 JOIN ME FOR THESE UPCOMING FALL SHOWS Fall is almost here and I’ve got a ton of great events coming up, including this weekend’s much-anticipated Long’s Park Amphitheater Art Festival in Lancaster, PA. These shows are more than just shopping experiences; they’re opportunities to connect with passionate artisans and discover one-of-a-kind pieces. They’re also a great way to start your holiday shopping early (or grab some special pieces for yourself). Can’t make it to the shows? Swing by the Baltimore showroom in Cross Keys or shop all of my new pieces online at rebeccamyersdesign.com. See the full list of events on my events page… https://www.rebeccamyersdesign.com/events Looking forward to seeing everyone! xo, Rebecca  SAINT LOUIS ART FAIR September 8 – 10 | Downtown Clayton | St. Louis, MO This year we will celebrate our 30-year history of the art fair — still attracting high-quality artists and celebrating the diversity of the community through a celebration of the Arts. The Saint Louis Art Fair (SLAF) produced by Cultural Festivals has been working diligently to Reconnect Through Art with the health and safety of artists, volunteers, and the public as its top priority. TICKETS & INFO  CRAFT NEW YORK September 30 – October 1 | Damrosch Park at Lincoln Center | NYCNYC’s most unique curated shopping event! Find wearable art like clothing, jewelry and handbags; home decor such as functional and sculptural works in ceramics, glass, metal, wood and mixed media; as well as fine art painting, printmaking and photography; and more. All handmade and all unique! Also, make sure to visit the expanded gourmet foods and specialties boutique including distillery and winery tastings. TICKETS & INFO  THE WALTERS ART GALA: AN EVENING AT THE WALTERS October 21 | 6pm | The Walters Art Gallery | Baltimore, MD My favorite party is coming up! The BEST night out in Baltimore is also a great way to support one of our most wonderful institutions. Get your tickets for the Walters Gala! Don’t miss it! PURCHASE YOUR TICKETS |
Tag Archives: art
The Protected Origin And Definition Of Spanish Cheese
One of my newest cheese loves is not a new cheese at all, but, actually, the traditional cheese of Spain. Manchego is a smaller wheel of Spanish sheep’s milk cheese that just makes the mouth water. It is regulated by Spain under the PDO (Protected Designation of Origin), which was granted through the European Union. (in a nutshell, PDO allows for exclusive food/geographical production so for example, in Europe, Parma Ham can only be sold and labelled as Parma Ham if it originated in Parma see link below for more CP ) This means that it must meet specific regulations in order to be called Manchego. It must be made from whole sheep’s milk taken from animals that have grazed in autumn in La Mancha province. Finished cheese must be aged from 60 days to 2 years. The milk must contain at least 6% fat and each stone, or wheel, of cheese must weigh between 2 and 3.5 kg.
There is a distinctive pattern engraved in the inedible brown rind of the cheese.
Originally, the Manchego curd was hand pressed in plaited esparto grass baskets. The grass was taken from the same fields where the sheep grazed, and the grass-flowers pressed into the top. Today, however, press moulds are formed using the traditional pattern and the grass baskets have been phased out of production. Still, the traditional zigzag is how you can recognize Manchego at your favourite cheese shop—and always look for the PDO label.
The inside of the cheese, or the paste, is an off-white that hints at golden. As the cheese gets closer to the rind, the colour progresses to more of an umber. Very small pockets of air are produced as the cheese ages and releases co2.
But enough of all this—the important part of Manchego is the taste. It has a wonderful, mellow flavour that is rich and subtle at the same time. There are slight hints of smoke, woody nuts, tobacco, honey and leather, and it finishes with the distinctive taste that only sheep’s milk can give you. Manchego can be served with olives, sundried tomatoes or hearty crusty bread. It pairs easily with a fine Rioja red wine or a fruity sherry—a wonderful way to stay warm on a winter’s evening.
Recently I heard that Manchego, cut in smaller chunks and dipped in honey poured on a plate, makes a fine conclusion to full meal. I tried this desert idea and the flavours of honey and cheese together are just wonderful. The smoky taste that coats the taste buds is a joy.
For the more daring, this traditional dessert of Spanish Manchego and honey also pairs well with a fine Cuban cigar. Enjoy your cheese.
For the Silo, Scott Jensen.
Supplemental- Protected Designation of Origin Labelling, Terroir and the implications for Ontario agriculture: www.sustainontario.com/2010/05/11/2180/food-processing/protected-designation-of-labelling
Parma Ham and PDO: www.prosciuttodiparma.com
Arnold enjoys Cuban Cigar while in Ottawa: www.activerain.com/blogsview/114533/-arnie-partakes-in-the-luxury-of-a-fine-cuban-stogie-after-hockey-game-in-ottawa–
SwissArtExpo 2023 Will Be Most Visited Hotspot In Zurich
Visit Our Friends to the South in Buffalo & Take In July 4 Celebrations
If you’re looking for a spur-of-the-moment day trip from Niagara, Canada side, I have the answer for you.
A visit to downtown Buffalo can be your answer. It’s about an hour away nestled on the American side of the Peace Bridge and it’s a place still oozing with charm. The older downtown area offers a step-back-in-time experience. Forget the Chicken wings; the historic buildings here make a statement about style and sophistication.
July Fourth Fireworks Galore!
There are many places to catch amazing fireworks displays in and around the city core.
Cool Architecture and Art Deco Stylings
Old City Hall
Start your day of exploring with a visit to Buffalo’s Art Deco City Hall. It dominates everything in the downtown area. Built during the early 1930’s (at the height of the great depression) this is a must see. The building is open free of charge Monday to Friday between 8:30 am and 4:30 pm. Take the elevator to the 22tnd floor, and then walk the stairway to the observation area. You’ll feel like you’re on top of the Empire State building in New York City. You’re rewarded with an awe inspiring view of the city, Niagara River and nearby Fort Erie. Free tours of City Hall are offered Monday to Friday at noon. Just meet in the lobby and a volunteer will put you through your paces as he or she walks and talks about the history of this Buffalo charmer. I was convinced, I was in a time warp. Docent (an American term which usually refers to a historic tour guide),
Rick Smyth, a retired teacher explained the meaning behind the many murals and statues that adorn the inside of the building. He said, “They tell about the friendship between Canada and the United States that has extended since the end of the War of 1812″.
Niagara Square
Outside City Hall is Niagara Square .Dominating the square is a monument built to honour the memory of William McKinley, the 25th president of the United States (1897-1901) who was assassinated in Buffalo at the Pan American Exposition in 1901. If you love old architectural buildings and their history you’ve hit the jackpot. Take your pick, the perimeter of the square beckons you. All of these century old buildings have stories to tell. Escorted walking tours can be arranged at www.buffalotours.org or 716-852-3300.
Lafayette Square
Lafayette Square is three blocks to the east of City Hall. It’s a park in the centre of the downtown. The block, which was once square, is lined by many of the city’s tallest buildings including the Liberty Building, and Rand Building. The Buffalo and Erie County Public Library (www.buffalolib.org) is an interesting place to explore. You can a get a first hand glimpse of the manuscripts of the Adventures of Huckleberry Finn. by Samuel L. Clemens, better know by his non de plume, Mark Twain lived in Buffalo between 1869 and 1871. The library is open daily at 8:30 am, except Sunday, free of charge. This block is surrounded by the Niagara Frontier Transportation Authority’s Metro Rail light rail rapid transit, which runs about 12 blocks above-ground along Main Street in what is called the Free Fare Zone. Try it you’ll love it. The ride really is free.
Live Theatre
You’d be hard-pressed to leave this area without visiting one of the many historical theatres that offers touring Broadway shows, concerts, opera, dance and classic film series. Shea’s Performing Arts Center (www.sheas.org) on Main Street, built in the style of 1926 European Opera House, has an outstanding line-up of live entertainment. Greats like George Burns and Frank Sinatra have performed here in the past.
Where to Eat
When the hunger pains start to come on I recommend the Spot Coffee Restaurant (www.spotcoffee.com) at the corner of Delaware Avenue and Chippewa Streets. This independently owned coffee shop is more authentic than places like Starbucks. They have good reasonably priced food and plenty of it. Uneven floors, wood tables and exposed brick make this the perfect neighbourhood eatery. They open at 7 am and close at 11 pm. It’s where I like to hang out during the annual St. Patrick’s Day Parade. The parade takes place this year on Sunday, March 18 and begins at 2pm.
Downtown Parking
Street parking is reasonable here. Be sure to carry lots of American 25 cent coins to feed the $1 an hour meters. Lot parking is about $8.00 for the day.
For More Information TELL ’em The Silo sent ya ;>
www.visitbuffaloniagara.com or 1-800-283-3256.
For the Silo, George Bailey.
Canada’s Jim Carrey Lists L.A. Brentwood Mansion
Jim Carrey’s prolific career includes marquee comedy roles such as The Riddler, The Mask and Ace Ventura and critically acclaimed dramas Eternal Sunshine of the Spotless Mind, for which he won two golden globes and eleven MTV awards.
In 2022, he announced that he was taking a break from acting and was considering retirement. The prolific star has relocated to his vacation property in Maui and put the Brentwood estate where he has lived for the last 30 years up for sale.
Now listed for $26.5 million USD/ $35.2 CAD, reduced from $28.9 million USD/ $38.4 million CAD, the sprawling ranch-style mansion is nestled behind huge hedges and private red-brick gates.
