council states that UN Member States are to “prevent attacks and threats of attacks against schools and ensure the protection of schools and civilians connected with schools, including children and teachers during armed conflict as well as in post-conflict phases”. The General Assembly Resolution of 2 March expresses grave concern at reports of attacks on civilian facilities including schools. In this regard, UNESCO strongly condemns attacks against education facilities, with the damaging of at least seven institutions in the past week, including the attack on 2 March on Karazin Kharkiv National University.

The nationwide closure of schools and education facilities has affected the entire school-aged population — 6 million students between 3 and 17 years old, and more than 1.5 million enrolled in higher education institutions. The escalation of violence hampers the protective role of education, and the impact may be far-reaching including in neighbouring countries.

In the field of culture, UNESCO underlines the obligations of international humanitarian law, notably the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict and its two (1954 and 1999) Protocols, to refrain from inflicting damage to cultural property, and condemns all attacks and damage to cultural heritage in all its forms in Ukraine. UNESCO calls also for the full implementation of UN Security Council Resolution 2347.

In this respect, UNESCO is gravely concerned with the damages incurred by the city of Kharkiv, UNESCO Creative City for Music, and the historic centre of Chernihiv, on Ukraine’s World Heritage Tentative List. UNESCO deeply regrets reports of damage to the works of the celebrated Ukrainian artist, Maria Primachenko, with whose anniversary UNESCO was associated in 2009.

UNESCO condemns also the attack that affected the Babyn Yar Holocaust memorial, the site of one of the largest mass shootings of Jews during World War II, and calls for the respect of historic sites, whose value for education and remembrance is irreplaceable.

In order to prevent attacks, UNESCO, in close coordination with the Ukrainian authorities, is working to mark as quickly as possible key historic monuments and sites across Ukraine with the distinctive emblem of the 1954 Hague Convention, an internationally recognised signal for the protection of cultural heritage in the event of armed conflict.  In addition, UNESCO has approached the Ukrainian authorities with a view to organising a meeting with museum directors across the country to help them respond to urgent needs for safeguarding museum collections and cultural property. In cooperation with UNITAR/UNOSAT, UNESCO will be monitoring the damages incurred by cultural sites through satellite imagery analysis.

In the field of access to information and freedom of expression, UNESCO recalls its previous statement underlining obligations under UN Security Council Resolution 2222 to protect media professionals and associated personnel. It further notes, as in the same resolution, “media equipment and installations constitute civilian objects, and in this respect shall not be the object of attack or of reprisals, unless they are military objectives”.

In this respect, UNESCO is deeply concerned about reports of the targeting of media infrastructure, including the shelling of Kyiv’s main television tower on 1 March 2022, with multiple reported fatalities, including at least one media worker, as well as cases of violence against journalists and attempts to restrict access to the Internet.

In a conflict situation, free and independent media are critical for ensuring civilians have access to potentially life-saving information and debunking disinformation and rumours.

At the request of a group of Member States, the UNESCO Executive Board will hold a Special Session on 15 March “to examine the impact and consequences of the current situation in Ukraine in all aspects of UNESCO’s mandate”.

UNESCO designations and sites in Ukraine

Featured image: One of the 7 UNESCO World Heritage Sites in Ukraine (Crimea): Ruins of Chersonesos. Photo: Dmitry A. Mottl Creative Commons.

Fascinating Diversity In Committee’s Worldwide Cultural Heritage Safeguarding List

The Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage Saturday ended its 14th session recently which took place in the Colombian capital under the Chair María Claudia López Sorzano. The Committee adopted guidelines for the safeguarding of intangible cultural heritage in emergency situations such as conflict and disaster (both natural and human-induced).

The guidelines build on the research and experience acquired by UNESCO in recent years, including among Syrian refugees, internally displaced populations in the Democratic Republic of the Congo and disaster risk reduction strategies in the Pacific Islands.

During the last day of the session, the Committee decided that its 15th session was to be held in Kingston under the chair of Jamaica’s Minister of Culture, Gender, Entertainment and Sport, Olivia Grange this month.

The Committee also inscribed five elements on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding and 35 on the Representative List of the Intangible Cultural Heritage of Humanity.

The Committee also added two projects to the Register of Good Safeguarding Practices and allotted US$387,770 from the Intangible Cultural Heritage Fund to the Burkina Faso’s Capacity building for stakeholders involved in safeguarding the intangible cultural heritage in Burkina Faso.

For the first time, the Intergovernmental Committee removed one element from the Representative List of the Intangible Cultural Heritage of Humanity.

