Tag Archives: art theory

Art

Clement Greenberg’s The Avant-garde And Kitsch

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Art is, or it should be, about more than simply making marks on a surface or manipulating materials into pleasing–or indeed displeasing–shapes…. perhaps the avant-garde or kitsch. A true artist benefits immeasurably by knowing about the history that has created the universe they traverse.

Ever wonder what all that academic talk is that curators like to use so much? Do you find it pretentious or worse?

Art Theory informs in so many ways, tracing the paths that have led to a particular moment or movement. A foundational understanding of the schools of thought, the histories, the thinkers who have wrought the ground you stand on as an artist today enriches not only your own mind but your work as well.

One such thinker who made a significant impact on the art world in the 1940s was Clement Greenberg. In 1939, Greenberg published one of his seminal works Avant-Garde and Kitsch. The essay not only launched Greenberg to nearly overnight notoriety, it also sparked a major development in the art world as a whole.

The essay begins with the following statement:

“One and the same civilization produces simultaneously two such different things as a poem by T.S. Eliot, and a Tin Pan Alley song, or a painting by Braque and a Saturday Evening Post cover. “

Click on the following scan to open the full essay in PDF form-

PDF Greenburg Essay Avante-Garde and Kitsch
Click me to read full essay.

Greenberg goes on to classify Avant-Garde as those things that are untouched by the decline of taste and meaning in a society (a poem by T.S. Eliot or a painting by Braque) while Kitsch is the title bestowed on the rest of the clutter that appeals to the masses and asks nothing in return other than their money (a Tin Pan Alley song or a Saturday Evening Post cover).

The Portuguese-Georges Braque-1911.

For Greenberg, Avant-Garde situated itself outside the influences of both capitalist and communist influences that were gradually dampening society’s ability to appreciate any depth of meaning.

Greenberg wrote several other important essays over the course of his life and career. He was a strong proponent of Modernism being the last best hope for the preservation of integrity in art. Jackson Pollock and Willem de Kooning were among those he deemed the saviors of art in their time.

Understanding who Clement Greenberg was and why his influence matters is just one piece of the complex puzzle of being a well-rounded artist. There are libraries worth of books out there that will break down every bit of art theory and history you ever need to know.

Of course, who has time to read all that? How can you know where to begin? Who and what are some of the most important influences that have shaped the art world as it stands today and how are you meant to sort them out from the crowd? For the Silo, Brainard Carey. 

Art

LGBTQIE And Ecosexuality

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Beth Stephens & Annie Sprinkle
“Life shrinks or expands in proportion to one’s courage.” -Anais Nin

Nature is born of sexuality.

The two are inextricable and inevitable partners. Where humans find fault with sex that does not suit their particular beliefs in what is right or wrong, nature transcends. There is no taboo in the natural world, there is no polite side-stepping of the rawness of nature. Nature simply is, in all its sensual glory.

Beth Stephens & Annie Sprinkle have collaborated for 17 years.

They recently showcased their film Water Makes Us Wet at Documenta 14. They were one of just 180 artists at the exhibition which takes place only every five years and draws in a million people. In conjunction with the film they exhibited visual art, performed Ecosex Walking Tours, and facilitated “sidewalk sex clinics.” Their film premier at the Gloria Theater was the only one to completely pack the house. For their Documenta Ecosex Walking Tour, Stephens & Sprinkle consciously began at the site of the first tree planted in Joseph Beuys’ 1982 Documenta project 7,000 Trees.
Their film is part art, part activism, a call to action, and a vision of how the future may look if we are careful with the earth as opposed to how it could look if we continue our ecologically destructive behaviors. Within the environmental activist movement, the two always felt a bit out of place. They felt the need to hide their flamboyance, their sexuality, and some of the details of their pasts. Because of this they began their own movement, an all inclusive environmental activism that encourages people to be themselves.
By allowing people to embrace their own identities and to infuse a little fun, they hope to create a movement that is sustainable and perhaps avoids some of the activist burnout that frequently effects those constantly fighting for the future of a healthy planet.
For the film, and throughout their work, Stephens & Sprinkle have unabashedly embraced and exposed their own bodies. In so doing, they show both their vulnerability and their strength as well as embrace their advancing age. Sprinkle, who is now 63, was once a pornographic film actress. She finds that showing her 63 year old body has pushed more limits than anything she’s ever done. “I think that taboo does need fixing,” she says.
During the making of the film, Stephens & Sprinkle were in a serious auto accident which features in the documentary. The two were seriously injured and hospitalized but eventually walked away. The wreck served as a metaphor for the universality of “eco-sinners” in that even the filmmakers were driving around in an old, polluting van.
The two describe the incident as romantic and remarkable and say it has given them a new lease on life. The accident was a result of another driver’s distracted driving. The film as a whole is a look at the issues facing the planet, some of those perpetrating them, and ways to think about the problem. “What we really hope with our film is that people leave the film thinking about the issues we’ve presented but also feeling like well, there is something I can do in my personal life.”
The term “eco-sexual” was originally used by dating sites and subsequently in a book titled Eco-sex: Go Green Between the Sheets and Make Your Love Life Sustainable by Stephanie Iris Weiss. Stephens & Sprinkle took the term and created an art movement around it. “We like to think that all sex is eco-sex including human on human because we are the earth, we’re not separate from the earth…we acknowledge all the sexuality that is going on around us.” At UC Santa Cruz where Stephens is a professor, the two established E.A.R.T.H Lab which stands for Environmental Art Theory & Happenings. There they incorporate some of the principles of ecosexuality in the programs they run. For the Silo, Brainard Carey. 
Culture