The 12,700-square-foot home features five bedrooms, six full bathrooms, and three half baths. The stylish residence’s pitched high-beam ceilings offer tons of airflow, while skylights let in plenty of natural light to bathe the bright white walls and Jim’s extensive art collection, including his own impressive creations. The living, dining, and family rooms flow together with hardwood and polished stone floors, fireplaces and ample windows with views of the lushly landscaped grounds. The well-appointed chef’s kitchen offers an indoor BBQ. A circular breakfast nook looks out onto flowering pear trees. Multiple sliding glass doors open onto a central courtyard that provides space for entertaining or lounging in the classic California indoor/outdoor living style.
Jim’s primary bedroom suite includes its own private patio, plus a stunning wood-paneled bathroom with a copper-hooded fireplace, leaded glass windows, and a soaking tub. An Art Deco-style home theater pays homage to the movie palaces of old, with mohair-covered sofas, burl wood columns, and a lavish marble bathroom. The spacious gym and home office are perfect for the modern remote-work lifestyle. The massive two-acre grounds are a rarity in LA and include a full-size tennis court, a waterfall swimming pool, a pool house with bar, a sauna/steam room, vegetable gardens, and numerous mature trees. Walking paths wind through the serene environment, leading to the yoga and meditation platform. Carrey called the home “a place of enchantment and inspiration” and hopes it will continue to be “a magical sanctuary” for its next occupant.
One of LA’s most sought-after neighborhoods, Brentwood is right next to the hustle and bustle of Santa Monica but retains a community feel. Known for its tree-lined streets, unique mansions, and one of the best farmer’s markets in Los Angeles, Brentwood is home to numerous celebrities, including Arnold Schwarzenegger, LeBron James, and Tobey Maguire. Options for entertainment include the world-class Getty Museum, the Brentwood Golf Club, and the upscale shops and restaurants on San Vicente Blvd.
The listing is held by Janelle Friedman of Sotheby’s International.
The 12,700-square-foot home features five bedrooms, six full bathrooms, and three half baths, plus tennis courts, a waterfall pool, and an enormous two-acre lot.
For the Silo, Bob Walsh. Photos: Daniel Dahler for Sotheby’s International Realty
Hotel Bayerischer Hof: Iconic Bavarian Gem Has Historic & Legendary Design Collaboration
While choosing popular cities to travel, the obvious choices are always Rome, Berlin, Barcelona and London, but how about those ‘alternative’ cities you may have never thought of or come across? That is where Munich, Germany comes in.
Nestled in the heart of Munich, Hotel Bayerischer Hof is one of Germany’s most historically important hotels, renowned for its timeless elegance and world-renowned design partnerships.
The aura of royalty is imminent as soon as one steps foot into the hotel. The property’s renowned collaboration with Belgian designer Axel Vervoordt, a global tastemaker, is designed with full picturesque and captivating minimalist interiors.
The unveiling of the art dealer, curator, designer, and antiquary Vervoordt’s latest revamp has transformed a section of the hotel into an artistic wonder– harmoniously mixing old and new, creating a design aesthetic that is hugely influential in Germany. He counts royalty within his clientele, with a nod to celebrities like Kanye West, Robert De Niro, and Calvin Klein.
Vervoordt’s collaboration with Hotel Bayerischer Hof is nothing short of incredible.
The Penthouse Garden Suite, Atelier, Garden restaurant, Cinema Lounge, and Palaishalle all bear the designer’s characteristic artistic touch. The new wing embodies a captivating minimalist design that is both modern and timeless in the same beat. Vervoordt’s talent helps the property keep in step with the ever-changing expectations of the hotel industry and attracts discerning guests who appreciate design that cleverly combines the present and the past.
Founded by female entrepreneur and owner Innegrit Volkhardt, who is dubbed “one of the most renowned hoteliers in the world,” her family has owned the Hotel Bayerischer Hof for over four generations, so the blood runs deep. The hotel recently celebrated 125 years of ownership. Volkhardt, a true Bavarian local, has immaculately maintained the hotel’s legacy while successfully integrating new design collaborations like that of Vervoordt.
Tucked away within the elegant shopping district, the hotel is near the city’s must-see attractions, including the Marienplatz, Viktualienmarkt, and the Hofbrauhaus, a fun and traditional beer house with live music (apparently it’s where the Nazis used to meet).
One can even say that you don’t need to leave the hotel, with a full service spa, a tiki bar underground, a glorious dome-shaped bar and networking area, a ballroom, and best of all, dinner at The Garden. The restaurant offers fan favorites like a goat cheese, fig and cottage cheese salad, as well as filet mignon with a side of spinach and potatoes. A sweet finish with a trio of sorbets to cleanse the palate and keep it light.
Hotel Bayerischer Hof boasts over 300 luxurious rooms and suites that capture its deep history, blending luxury with design.
The collaborative designs of Axel Vervoordt have played an immensely significant role in helping the hotel innovate and evolve without losing the essence that has made it a Bavarian favorite for 125 years. If you’re looking to indulge in an unforgettable experience, Hotel Bayerischer Hof is undoubtedly one of the best options in Munich. For The Silo, Ellie Ross.
Defoy At Heart Of Official Quebec Antique Dealer Route
By the winter of 1982, we had been going to the Harbourfront Antique market every Sunday for about a year, and were making a pretty good living selling things we had bought at local auctions and garage sales. Then one day, I read in the excellent and entertaining “bible” of Antique dealing “The Furniture Doctor” by George Grotz , that the village of Defoy, Quebec was mecca for the antique picker.
To quote “there’s a wonderful secret wholesale place up in the province of Quebec. It’s the tiny town of Defoy. Only a gravel road from the main highway, but about a half a mile down there is the wonderful “antiques dump” of Rene Boudin and his freres. And here under enormous sheds you will find literally acres of antique furniture, chests, and tables piled three to five pieces high”.
https://goo.gl/maps/ZhW6d7x5Z72G7buz6?coh=178572&entry=tt
The book had been out quite awhile so there was no telling if this situation still existed, so I asked the old guys at the market if they knew of such a place. I got several reports of it’s glory days, followed by “of course that was years ago and nobody goes anymore. That being said they also all encouraged me to give it a go, and gave me “leads” as to who may still be active. We gathered up our courage, our baby, and what cash we had, and set off.
That first twelve hour drive felt like an eternity. It was a tired crew who pulled in late afternoon to a tiny motel in Victoriaville, Quebec.
Our first move was to look up Marcel Gosselin in the phone book because he was one of our most promising leads. To our delight he was listed, and he answered and told us where and how to come the next morning. It wasn’t hard to find because it was near town, and his name was painted boldly on the barn. Marcel greeted us warmly and proceeded to lead us to his main barn. There, behind the red and white cross doors was the biggest pile of dining chairs I had ever seen. About thirty feet across it reached to the top of the barn.
Through the hatch work of legs I could see tantalizing glimpses of a cupboard and some chests. Then he took us upstairs where in a loft he had sorted hundreds of chairs in sets of four, six, or more. Some were painted and some varnished. It was $45cdn each for simple painted chairs, $65cdn each for nicer pressbacks and/or varnished ones. We got a couple of sets knowing we would get about $150cdn-$250cdn each for these when refinished., Next I asked him about that cupboard I had seen in the giant pile downstairs. He told me all about it including the age, condition and reasonable price of $250cdn and told me he would extricate it and have it ready for my next trip if I wanted it.
I said I did, and then he didn’t even want a deposit.
“That’s not the way we do it down here. Your word is good enough, until it isn’t. I liked him immediately and knew he was a man I would enjoy doing business with.
Next he took us to the garage attached to his 100 year old frame house. The downstairs was filled with every kind of “smalls” including small boxes, glassware, pottery, antique clothing, folk art, etc, etc; and the tiny, about to collapse, upstairs loft was filled with hundreds of pottery washsets. There were some beauties, and this was a hot item at the time in Toronto. Prices ranged from $45cdn-$75cdn per set. We bought 8 of the nicest sets knowing we would get between $145cdn to $375cdn back home.
This was getting truly exciting.
We spent a terrific four hours or so with Marcel that first day and pulled away from his place, with half our money spent, and half our truck full of interesting, excellent quality, and reasonably priced stuff, not to mention the overwhelming sense of warmth, excitement and wonderment of that first glimpse into a Quebec picker’s life. We were hooked, and we knew it was the first of many more trips to see Marcel. For the Silo, Phil Ross.
Featured image courtesy of tourismecentreduquebec.com
Selina Berlin Mitte Launches, Offering ‘Nook for Art and Music Lovers’ in the Heart of Berlin
Berlin’s vibrant art scene just got a little more exciting with the opening of Selina Berlin Mitte, the latest property from skyrocketing hospitality company, Selina. Dubbed an ‘art-forward’ hotel, Selina Berlin Mitte boasts a guest concept that revolves around art and music, offering visitors a memorable cultural experience to feel like a local.
Located in the heart of Berlin’s Mitte district, Selina Berlin Mitte offers guests an eclectic mix of accommodations, including standard, suite, shared, and hybrid options.
I was offered one of the suites, and I literally felt like I had relocated to my very own apartment in Berlin, stocked with a kitchen, fridge, modern shower and bathroom, couch, vintage record player and expansive views of the city. Perfectly situated for exploring the city, the hotel is steps away from some of Berlin’s best design stores and boutiques, galleries, restaurants, shops, and bars.
If you are looking to socialize, Selina Berlin Mitte features a rooftop co-working and bar area, plus a restaurant with contemporary Israeli and Mediterranean cuisine called HOWM, a grab-and-go dining option available 24 hours, and even a communal kitchen.
If you grab a drink at the hotel rooftop, you will be surrounded by lounge seating, fun board games, and a 360-view of the city, including Berlin’s iconic TV Tower. Selina goers can meet up for a “welcome drink,” rooftop yoga classes and meditation sessions. If you are searching for activities on the property, you can choose from workshops, live music, DJ sets, art exhibits, and lectures.