The session which brought together more than 1,000 participants was opened on 9 December by President Iván Duque Márquez of Colombia and UNESCO Director-General Audrey Azoulay.

Additions to the List of Intangible Cultural Heritage in Need of Urgent Safeguarding:

Spring rite of Juraŭski Karahod, Belarus
Seperu folkdance and associated practices, Botswana
Rituals and practices associated with Kit Mikayi shrine, Kenya
Sega tambour Chagos, Mauritius,
Buklog, thanksgiving ritual system of the Subanen, Philippines

A group of ritual specialists gather at the special offering altar while a member of the community places an offering in the ‘sangat’
© National Commission for Culture and the Arts of the Philippines, 2018

The List of Intangible Cultural Heritage in Need of Urgent Safeguarding features elements of living heritage whose viability is under threat. It mobilizes international cooperation and assistance to strengthen the transmission of these cultural practices, in agreement with the concerned communities.

Additions to the Representative List of Intangible Cultural Heritage of Humanity:

Armenian letter art and its cultural expressionsArmenia
Transhumance, the seasonal droving of livestock along migratory routes in the Mediterranean and in the AlpsAustria, Greece, Italy
Date palm, knowledge, skills, traditions and practices, Bahrain, Egypt, Iraq, Jordan, Kuwait, Mauritania, Morocco, Oman, Palestine, Saudi Arabia, Sudan, Tunisia, United Arab Emirates, Yemen
Ommegang of Brussels, an annual historical procession and popular festival, Belgium
The festival of the Santísima Trinidad del Señor Jesús del Gran Poder in the city of La PazBolivia (Plurinational State of)
Cultural Complex of Bumba-meu-boi from Maranhão, Brazil
Morna, musical practice of Cabo Verde, Cabo Verde
Byzantine chant, Cyprus, Greece
Music and dance of Dominican Bachata, Dominican RepublicDominican Republic
Ethiopian epiphany, Ethiopia
Alpinism, France; Italy, Switzerland
Traditions of Pencak Silat, Indonesia
Provision of services and hospitality during the Arba’in visitation, Iraq
Irish harping, Ireland
Celestinian forgiveness celebration, Italy
Ak-kalpak craftsmanship, traditional knowledge and skills in making and wearing Kyrgyz men’s headwear, Kyrgyzstan
Traditional skills of crafting and playing Dotār, Iran (Islamic Republic of)
Artisanal talavera of Puebla and Tlaxcala (Mexico) and ceramics of Talavera de la Reina and El Puente del Arzobispo (Spain) making process, Mexico, Spain
Silat, Malaysia
Traditional technique of making Airag in Khokhuur and its associated customsMongolia
Gnawa, Morocco
Kwagh-Hir theatrical performance, Nigeria
Practice of traditional music and dance in Setesdal, playing, dancing and singing (stev/stevjing), Norway
‘Hatajo de Negritos’ and ‘Hatajo de Pallitas’ from the Peruvian south-central coastline, Peru
Winter festivities, Carnival of Podence, Portugal
‘Ie Samoa, fine mat and its cultural value, Samoa
Drotárstvo, wire craft and art, Slovakia
Holy Week processions in Mendrisio, Switzerland
Nuad Thai, traditional Thai massage, Thailand
Traditional Turkish archery, Turkey
Practices and craftsmanship associated with the Damascene rose in Al-Mrah, Syrian Arab Republic
Traditional turkmen carpet making art in Turkmenistan, Turkmenistan
Tradition of Kosiv painted ceramics, Ukraine
Khorazm dance, Lazgi, Uzbekistan
Practices of Then by Tày, Nùng and Thái ethnic groups in Viet Nam,Viet Nam
 

All together now: National Harp Day with Clodagh, Oisín and Alva at y=the Lexicon Cultural Centre, Dún Laoghaire. Co Dublin
© Tom Honan Photography, 2017

The Representative List seeks to enhance visibility for the traditional practices and know-how of communities.

Additions to the Register of Good Safeguarding Practices:

Safeguarding strategy of traditional crafts for peace building, Colombia
Biocultural programme for the safeguarding of the tradition of the Blessed Palm in Venezuela, Venezuela (Bolivarian Republic of)
 

The Register of Good Safeguarding Practices allows States Parties, communities and other stakeholders to share successful safeguarding experiences and examples of how they surmounted challenges faced in the transmission of their living heritage, its knowledge and practice to the future generation. These methods and approaches should be useful as lessons and models that can be adapted to other circumstances, including those in developing countries.

Featured images- Jacques Perler,2017 Fondazione Processione Storiche di Mendrisio, 2008