Leave Your Art Behind For Others To Carry Forward

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Random acts of kindness come in all shapes and sizes, something as simple as a smile to a stranger, or paying for the guy behind you in the cue at the coffee shop drive-thru counts. The idea is to leave someone, whether you know them or not, with a brightened day and a reminder that there are good people. There is an amazing movement happening in the artistic circles, created with the same purpose, it is called art abandonment and artists from all over are leaving behind their artworks anonymously.

 

All photos except for Iliad courtesy of the author. Iliad photo: J. Barker

Michael deMeng is credited as starting the Facebook Group, Art Abandonment  ttps://www.facebook.com/groups/ArtAbandonment/ , although he says the group created itself.

“It’s something that I’ve done for a number of years now, albeit infrequently, usually on beverage napkins and the like,” says deMeng in an introduction to Art Abandonment on his blog. “About ten or so years ago I would walk to the same place by a river and leave a little charcoal drawing. So recently I started this activity up again…leaving little sketches with a note on the back”

deMeng acknowledged that he did not create the idea of art abandonment, but perhaps discovered its use as a random act of kindness as opposed to a political message used by many urban guerilla artists.

In fact, Haldimand-Norfolk  artist Jarrod Barker created several guerilla art installations in Haldimand-Norfolk including one at Simcoe’s now demolished American Can property back in the summer of 2010.

Barker’s piece titled Iliad features an amoebic-like form that pays homage to the shields of the Trojan War, where an art piece in the form of a wooden horse was abandoned at the gates of Troy. The amoeba-like form lends reference to the “sleeping soldiers” within homemade preserves known as amoebic dysentery which was a serious cause of food related death prior to the canning industry boom. LW
ILIAD. J. Barker. Abandoned canned food factory Norfolk, Ontario.

deMeng outlined some of his theories behind the art of abandoning art and its purpose, including that its good for the heart and a little addictive once you begin and the simple fact that money is tight and giving a gift like this could encourage someone to continue to support the arts.

“I think it’s important to be able to let one’s art live beyond it’s creator, I love imagining what becomes of my art after it is gone…whether given or sold,” said deMeng.

 

“Some folks can’t seem to let go of their work, even when they sell it. This is a great way to learn to move on.”

The concept is very simple: 

1) Create a piece of art.

2) Write or attach a note explaining it is a free gift, purposely left behind including contact information if you so wish.

3) Take a photo of your art and its place of abandonment and then sneak away unnoticed.

abandonment 3 I myself am not an art abandoner, although if I had the time and resources I would, but I thought I could offer a unique opportunity for the abandoners I find so much joy in following on social media.

June 30, 2013 I will have departed to Peru for a ten day journey across a wide variety of landscapes including urban centers, Machu Picchu, and the Amazon rainforest.

I invited artists to send me their work in order to abandon on my journey, and I would share the photos of their abandonment locations with the artists as I continue my journey.

abandonment 2

“Machu Picchu is on my bucket list,” said Burlington artist Heather Kuzyk who sent three art trading cards (atc) to be abandoned.

“So if I never perchance to make it there in body at least a part of my soul has been. ”I was excited by the thought of the photos I could take of the abandoned art on the Machu Picchu ruins with the beautiful Peruvian mountains sprawling in the background. Although I sincerely hope some of the finders will share of their discovery, I’m pleased just to imagine how excited I would be if I found something like that in such a magical place. For The Silo, Lacie Williamson.

Post-script: Remember to never install or leave behind work that contains string, toxic or synthetic materials, small pieces of plastic etc. Anything that can harm or interfere with the natural environment or wildlife must never be used.