Sprawled along the hotel walls are carefully curated artworks by Berliners and international artists, with installations highlighting mixed media– reclaimed wood, mirrors, and vintage art objects. Using earthy and hip furniture, Selina has an industrial feel that opens your eyes to innovation and connection. Common areas are filled with murals, while in-room art combines classical Berlin prints and artworks. Large-scale artistic works are woven throughout the reception area, rooftop, corridors, and suite rooms.
On a mission to keep digital nomads connected, enabling them to travel and work without borders, Selina has plans to open 10-15 hotels in 2023, catering to millennials and Gen Z travelers.
On April 14-16, Selina Berlin Mitte celebrated its opening with the “Welcome to the Hau(E)” event, a 3-day experience showcasing curated local programming, food pop-ups, wellness activities, live music DJs, and a local artisan market.
Selina Berlin Mitte is the “IT” hotel, where art and music lovers unite into a cultural melting pot. Book a stay and indulge in the avant-garde, art-centric German capital, and all it has to offer. For the Silo, Kat Fleischmann.
For more information or to book a stay at Selina Berlin Mitte, visit www.selina.com.
Exploring Outsider Visionary Art
For the last couple of decades the term “Outsider art” has come into popular use as a catch all phrase to describe the work of those who live “outside” society. Prisoners, religious visionaries, the institutionalized, and hermits all fall into this category.
It is quite often grouped together with folk art in that it is also primarily work by an untrained hand, but it differs in that the work is often more wildly imaginative, or “edgy”.
Back in the early 90’s, I was fortunate enough to participate in the second and third Outsider Art Fairs in New York. I was struck and amazed at the high levels of both positive and negative energy generated by the various works from around the world on display there.
Everything from giant nightmare fantasies to what could best be described as visions of heaven fighting it out side by side. It was intense and worthwhile. It was also an interesting lesson in marketing, in that I observed how a handful of powerful art dealers control and establish who is “hot” and how much these works were going to cost.
The newly found amazing collage/paintings of Henry Darger were presented initially at about $4,000 for a small one. The second year the price was $40,000.
The book had come out on the Chicago recluse who spent all his days writing his posthumously discovered 15,145-page, single-spaced fantasy manuscript called The Story of the Vivian Girls, in What is known as the Realms of the Unreal, of the Glandeco-Angelinnian War Storm, Caused by the Child Slave Rebellion, along with several hundred drawings and watercolor paintings illustrating the story. Beautiful and disturbing.
[This is a picture of Elsie Paroubek who was murdered at the age of five in 1911 in Chicago. The picture is most likely to have come from the Chicago Daily News. It was one of many newspaper photos of children collected by artist Henry Darger. According to his autobiography, his copy of Miss Paroubek’s photo was in amongst some items that were stolen when his locker at work was broken into, and he was unable to locate the picture in the newspaper archives. The tragic death of Miss Paroubek and the loss of her image inspired him to begin writing his monumental fantasy novel “The Story of the Vivian Girls.” Miss Paroubek was a central character in the novel, under the name Anna Aronburg. Photo is in the public domain. Text excerpt from wikipedia CP]
In Canada, there are just a few documented artists who could be considered “outsiders”. There is Clarence Webster who drew interesting childlike pictures to cheer up the walls of his institutional room.
A very interesting visionary artist was Alma Rumball who lived in a rural Muskoka cabin. Following a vision of Jesus, she became a clairvoyant recluse, at age 50, creating prolific, intricate, coloured pen and ink drawings. She watched, as “The Hand” drew by itself, unfamiliar forms, faces, and characters, separate from her consciousness.
There is a good Vision T.V. documentary on this artist. Another example is Gilbert DesRochers, who after a religious vision moved to his brother’s farm near Perkinsfield, where he lived in a small trailer and attended church regularly, producing many religious based sculptures. He was discovered and documented by artist John Hartman in 1980 and a solo exhibition of his work was held at the McMichael Canadian Art Gallery from November 3, 1991 to March 1, 1992. For the Silo, by Phil Ross.
Featured image- The ascension of Gilbert DesRochers. Beaverbrook Art Gallery.
The World’s Weirdest Museums You Must Visit
More often than not, all our museum experiences are quite similar. We see some art or historical artifacts, learn about a subject, and sometimes listen to a lesson during a tour.
And while every museum is invaluable, sometimes the heart wants something quirkier and unusual. Evidently, many people had the same sentiment because if you really look, you’ll find some incredible gems in the world of museums.
Here are the world’s weirdest museums you must visit.
Momofuku Ando Instant Ramen Museum, Osaka, Japan
Ramen is synonymous with Japan, so no wonder there is a museum dedicated to it! Momofuko Ando, the Taiwanese-Japanese inventor, invented Chicken ramen noodles in his backyard shed in 1958.
The Momofuku Ando Instant Ramen Museum shows this Japan’s cult food that went global by displaying ramen noodle packages from around the world and giving the opportunity to taste limited-edition ramen from Hokkaido island and Tohoku region. Visitors can also design their personal soup packet at the “My Cupnoodles” Factory.
Spy Museum, Washington DC, USA
Love spy movies or novels? Then this museum is for you! International Spy Museum in Washington DC has the largest public collection of espionage artifacts that includes various gadgets, cameras, secret weapons, cipher machines, and counterfeit money.
It’s a rare chance to take a look at this secret profession and see how it’s developed over the years.
Museum visitors can participate in interactive spy adventures, watch never-seen-before videos of spies and revel in the impressive photo collection. And who wouldn’t wish for a super-gadget that would help make life easier, to help you in high-stakes situations like basketball betting on BetAmerica.com?
Sulabh International Museum of Toilets, New Delhi, India
Roughguides.com names the Sulabh International Museum of Toilets, New Delhi, India, which shows the history of hygiene and sanitation from 2500 B.C. to today, as one of the weirdest museums a person can visit.
The visitors can see the toilet evolution over the ages – from Roman emperors’ gold-plated toilets to medieval toilets of peasants. A fun fact – you can find a collection of rare toilet poems in the museum as well.
British Lawnmower Museum, Merseyside, England
Can there be something more British than a Lawnmower museum? If you’re a garden enthusiast or simply like quirky things, you must visit the museum, which details this garden tool’s history.
You’ll find such items as the lawnmowers of Prince Charles and Princess Diana or the world’s first solar-powered robot grass-chopper in the collection. Probably the cutest lawnmower at the museum is less than five centimeters high and is fully functional!
Siriraj Medical Museum (Museum of Death), Bangkok, Thailand
If it sounds scary, that’s because it is. Even though officially named a Medical museum, most people call it simply the museum of death. If you’re squeamish or find the subject distressing, it’s probably best to skip this one.
You’ll find severed and mutilated legs and arms, brains, skulls pierced with bullets, lungs that have been stabbed, and other similar things in the collection. They all illustrate the dark and gruesome ways to transition to death and leave no one indifferent.
If that’s not enough, you can also see the mummified body of a notorious cannibal Si Quey and the museum’s founder’s skeleton.
The Museum of Broken Relationships, Zagreb, Croatia
It is just as sad and beautiful as it sounds. It started as a joke by two Croatian artists who broke up after a long relationship and said they wanted to create a museum to honor it. Well, they did, and it blew up all over the world.
You can see various mementos from people’s relationships in different countries that include an ax used to destroy a cheating partner’s furniture, jewelry, postcards, and more.
Paris Sewer Museum, France
Nobody likes to talk about it, but sewer systems are the basis for a civilized society! However, it’s not the first or even the fifth thing people want to see when visiting the city of love.
Still, it’s so fascinating and complex. Lifehack.org explains that it’s an entire network of tunnels as large as the city itself, and also a museum that tourists can visit and explored, complete with tour guides. Don’t worry, it doesn’t smell that bad, and you’ll see a part of Paris you never thought you would. For the Silo, Milda Urbonaite.
Illustrator Demonstrates Ireland’s Linguistic Decline
There is a mass decline in linguistic diversity happening all over the planet and in places geographically far apart and I think that if things don’t change, the loss of language diversity will be immense.
In the book, Irish in the global context, Suzanne Romaine mentions that linguists believe, that 50 to 90 % of the world’s estimated 6,900 languages will simply vanish over next 100 years.
At this moment in time, 85% of the world’s languages have fewer than 100,000 speakers and over half of the world’s remaining languages are spoken by just .2 % of the world’s population. These facts have informed my work and have become the wider subject of my illustrations, specifically the linguistic decline of the Irish language.
In some ways the battle between the Irish and the English languages is one of the defining features in modern Irish culture, but it is Irish which defines this island more, and the Irish language tells the entire history of Ireland in its influences and in its form.
Ruairí Ó hUiginn said in his book The Irish language: you have influences of Latin from the Christianization of Ireland in ecclesiastical words, influences from Viking invasions in words for “seafaring, fishing and trade”, influences from the militaristic Normans [ French CP] in words for “architecture, administration and warfare”, and from English colonialism you get English in every day words.
Each influence shows an aspect of Irish culture. What people forget to realize is that a language is much more than something spoken to express oneself. Ancient peoples created language in an attempt to describe the world around them and the world within them, in other words their worldview.
An example in Irish is- you don’t say ‘I’m angry’, you say ‘tá fearg orm’, which means ‘I have an anger on me’.
Nevertheless, Irish is important internationally too, and Irish is the third oldest written language in Europe, after Latin and Greek, and as a spoken language it may even be older than both.
How should an artist illustrate a language? And more specifically the struggle of one language with another? I choose nature as my metaphor, from the ancient forests of Ireland, mostly gone now, to Islands which stand for thousands of years but are slowly worn away by the tide. The words that make up these landscapes are either ‘for’ or ‘against’.
My illustrations therefore visualize the real life drama of ancient language versus modern language.
I imagine a “versus” scenario. On the “against” side I chose English words plucked from peoples statements in online forums and in letters to newspapers. On the “for” side I chose Irish words, and they were chosen from recent investigations into the creation of the ancient Irish language. Irish words in my illustrations such as “dúchas (heritage), tír (country), litríocht(literature), and stair(history)” reflect the Irish language’s cultural importance, while “Todhchaí(future), féinmhuinín(self-confidence), beatha(life), and anam(soul)” reflect its importance in a metaphysical way to Ireland.
The english ‘against’ words can range from the practical benefits of english within subjects such as “tourism, movies, business, and comics,” to words that reflect the interaction of English speakers with Irish. To illustrate the concept, I chose words like “conform, bend, harass, and adapt”.
To create my intended mood, the english words are given a general indistinctive typography reflecting uniform mono-linguilism, while the Irish words are given a distinctive Irish manuscript/Gaelic script reminiscent of Geoffrey Keating’s 17th century book- Foras Feasa ar Éirinn/History of Ireland.
The core message in my illustrations is a positive one, the sun is rising for a new day as the Irish language holds on, like a lot of minority languages. It is diminished but not beyond hope. I believe it can make a comeback, and this is exactly what is happening all over this country today, because of the work of people far more dedicated than myself. I hope my work can help reinforce linguistic diversity as well as all forms of heritage. I have the will to preserve these for future generations, so they too can live in a world full of diversity spending their lives discovering and exploring it in all its beautiful variety.
For the Silo, JG O’Donoghue.
AI Induced Shifting Subtexts- What Is And What Isn’t Art?
Let’s go back to 2016 and re-consider how the works highlighted below are more relevant today than ever when asking “What is and isn’t art?”. The recent surge in AI and chatbot produced ‘art’ has created new challenges in recognition, interpretation and validation. Or has it? [J.Barker Content Producer for The Silo] It became immediately apparent that the rephrasing of the question “What is art?” to “What isn’t art?” signaled a dissolution of the boundary separating metaphor from reality.
Since, citizen and artist alike have been plunged headlong into the bacchanals of postmodernity, and the question has been obscured under a heap of incongruous discourse and subtexts.
Two curious and intrepid artists offer their answers to this exhausting and illuminating question in their discussions of unexplored spaces and shifting subtexts.
Painter and multimedia artist Eva Davidova tests the digital waters of virtual reality through immersive, programmatic experiences. Articulating the conviction that emerging technology is obliged to transcend commercial application, Davidova’s phantasmagoric 3D renderings attempt to draw the strings away from the hands of big business. Topics mentioned include the beauty of academic reciprocity, the fiscal realities of living in the metropolis, and the future of collaborative artistic environments.
Behind the meticulous and sweeping abstract landscapes from the mind of Julie Mehretu are subtle societal and historical cues, which inform and enrich the surface of her paintings. In her ebullient interview, Mehretu speaks of the benefits and restrictions that arise from using architectural semantics to ground explorations of political and social change.
Wrought from countless painterly quotations, the identity of Mehretu’s brushstroke vanishes the moment it falls under interpretation.
The elusive and curious nature of the Ethiopian artist’s aesthetic experiments, coupled with a steady ethical subtext make for an engaging and memorable listen.
Featured image- “A Questionable Tale(#1)” 2022 Marina Zurkow/DALL-E (AI)
For the Silo, Brainard Carey.
Art Auction: A Better Way to Collect Art
Have you ever dreamed of owning a piece of fine art but felt that it was out of reach financially? An art auction may be the answer to your dreams! Art auctions are an excellent way to purchase original artworks without breaking the bank. With the right approach, art auctions can be a great way to build a collection of art and save money.
The benefits of an art auction
For those who are looking to add to their art collection or simply just want to try something new, art auctions can be an excellent way to obtain art. Art auctions offer a unique opportunity to purchase artwork from all over the world at competitive prices. With a broad selection of works to choose from, they provide an exciting and engaging experience.
One of the main advantages of attending an art auction is that buyers have the chance to buy authentic artwork without the risk of buying a counterfeit piece. This can save buyers both money and time since they don’t need to worry about being scammed by an online seller.
Auctions also provide an opportunity for the buyer to get to know the artist and their work, as well as to discuss any questions with auctioneers or knowledgeable collectors.
How to participate in an art auction
Attending an art auction is a great way to find unique and valuable pieces of art. But it can be intimidating if you’ve never attended one before. Here are some tips to help make sure your first experience at an art auction is a successful one. Before you attend the auction, take some time to research the artwork that is being offered. Learn about the artist and the piece you are interested in. Knowing what you are bidding on can help you make informed decisions during the auction.
The difference between an art auction and an online sale
Auctions and online sales both offer a great way for art collectors to purchase artwork, but there are some key differences between the two. An art auction is a live event where bidders compete in a competitive environment to purchase pieces of art. Bidding is fast-paced and participants must be willing to pay the highest price in order to secure the artwork they desire.
Online sales are much different in that they are usually conducted over a longer period of time. Instead of a competitive environment, buyers have the opportunity to browse through the artwork and make their selections at their own pace. This allows buyers to take their time, research the piece, and evaluate whether it’s worth purchasing or not.
Furthermore, buyers may be able to negotiate a lower price as they may not have to compete with other bidders. Another difference between an art auction and an online sale is that auctions are typically reserved for more expensive pieces of art, while online sales tend to feature more affordable artwork. As a result, those who want to purchase high-end artworks may find it more beneficial to attend an art auction than to purchase from an online store.
Clairtone Canada Stereo Equipment Was Art-like
The Art of Clairtone: The Making of a Design Icon, 1958-1971 is a fully illustrated stylish look back at the stereo story behind a Canadian design icon. This handsome hardcover is by Nina Munk and Rachel Gotlieb and is available on Amazon.
“At its peak in the 1960s, Clairtone Sound Corporation was one of the most admired companies in the field of electronics. Founded by Peter Munk and David Gilmour in Toronto, Canada, Clairtone made the wildly modern Project G hi-fi system and, later, the G-TV. The commercial, shot in July 1967 by famous Canadian cinematographer Frank Spiess, was produced by Young & Rubicam. It features Munk and Gilmour, then in their 30s, at a studio in Toronto and includes footage from Clairtone’s infamous factory in Stellarton, Nova Scotia.” east19thstreet via YouTube
For a decade, in the 1960s, Clairtone Sound Corporation captured the spirit of the times: sophisticated, cosmopolitan, liberated. From its modern oiled-walnut and teak stereos to its minimalist logos and promotional materials, Clairtone produced a powerful and enduring body of design work. Founded in 1958 by two young Canadians, Peter Munk and David Gilmour, Clairtone quickly became known for its iconic designs and masterful advertising campaigns.
Its acclaimed Project G stereo, with its space-age styling, epitomized the Swinging Sixties. Famously, Hugh Hefner owned a Project G. So did Frank Sinatra.
Oscar Peterson affirmed that his music sounded as good on a G as it did live.In 1967, suggesting how deeply Clairtone’s G series had come to be identified with popular culture, the G2 appeared in The Graduate with Dustin Hoffman and Anne Bancroft.
With 250 illustrations, including previously unpublished drawings, rare film stills, confidential memorandums, and original photography, The Art of Clairtone is a candid and in-depth look at the company’s skyrocketing success — and sensational collapse. Through the recollections of those who knew Clairtone best, from its founders to its designers, engineers, and salesmen, and with comments from Karim Rashid, Douglas Coupland, Tyler Brûlé, and Bruce Mau, among others, this elegant book, published on the 50th anniversary of Clairtone’s launch, celebrates an iconoclastic company that once seemed to represent the promise of Canada.
- Hardcover: 176 pages
- Publisher: McClelland & Stewart
- Language: English
- ISBN-10: 0771065078
- ISBN-13: 978-0771065071
Featured Image- vornadoblog.blogspot.com
Supplemental- Caring for Oiled Walnut Wood (Table) http://www.doityourself.com/forum/furniture-wood-cabinetry-finishing/371338-best-oil-care-oiled-walnut-slab-table.html
Some Monitors Are Actually Designed For Specific Video Games
IRVINE, Calif. – Waaaay back in Summer 2011, BenQ America Corp. announced that as the official gaming monitor sponsor of Major League Gaming (MLG), the world’s largest competitive video game league, it would be supplying monitors for the then upcoming 2012 MLG Pro Circuit Summer Championship that were held in Raleigh, North Carolina. At the tournament, hundreds of the top gamers from around the world competed using BenQ’s RL2450HT and GL2450HM monitors, designed specifically for professional gaming and engineered to meet the specific needs of eSports athletes. The GL2450HM was also featured in the Virtua Fighter(TM) 5 and Skullgirls(TM) Exhibition Tournaments, alongside the Pro Circuit competition.
At the 2012 MLG Pro Circuit Summer Championship, gamers — including BenQ-sponsored Team Dynamic and Manuel “Grubby” Schenkhuizen — competed for their share of nearly $215,000 in prizes playing the real-time strategy (RTS) games StarCraft(R) II: Wings of Liberty and League of Legends(R) on PC, and fighting games Mortal Kombat(TM) and SoulCalibur(R) V on the PlayStation(R)3 (PS3(TM)).
For those retro system fans, there was even a Summer Championship that let fans get in on the action with Virtua Fighter 5 and Skullgirls Exhibition Tournaments, played on the good old PS3.
Anyone with a Raleigh Spectator or Competitor Pass could participate in these tournaments, which were sponsored by PlayStation. Winners of the best-of-three matches held the station until defeated and could re-enter as many times as they wished. The two players for each game with the longest winning streaks battled it out for $2,000 per tournament in the Finals on the
Fighting Games Main Stage.
“The Summer Championship in Raleigh [was] sure to provide an exciting culmination to an amazing summer season, and we [were] honored to have our RL2450HT and GL2450HM in the middle of the action,” said Bob Wudeck, Director of Retail and e-Commerce at BenQ America Corp. “The fast response times of BenQ’s monitors result in high-action competition, while features such as the RL2450HT’s Black eQualizer help eSports athletes not just play the game, but conquer it. In addition, the incredibly low lag of the GL2450HM provides perfect timing in fighting and shooting games.”
Delivering a supreme RTS gaming experience, the RL2450HT was used for StarCraft II: Wings of Liberty and League of Legends PC games tournaments at the Summer Championship. The RL2450HT was engineered with input from the world-class StarCraft II professional gaming team, STARTALE, which is sponsored by BenQ. For top-level RTS gamers, the monitor features a 60-Hz refresh rate for smooth movement, an LED light engine for great color and low power consumption, and a 2-ms GtG response time with 12 million to 1 contrast ratio.
The RL Series RTS Mode maximizes StarCraft II visibility and optimizes color, while its Black eQualizer enables total visibility by allowing gamers to adjust the screen brightness without over-exposing white levels — revealing critical combat details with improved visibility in darkened areas. The RL Series Display Mode allows gamers to interchange between monitor screen sizes, while the Smart Scaling feature gives them the freedom to scale the screen manually to any custom size — from 17 to 24 inches — depending on their preferences. In addition, the unit’s adjustable height stand allows for optimal screen positioning.
The 24-inch-wide GL2450HM monitor is an ideal choice for console gaming platforms, featuring brilliant LED backlighting, a dynamic contrast ratio of 12 million to 1, and a 2-ms GtG response time that yields high dynamic videos without ghosting or other artifacts.
At a later MLG Summer Championship, console games Mortal Kombat and SoulCalibur V were played on the GL2450HM, in addition to Virtua Fighter 5 and Skullgirls in the Exhibition Tournaments sponsored by PlayStation.
Supporting competitive and competitive retro gaming, BenQ offered the monitors used in the tournament at special discount pricing available to all MLG tournament fans.
Mission Possible: Find Classic Unrestored Cars In Tennessee Fields
Once again I find myself Down in the Southern U.S checking out beautiful un-restored classic cars in their usual (usual here) worn out aged condition. With very little rust. It never ceases to amaze me the sheer quantity of classics down here. I look at such a wide array of any make or model. (people actually think that they have all been picked already!). One short cruise down one back-road down here and I guarantee that you will spot at least an old Chevy truck parked out back behind a house, in a barn, or just barely sticking out of an old garage that is coming down around it.
As an extreme car enthusiast, all I can say is that it is unreal.
This, not planned, but longer than expected trip to Georgia, brought me to see a sweet 1968 el Camino SS, with a 383 stroker engine and nice black interior. I almost got to look at an original, untouched 1963 split window Corvette, parked in a carport for like 20 years. Apparently under a couple inch thick layer of dust. Go figure it was gone before I even got there.
A couple of the more odd-ball cars I looked at were a 1985 Corvette on 20inch 140spoke knock-off rims ( I don’t understand this one!), and a metallic orange 85 Monte Carlo SS jacked up about 14 inches sitting on 24’s, and featuring real bullet holes that it received in a police shootout (the guy who had it, bought it from a police auction). Neat looking car.
I also met a man down here who had to have had about 6 or 7, 58-60 Corvettes in different stages of repair. With one I believe, 1959 Corvette completely restored, in a high-gloss black, with a mint convertible top, and factory 4speed standard (manual to our UK and European friends) transmission. He also had one 1958, close to finished. They were both sweet cars. I must also add that the other 4 or 5 were scattered around his property among scrap, building supplies, and bushes. It was quite a sight.
These very rare cars in abundance on this property.
I walked out behind his shop and he had a 1957 Chevy 210 Station Wagon with no engine, but complete interior down to the factory radio! This car just parked, with bushes and weeds growing around it. (I think I am going to buy this one to build with my son and daughter and keep as the Sunday cruiser). I’m thinking a nice, loud, built small block, flat-black paint, and white wall tires on gloss-red rallys. I love these cars!
You probably noticed the first photo in this post right? Well, on a previous trip down here about two years ago I caught wind of a guy in Tennessee who apparently had 19, (that’s right!!! 19!) 1957 Chevy cars.
I couldn’t believe it when I got there and I don’t think too many people can say that they’ve seen nineteen 1957 Chevys all in one spot. It was incredible.
This guy had acres and acres of farm with cars tucked away everywhere you looked. 1951 Fords, A 59 Chrysler, 38 Chevy coupe, 59 International pickup, a 1929 Chevy Hot-rod, an I think 1930 Nash, all kinds of cars and trucks that you never see. In nearly original condition. My actual favorite here though, was his personal “parts getter” 1929 Chevy Truck Rat-rod, it was clever right down to the piston rad cap that stuck out of the hood. I really liked this one. The cool thing about finding all these cars is meeting their owners and hearing all of their stories. Car people are usually fun to hang out with, especially in the south.
I’m coming back with a friend who bought a 1966 Big back window, Chevy custom-10 short-box. Its not a half bad truck. He’s gonna fix it up. Maybe add a small block V-8. We’ll see. I’m heading back to Canada tomorrow. Goodbye t-shirt days in January, goodbye five dollar all-you- can eat buffets, goodbye three dollar smokes and goodbye constant, rare car sightings. Oh well, I always know that there will be future adventures in the deep south. Checking out sweet old cars for people, and telling them where they’re at. It’s always cool to have someone ask if I know of an old car they have been looking for and can’t find, and I can tell them “I can give you the phone number of a guy who’s got one of those”. It’s always very cool to have someone bring you a new project. So many possibilities with every car that rolls in…
For the Silo, Robb Price. Photos via the author. Check out Robb’s auto biz on Facebook.
Gilda Garza Pushing Boundaries Between Emotion & Art
Venice, ITALY – Known as “the most influential artist in Mexico,” Gilda Garza is an internationally recognized painter constantly pushing the boundaries between emotion and art. This award-winning Mexico native prepares to make history with a moving collaborative collection by sculptural artist Mario Furlan in a live exhibition at New Murano, Atelier Muranese.
“I have always put my entire heart and soul into my work,” shares Garza. “I’m extremely grateful to create real world impact through art – the thing I love most. It is a true honor to see my influence and efforts reflected in a once-in-a-lifetime glass rendition by the historic New Murano Gallery in Venice.”
Widely regarded as the master of Murano Sculptural Art, Mario Furlan will transform Garza’s epic pieces into three-dimensional glass structures before a live audience of exhibition attendees. The finished works will then display at the more than 1,500-year old Atelier Muranese studio. Through the presentation of glass masters, fine art, conceptual art, and collectible design, the Venetian gallery supports the creative vision of Murano/Venetian artisan culture. The “Glass Queen” exhibition serves their ongoing mission to expose the creative art process, from interpretation to object, using centuries-old skills of muranese high manufacturing.
In the US, Garza’s work can also be seen in an exclusive jewelry collection at Jason of Beverly Hills, Roberto Cavalli Haute Couture, and the House of Bijan on Rodeo Drive. Garza has been officially recognized for her cultural contributions by the Senate of the Republic constitutionally Chamber of Senators of the Honorable Congress of the Union in Mexico City.
She is also acclaimed for donating $80,000 USD/ $109,800 CAD from the sale of a Vice President Kamala Harris-inspired painting to the World Woman Foundation, committed to empowering one million woman by 2030. Gilda Garza is famously recognized as the first artist to have an art exhibition on Las Vegas strip. Since then, she has showcased various collections in the iconic Caesars Palace Hotel.
Featured image- Playboy magazine chose Gilda’s art for the cover for the first art special edition.
Are Gaming Reviews Always Reliable? Keep These 4 Things In Mind
Much like movies, gaming as an industry has grown to be a robust machine churning out titles, both big and small, at an obliterative pace. Suffice it to say that it is impossible to try and play all games that release every year. Moreover, considering that the price of games has been on the rise for the past few years, partly due to increased production cost and partly due to inflation, it is impossible to purchase and play all games.
So, in order to not get blown away in the confusing hype created by reviewers, here’s what you should keep in mind about gaming reviews.
1. The problem of big titles:
The issue with game reviewers is that they mostly expend time and effort praising AAA titles that release every year instead of lesser known artistic or Indie games. Not everyone likes major titles with repetitive gameplay. You would rarely see any famous gamers play with Online casino, Karamba, an indie mobile game, or let’s say the games that aren’t don’t get into enough limelight. We’re talking about the games that are niche and aren’t very popular in the industry of gaming reviewers.
2. Appeals vary widely:
The issue with gaming in general is that it is almost impossible to please everyone. In terms of narratives and themes, games tend to include only a limited number in their arsenal. However, with time, the expectation from games increases. It isn’t rare for reviewers to expect deeper political or social commentary from games, after the success of titles like Detroit Become Human.
However, it is impossible for games, like Assassin’s Creed that seek to be historically accurate to both portray the times while tending to demands of politically correctness. Two distinct possibilities arise here: Either the game sticks to its roots, and builds a good gaming but gets scathing reviews for not doing enough or for being problematic. Or, it can fit political pandering in its theme and make itself a terrible game, but get hearty praise from reviewers. An example for this is Assassins Creed: Odyssey, for which Ubisoft got rid of all its Assassins’ roots and made it a messy poor quality RPG, that looks like a poorly made copy of Witcher 3.
3. Mismatch between target audience and reviewers:
A big issue where the premise of reviews falls flat is that hardcore gamers usually do not fit the target audience of reviews. Gamers can be broadly classified into hardcore or serious gamers and causal gamers. And while most games are made with the former in mind, game reviews are made keeping the latter in mind. That’s because game reviews too, are a market that needs to pander to an audience to sell itself. While most reviewers are knowledgeable and competent enough to make detailed reviews, most of their audience wouldn’t consume such reviews.
As sad as it is, most casual gamers just want to play a first person shooter for fun. They do not care about social commentary, or beautifully written characters or aptly composed music scores. When reviews are written keeping them in mind, blissfully average games like Call of Duty keep getting very high reviews. And while playing CoD is definitely fun, it fails to hold its own against impressive games like Witcher 3 or Batman: Arkham Knight.
4. The issue with influence:
A second issue with gaming reviews being a business is that these sites depend on developers for content for their channels. Reviewers that bring out reviews earlier obviously stand to gain since there is a flux of readers to their channels about the exciting new title, which earns them a lot of money. This in turn means review sites depend on developers to send them early and free copies of games for them to try out, and review. For every bad review they give, they turn off the developer from dealing with them in future, which in turn makes competing review channels benefit.
This creates a dangerous nexus between gaming review channels and developers. This in fact harms smaller developers more since they effectively make lesser games than bigger developers. Thus, an Electronics Arts, can utilize this nexus for their benefit much better than a CD: Projekt Red, although the latter is arguably a much better developer. And this means, very average EA games will get much better reviews than a fantastic game developed by CD:PR.
In Conclusion
However, as we know, making video games are one of the most elevated forms of contemporary human art. And art, by virtue of interpretation, is extremely subjective.
Thus, in an effort to pick and choose games that are worth our time and money, we obviously tend to look at gaming reviews. Not only do they offer a valuable insight into what each title is about, but they also explain important details like the brilliance of narratives, character development, gameplay mechanics, multiplayer experience, presence of inhibitive micro transactions, and tend to give an overall suggestion on whether or not they recommend the game.
Therefore, it is foolhardy to expect reviews to do a perfect job in terms of recommending games that you may like. For the Silo, Ritik Pandey.
Collecting Videogames Is All About The Hunt
Most of us have hobbies.
When I was growing up stamp collecting seemed like it was on the verge of dying out but I started a collection anyway. I had a lot of fun with it and although I no longer have that collection (I really wish I did) it provided many hours of entertainment and gave my brain a chance to think.
Today, I collect video games.
It’s a hobby that is becoming more and more popular as more and more generations are born with gaming as a normal part of everyday life. One of the best things about game collecting as a hobby is that you can diversify your collecting in various ways.
For example, you can be an “everything” collector like I am. You collect all video game systems and games from the mid-1970’s to today. This is the most challenging (and dare I say it, expensive) of the choices but it doesn’t have to be. You could concentrate on the oldies, starting out with a system like the Atari 2600 or you could try to focus on the “16-bit era” and focus on systems like the Super Nintendo which came out in 1991 and produced a great library of titles.
Another great aspect of game collecting is that it can fit any budget. Frugal gamers can find the best of deals at garage sales and far, out of the way retailers or you can loosen your wallet a bit and find easier pickings at the bigger retailers.
With collecting, it’s all about the hunt.
It doesn’t matter where you live. You can take the family for a drive on the weekend while you look for buried treasures. For Canadians, there is even a website dedicated to classic game collectors where you can connect with like-minded individuals. Just head over to Canada’s Classic Game Collectors Website.
I think it’s important to define the parameters of what you are collecting (for example, are you collecting boxed items or “loose”) and so on. It gives you guidance when going shopping. I know some collectors who only buy sealed games (very expensive) and others who only collect certain game series (for example all of the Zelda games or all of the Pokemon titles). The possibilities are quite endless. Regardless of what approach you take, collecting can be almost as much fun as playing. For the Silo, Syd Bolton. Featured image- Commodore Vic-20 computer and modem used by the author to conduct the world’s first tweet from a Vic-20.
Auction House Making News Today Via Asprey Bugatti NFT And Sculpture
Today the Phillips auction house will showcase a one-of-a-kind NFT that will certainly appeal to both art and automobile collectors.
As a part of its 20th Century & Contemporary Art Evening Sale in London, Phillips will auction a 1-of-1 Bugatti NFT, with a starting bid of more than 350k. The NFT is paired with a physical, handmade sculpture designed in rose gold by the iconic Asprey brand.
“This is the first masterpiece derived from the Asprey Bugatti partnership, following the hugely successful sell out of the smaller 261 collection, inspired by pop art and the current digital art movement. The NFT enables the artwork to link to two physical sculptures in the blockchain, preserving provenance and authenticity. The NFT is a secondary feature that simply enables the sculpture and artworks to co-exist together in a unique narrative, a moment in history for the art of Asprey and Bugatti.”
Ali Walker, Asprey Studio’s Chief Creative Officer
Raising fascinating questions around ownership and the object, NFTs and blockchain technology have become increasingly prominent aspects of our contemporary landscape.
You can read more about the the auction, which will take place around 2 p.m. ET today by clicking here.
The auction has drawn so much attention that an online sportsbook BetOnline.ag has even created odds for the highest bid, setting the “over/under” at 500k.
Asprey and Bugatti began its digital and physical collaboration more than three months ago when it announced an NFT collection in partnership with Exclusible. That collection consisted of 261 unique tokens with different color combinations.
Like today’s auction, each of the 261 NFTs from the “La Voiture Noire” collection were paired with handmade sculptures redeemable by the holder at a future date. The sterling silver sculptures were handcrafted at Asprey’s London workshop by master silversmiths so no two pieces will be identical.
35
Asprey Bugatti
La Voiture Noire
Token ID: 1
Contract Address: 0x9250…F0c4
Non-Fungible Token: ERC-721
PNG: 1.49 MB (1,565,152 bytes), 2835 x 6803 pixels
Minted on 27 April 2022, this work is unique.
Please note the buyer of this NFT will have the option of ordering up to two physical sculptures, to be created by Asprey London Limited following the Auction.
“This exclusive partnership with Asprey will enable Bugatti customers and enthusiasts to enjoy our design values from a new perspective through this stunning Masterpiece. Featuring a Bugatti masterpiece at a prestigious contemporary art auction using NFT technology to fuse the art and the sculptures, embodies the spirt of innovation at Bugatti”
Wiebke Stahl, Managing Director of Bugatti International
Today’s physical item will be linked to the corresponding NFT via a QR code, serial number and color combination (unique base), and it will also include the Asprey and Bugatti logos. The physicals are expected to be redeemable in three months.
The current floor price on OpenSea is 12 ETH (At time of article, 1 ETHERIUM = $1,312.62 cad / $1,019.75 usd). The sales volume is 693 ETH, with an average sale of 10 ETH.
Asprey Bugatti NFT owners will be whitelisted for the Asprey Studio Club (ASC) Genesis membership in July. Genesis members will receive a physical gold signet ring with a founder edition engraving, along with special benefits such digital airdrops, whitelist for future drops, exclusive event/gallery invitations and more.
ASC members will also be able to display and offer for purchase their Asprey Bugatti NFT/sculpture on the first floor of the Asprey Studio showroom in the affluent Mayfair district of London.
How UNESCO Supports Exiled Ukrainian Women Artists
Paris, 9 June 2022 – UNESCO is launching a scheme to support Ukrainian women artists who have had to flee their country because of the war, in partnership with the NGO Perpetuum Mobile. It will enable them and their children to be hosted and cared for by a cultural institution in the country where they have found refuge.
“The war has driven millions of Ukrainians into exile, the vast majority of whom are women and children. Among these people, women artists who have been forced to suspend their creative activities often lack material and financial resources to resume their work in their host country,” says Audrey Azoulay, UNESCO’s Director-General.
For this reason, UNESCO decided to launch a programme dedicated to Ukrainian women artists in exile, born of a partnership with the NGO Perpetuum Mobile, initiator of the Artists at Risk platform, which brings together cultural institutions in over 15 countries.
The artists concerned will be supported for a minimum of three months by a cultural institution in their host country.
They will be taken care of with their children in artistic residencies, and will benefit from support in terms of networking, visibility and the conception of new cultural projects.
The scheme will aim to provide them with the means to become autonomous by the end of their hosting period, whether they then choose to return to live in Ukraine or to settle permanently in their host country. UNESCO has already set aside $140,000 usd (about $177,000 cad at time of this publication) to finance the scheme, which should initially benefit some 30 artists and their children.
A new link in UNESCO’s emergency response
The programme complements the range of emergency measures already deployed by UNESCO since the beginning of the war to safeguard tangible and intangible cultural heritage, secure museum collections and combat illicit trafficking in cultural property.
Moreover, since the beginning of the war in Ukraine, UNESCO has been monitoring the situation of artists in close consultation with artists’ networks and cultural actors in the country. This work is also carried out in coordination with international organizations involved in supporting artists at risk: PEN America’s Artists at Risk Connection, Perpetuum Mobile/Artists at Risk, ICORN, Freemuse, Prince Claus Fund and the PAUSE programme. For the Silo, Lucía Iglesias Kuntz, UNESCO Press Service.
Featured image: Face of War (Putin in bullets) co-created by Daria Marchenko, 35 now exiled Ukraine woman artist.
20th Century Masters: Picasso’s Guernica
“Art is a lie that makes us realize the truth” –Pablo Picasso
Pablo Picasso (Spanish, 1881-1973) was one of the most well-known artists of the 20th century. Throughout his long and prolific career, Picasso both innovated and participated in important artistic movements such as realism, cubism and surrealism. In comparison to Vincent van Gogh, the infamous starving artist, Picasso was one of the first modern artists to achieve great wealth and celebrity in his lifetime.
Possibly the most important work that Picasso produced was Guernica (1937).
This large scale black and white mural (approximately 12 x 26 feet), was commissioned for the Spanish Pavilion in the 1937 World’s Fair in Paris and was completed by Picasso in under a month. In it, the artist depicted a catastrophic incident from the Spanish Civil War, wherein the Nazis conducted carpet bombing experiments on the town of Guernica, in the Basque region of Spain.
Historically, Spain had been ruled by a monarchy up until the 1930s, at which time it was replaced by a republican government that promised social and economic reform and a redistribution of goods and land. Spanish conservatives disliked this idea and headed by General Francisco Franco, they launched an insurrection that led to the Spanish Civil War. Aided by the Fascists and Nazis, General Franco assumed dictatorship of the country and ruled until his death in 1975.
During this time of turmoil, Picasso was not in Spain but working in Paris.
This is important to note when considering his choice of palette. He would have been paying attention to the events taking place in his native country largely through newspapers, transforming the black and white newsreel into a large scale canvas. Also, by choosing a dichromatic colour scheme, Picasso allowed the subject matter to stand out over colour.
Prominently positioned in this work is the Minotaur (a half-bull/half-man monster), an important symbol for Spanish people representing the tyranny of General Franco and his Nazi and Fascist supporters. Picasso used distortion in the imagery and figures to portray the horrors and suffering of innocent civilians massacred by the carpet bombing. This, in combination with the palette, evokes in the viewer the sensation of a stark nightmare, tying the work to the surrealist movement.
On a final note, Picasso was adamant that this work not be displayed in Spain until democracy was restored.
On loan to the Museum of Modern Art in New York, Guernica was returned to Spain in 1981. For the Silo, Eve Yantha.
Synth Britannia Shows The Future Was In Fact Delivered
Come on, you have to admit. It’s a lot of fun to stumble around YouTube with that old pre-internet habit of television channel surfing surprising you with random discoveries.
When I do, I particularly enjoy reading comments left by others who have somehow found their way to whatever it is I happen to be watching. This comforts me because I know that this method of purposeful and accidental consumption of media is not exclusive to me [many comments start with: “Not sure how I ended up at this video but….” or ” __________led me here.”] but perhaps I’m alone in the belief that spontaneous discoveries help connect me better to the production. I think what I’m talking about is called “verisimilitude” and no doubt as I type this out there’s someone trying to figure out how they’ve discovered the same excellent BBC synth documentary that I discovered by chance: Synth Britannia.
A few years ago, I was enjoying reading a guest editorial in Wired by comedy bull Will Ferrell. )
Not one to beat around the bush, Will wanted to know what had happened to the future? Specifically the future suggested if not promised in comic book ads to the then pre-adolescent Will Ferrell. He asked, where were the Jet packs, autopilot-flying cars and robot butlers? It occurred to me that if Will was an electronic musician he would have come to the same conclusion that the producers of Synth Britannia did while they drew up the plans to make their excellent documentary: The future did come, it just wasn’t so literal.
To compound matters this future somehow passed by all of us, unless perhaps you were a student of history or an existentialistic, free-radical electronic acolyte or computer programmer back in the golden age of dystopia vision. I call this era the ‘other’ 1970’s.
I have added the qualifier: ‘other’ 1970’s, because today’s media mistakenly focuses on reinforcing the bell-bottom, disco driven qualities of the 1970’s but there was a much more robust, artistic movement running against the grain in the same way that meaningful art has always done. This movement bridged fashion, art, cinema, sound design and of course music and if you want to learn more while being thoroughly engaged, then spend some time paying attention while you watch Synth Britannia.
You might even find yourself considering an impulse purchase of a mini Korg 700S. I know I did.
Supplemental- While I polished this article, one thing became apparent. New music or to be specific, those new artists that are being profiled on national television as new music agents are all lacking the one thing that characterizes the heroes of this column. Simply put, today’s music heroes are not a unity of ideas and expression. They are not bands. They are performers representing wish fulfillment with no sense of genuine attitude or social commentary and perhaps even worse, no sense of daring inventiveness. So far, most (but not all-there are exceptions) of today’s star performers are ‘safe’, predictable and lacking in terms of communicating their alienation. They have become game show contestants. This is because media business (in other words the television networks) has formulated and created what is palatable to an audience. The home video game market further suggests and reinforces created fantasies with interactive games that essentially boil down to a form of karaoke or twister. Simply put, new consumer habits are being engineered and I’m sure they always will be.
So, as listeners, is it fair to say that we no longer think for ourselves and we no longer question what is ‘good’ or ‘impactful’? With today’s de rigueur promise of dream and wish fulfillment (in terms of television shows that empower an audience with voting privileges to create the next pop star) that most crucial artistic ingredient: “individualized commentary” has been eradicated. Even more alarming is that consumers’ freedom of choice is being challenged.
That’s likely because the major media corporations feel wholly threatened by what the internet promises: a vast sea of content that is discoverable and searchable by desire or by chance.
So-is it fair to say that we have become woefully inadequate in identity and informed choice? If there is art, angst and message, where can we find it? Try channel surfing around YouTube and follow what catches your interest. For the Silo, Jarrod Barker.
The Mullet Dress
“Business in the front, party in the back.”
We’ve all heard the mullet mantra. However, I’m pretty sure mullets were only cool for a short period in the 80’s, and that was still only true if you were in a rock or heavy metal garage band. Once the mullets-are-acceptable-period passed, they were never a socially acceptable hairstyle again.
For whatever reason, over the past few years the fashion gods have decided to bring back the mullet, only this time, in a way-cool form. Yep, I’m talking about the mullet shirt, skirt and dress. Instead of a poor choice hairdo, the mullet can now be worn as an article of clothing. And in further ‘good’ news, “mullet wear” is surprisingly figure flattering for all body types, since it can be worn in such a variety of forms.
Mullet shirts are typically bo-ho style, sometimes with a flowy batwing sleeve, and give you a comfortable look that pairs perfectly with a mid-rise or high-rise pant (which are also coming back in style in every colour known to the human race).
You can also find mullet shirts that are more tailored with a collar, or in the form of a sweater that is longer in the front, and both are work-appropriate looks. Just remember, if you are wearing a loose-fitting top, make sure your bottoms fit well in a straight leg or skinny leg style.
For the younger crowd looking for some extra summer-loving fun, you can also take advantage of mullet crop tops by covering most of your belly with a high-waisted pant, skirt or shorts, and let just a hint of your midriff show, this way you can wear crop tops without showing your whole stomach and saving yourself from potentially looking trashy, like the aforementioned hairstyle. Or, if you’re out on the beach with friends and simply want to make a poutine run, go ahead and rock the crop top however you like. You will find yourself feeling vivaciously vintage, ready for a beach day, relaxing on the weekend or for a fun night out, depending on your choice of footwear and accessories.
But the mullet fun doesn’t stop there!
You will also be seeing skirts and dresses that attest to the mullet mantra, only reversed: Show off a little leg-party in the front, and keep them guessing with a little train-business in the back. Mullet skirts and dresses will give your outfit a unique, fashion-forward twist, and allow for a little behind modesty, yet are still playful and fun. The potential styles are endless, from maxi-mullet dresses for a beachy vay-cay, as well as high-waisted skirts that you can tuck a fitted shirt into and be ready for work. All of these styles will be available to you in a rainbow of bright colors, pastels, floral, and graphic prints. As fashion expert, Carson Kressley says, “If you look like a bag of Skittles, you’re doing it right.”
The moral of this story is, fashion repeats itself, trends come and go, and come back again.
The best part of the cycle is when a style comes back in a new, more polished form. Mullet madness is indeed back again, and you can leave the scissors behind. For the Silo, Hannah Richards.
Embrace Your Inner Geek In Style
This post is dedicated to geeks who want to let their passions shine through their decor.
The graphic below gives cool examples of accessories that you can introduce into your home to give people an idea of the geekier side of your life. Some are subtle, like the equation bookshelf, while others are more in your face, such as the giant rubrics cube coffee tables. What all of these share is how they have incorporated elements considered to be ‘geeky’ into stylish decor. A personal favourite is the wall that has apparently been repaired by Lego bricks. We assume that this isn’t actually the case, but if we were buying a property with that in we’d certainly want a thorough survey done.
Whatever style of decoration you prefer, if you’re looking to add something a little fun and a tad geeky to your home then this piece will help give you some great ideas. Friends of the Silo, Terry’s Fabrics.
Pornhub launches guide to famous museum erotic art
Unbeknownst to many, some of the world’s best pornography doesn’t exist on Pornhub. Rather, it exists in famous museums around the world: The Louvre (France), The MET (New York City), The Prado (Spain), The Uffizi Gallery (Italy), The National Gallery (UK) and Musee d’Orsay (France), to name a few.
And with museums finally reopening around the world as pandemic restrictions are being lifted, Pornhub wanted to do its part to encourage people to enjoy every stroke of erotic art.
Pornhub is launching “Classic Nudes” to provide museum-goers with an interactive oral history of some of the most renowned erotic art in some of the world’s most famous museums. Pornhub is encouraging people to ditch those boring self-tour recordings and enjoy every single brushstroke of these erotic masterpieces with Pornhub Brand Ambassador Asa Akira.
New York – July, 2021 – Pornhub, the premier online destination for adult entertainment, today announced the launch of “Classic Nudes,” an interactive guide to discover and learn more about erotic art in some of the world’s most famous fine art museums – The Louvre (France), The MET (New York City), The Prado (Spain), The Uffizi Gallery (Italy), The National Gallery (UK) and the Musee d’Orsay (France). With museums finally reopening around the world as pandemic restrictions are being lifted, Pornhub wanted to do its part in stimulating the public to visit, explore and fall back in love (or lust) with these cultural institutions.
The public can tour each of the 6 museums – either in person or at home – via the Classic Nudes mobile website. The online portal guides visitors past the SFW masterpieces and gets right to the good stuff: representations of the naked body in all its artistic glory. Simply visit the Classic Nudes website on your device, select your museum, follow the map, locate the artwork, and listen, read, or watch along to its curated content.
Hungarian-Italian artist and porn legend Cicciolina stars in the promotional video for Classic Nudes. Pornhub Brand Ambassador Asa Akira serves as orator for the campaign providing an oral history of 30 erotic art pieces in this curated collection, while Pornhub amateur couple, “MySweetApple” brings 6 iconic artwork to life.
“There’s a treasure trove of erotic art around the world – depicting nudes, orgies, and more – that’s not available on Pornhub. These pre-Internet art pieces are currently sitting in museums, which we are now finally able to start visiting again as covid restrictions are starting to lift ,” said Asa Akira, Pornhub Brand Ambassador. “So as people start to head back to The Louvre or The MET, they can simply open Classic Nudes, and I’ll be their guide. Time to ditch those boring self-tour recordings and enjoy every single brushstroke of these erotic masterpieces with me.”
Classic Nudes follows previous artistic endeavors from Pornhub including the recently launched “Remastured,” an initiative that used modern A.I technology and machine learning to restore century-old erotic films into titillating technicolor.
Previously, the company commissioned contemporary art gallery Maccarone Los Angeles to present a feminist art show entitled ‘The Pleasure Principle,’ a pan-generational, sexually-charged exhibition of female artists whose work centers the erotic and disrupts the processes of content-cleansing that code certain images as profane, abject, or pornographic. Pornhub also hosted the online premier of SHAKEDOWN, the critically-acclaimed documentary art film centered around the Black lesbian stripper scene in early oughts Los Angeles by filmmaker and vanguard artist Leilah Weinraub.
Pornhub’s “Classic Nudes” campaign is a collaborative initiative with creative agency Officer & Gentleman.
For more information about Classic Nudes, please visit http://www.phclassicnudes.com/
About Pornhub:
Founded in 2007, Pornhub is the leading free, ad-supported adult video streaming website, offering viewers the opportunity to upload and share their own videos. With over 3 million videos and over 130 million visitors a day, Pornhub truly is the best adult site in the world. Pornhub has built the largest dedicated membership base in the adult community, averaging over 76 million monthly active members, offering viewers a fun and sophisticated social experience directly insite, complete with messaging, photos, achievement badges, and much more.
finally a Machine will curate an Art exhibit
The Museum of Wild and Newfangled Art (mowna) Announces the Debut of an AI Experiment in Art Curation: “This Show is Curated by a Machine ?”
The free call for international submissions is now open for all to take part in an experiment that defines how we move forward with AI curation in an ethical way
NEW YORK (July, 2021) – The Museum of Wild and Newfangled Art (mowna) is currently designing an artificial intelligence curator for their final show of the year “This Show is Curated by a Machine 🤖” which directly answers the Whitney Museum of American Art’s curatorial question,“The Next Biennial Should Be Curated by a Machine.”
The curator, an AI bot machine, will learn to curate by looking at the data set from the 2021 mowna Biennial, an exhibit of an international pool of artists selected from 44 countries gathered through a free call for submissions process that ran from January through March of 2021.
The Biennial includes all forms of art made from 2019 to 2021. The machine will also learn from other data sets of recently made art. The AI machine will curate the show by looking at the text data of the submissions as well as the artwork files. There will also be human curators, so that a comparison can be made.
The show will be viewable at mowna.org, and a detailed writeup of the process, results, and thoughts about the future of artificial intelligence related to art curation will be made available. Early questions are available here in the mowna blog.
“We are interested in creating a machine that can curate in a diverse and ethical way, that is not founded in white supremacy or structures of inherent racism. Much of the art world is affected and effected by both of these issues. So mowna asks, is it possible to create an AI that looks at the art and curates with diversity, equity and inclusion? It is important to build this machine now, before other big tech companies design algorithms that erase the artist and define AI curation.” ~cari ann shim sham*, Co-founder and Curator of mowna.
“This Show is Curated by a Machine 🤖” marks the third online art experience by mowna, the first being its Opening Show now available to members in the mowna collection, and the second being the current exhibit, the 2021 mowna Biennial. The Biennial is mowna’s direct response to the gap in the art world seen after the coronavirus pandemic, and showcased art of all mediums that otherwise would’ve gone unseen. Tickets to the Biennial will be available until the show closes on September 22nd, and are sliding scale pay what you wish, after which “This Show is Curated by a Machine 🤖” will be installed and available for online viewing.
Artists may submit up to 10 works of art per submission and artists will be paid 70% of ticket and membership sales from the show, with the other 30% paying for the creation of the platform. There is no submission fee to apply, and all mediums of art are welcome. The works must have been completed after January 1, 2020. The deadline for submissions is August 20, 2021 at 12 PM ET. Contact The Silo for more information.
As the global community continually moves further into a multi-faceted technological way of life, the way art, across all mediums, is consumed, has been changing in ways to make art more accessible while remaining true to the integrity of all genres. mowna recognized this growing, transformational need pre-pandemic which catalyzed the formation and birth of the Museum of Wild and Newfangled Art to meet the ever-growing needs of an ever-changing art world.
mowna is at the center of the exponentially changing art world and makes it their priority to showcase art from all walks of life. With a mix of what is familiar and unfamiliar, patrons will see artists who’ve been curated by the Whitney or the MoMA along with artists available only on mowna.
“This Show is Curated by a Machine 🤖” will run from September 23, 2021 through January 31, 2022 at mowna.org. mowna exists to provide an international online platform for the most timely, diverse, and preeminent artists.
LGBTQIE And Ecosexuality
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Beth Stephens & Annie Sprinkle
“Life shrinks or expands in proportion to one’s courage.” -Anais Nin
Nature is born of sexuality.
The two are inextricable and inevitable partners. Where humans find fault with sex that does not suit their particular beliefs in what is right or wrong, nature transcends. There is no taboo in the natural world, there is no polite side-stepping of the rawness of nature. Nature simply is, in all its sensual glory.
Beth Stephens & Annie Sprinkle have collaborated for 17 years.
They recently showcased their film Water Makes Us Wet at Documenta 14. They were one of just 180 artists at the exhibition which takes place only every five years and draws in a million people. In conjunction with the film they exhibited visual art, performed Ecosex Walking Tours, and facilitated “sidewalk sex clinics.” Their film premier at the Gloria Theater was the only one to completely pack the house. For their Documenta Ecosex Walking Tour, Stephens & Sprinkle consciously began at the site of the first tree planted in Joseph Beuys’ 1982 Documenta project 7,000 Trees.
Their film is part art, part activism, a call to action, and a vision of how the future may look if we are careful with the earth as opposed to how it could look if we continue our ecologically destructive behaviors. Within the environmental activist movement, the two always felt a bit out of place. They felt the need to hide their flamboyance, their sexuality, and some of the details of their pasts. Because of this they began their own movement, an all inclusive environmental activism that encourages people to be themselves.
By allowing people to embrace their own identities and to infuse a little fun, they hope to create a movement that is sustainable and perhaps avoids some of the activist burnout that frequently effects those constantly fighting for the future of a healthy planet.
For the film, and throughout their work, Stephens & Sprinkle have unabashedly embraced and exposed their own bodies. In so doing, they show both their vulnerability and their strength as well as embrace their advancing age. Sprinkle, who is now 63, was once a pornographic film actress. She finds that showing her 63 year old body has pushed more limits than anything she’s ever done. “I think that taboo does need fixing,” she says.
During the making of the film, Stephens & Sprinkle were in a serious auto accident which features in the documentary. The two were seriously injured and hospitalized but eventually walked away. The wreck served as a metaphor for the universality of “eco-sinners” in that even the filmmakers were driving around in an old, polluting van.
The two describe the incident as romantic and remarkable and say it has given them a new lease on life. The accident was a result of another driver’s distracted driving. The film as a whole is a look at the issues facing the planet, some of those perpetrating them, and ways to think about the problem. “What we really hope with our film is that people leave the film thinking about the issues we’ve presented but also feeling like well, there is something I can do in my personal life.”
The term “eco-sexual” was originally used by dating sites and subsequently in a book titled Eco-sex: Go Green Between the Sheets and Make Your Love Life Sustainable by Stephanie Iris Weiss. Stephens & Sprinkle took the term and created an art movement around it. “We like to think that all sex is eco-sex including human on human because we are the earth, we’re not separate from the earth…we acknowledge all the sexuality that is going on around us.” At UC Santa Cruz where Stephens is a professor, the two established E.A.R.T.H Lab which stands for Environmental Art Theory & Happenings. There they incorporate some of the principles of ecosexuality in the programs they run. For the Silo, Brainard Carey.