Tag Archives: acrylic painting

LANDSCAPES 2025 At the Aird Showcases Contemporary Landscape Artists

LANDSCAPES 2025 is an impressive online survey exhibition adjudicated by the notable public art gallery programmer Krista Young and the celebrated artist Clint Griffin. The John B. Aird Gallery is proud to present its first large group project organized around the Landscape Genre, a genre of art practiced for centuries around the world.

Broadly defined, a landscape practice is a migratory representation of an artist’s creativity within the fluid realms of two- or three-dimensional art, whether representational or non-representational.

This intentionally broad definition allows for a diverse range of artworks, reflecting the variety of contemporary art techniques and practices today.

LANDSCAPES features new work by fifty-five artists inclusive of John Abrams, Rhonda Abrams, Sue Archibald, Joe Atikian, Phill Atwood, Jarrod Barker, Ioana Bertrand, Matthew Brown, J. Lynn Campbell, Alyson Champ, Ava P Christl, Frances Cordero de Bolaños, Glen Cumming, Grace Dam, Fanny Desroches, Jennifer Dobinson, Edward M. Donald, Janice Evans, Tanya Fenkell, Marie Finkelstein, Julie Florio, Robert Fogel, Anna & Richelle Gaby-Trotz & Forsey, Elena Gaevskaya, Arnie Guha, Stev’nn Hall, Michael Hannan, Emily Honderich, Carol Hughes, Connie Ivany, Marlene Klassen, Lisa Litowitz, Ramona Marquez-Ramraj, Claudia McKnight, Susan Munderich, Mahnez Nezarati, Allan O’Marra, Sherry Park, Karen Perlmutter, Piera Pugliese, Jackie Rancourt, Katie Rodgers, Lynne Ryall, Kaija Savinainen, Lee Schnaiberg, Wendy Skog, Carolynn Smallwood, Margaret Stawicki, Kate Taylor, Robert Teteruck, Steph Thompson, Joanna Turlej, Dejana Veljko, Victoria Wallace and Don Woodiwiss.

The landscape work of these artists spans various themes, from expansive vistas and sophisticated gardens to untamed wilderness.

These pieces engage with the dialogue between traditional art history and contemporary interpretations. Some explore the connections between mythologies and landscapes, investigating the relationship between spirituality and nature, which may lead to more abstract representations. Conversely, other works critically examine the impacts of the railroad, displacement, and extraction industries, illustrating the lasting scars these forces leave on the land.

JURORS BIOGRAPHY

Clint Griffin lives and works in Toronto. His work has been widely shown in Canada and the United States. Celebrated in both the contemporary and folk art worlds, Griffin’s work can be found in many private and public collections including the Art Gallery of Ontario, Bank of Montreal and Canada Council Art Bank. Clint currently owns and operates a fine art services business providing service to galleries, artists, collectors and institutions throughout Ontario.

Krista Young has held roles in both administrative and programming capacities at public art galleries in Northern and Northeastern Ontario. Krista has assisted in the development of programming, publications and touring exhibitions. Now based in Toronto, Krista is a small business owner and mother of three.

For the Silo, Carla Garnet.

Heritage Auction Combined Fluorite Specimen With Associated Painting

Discovered at the Elmwood Mine, Carthage,Tennessee, USA
Discovered at the Elmwood Mine, Carthage,Tennessee, USA

Despite a production history spanning several decades, the number of exceptionally fine and large specimens that have been recovered at Elmwood is actually quite small. The mine is known for specimens combining Fluorite, Sphalerite and Baryte in aesthetic combinations which play off the different colors, forms and surface luster that each of these minerals brings to the mix.

Here, we have a significant Fluorite cluster of cubic form composed of pale yellow core material overlain with a thin veneer of violet color. Next to it is a radiating group of dark red Sphalerite crystals of pyramidal form and adamantine luster. To complete the ensemble, there are rounded Baryte aggregates of an off-white hue and granular texture, artfully arranged around the edges of the Fluorite, which is quite transparent, as any side or back lighting will prove, while the Sphalerite displays an almost metallic luster with glints of deep red that serves as a counterpoint to the two other minerals.

The Natural World has a long history of inspiring artists.

This museum quality specimen was hidden away in a private collection for many years and has just recently been cleaned with modern cleaning techniques to reveal the top level caliber of the piece. This is fresh to market, as it has never been offered to the public for sale. Condition is excellent with only minor nicks and chips. The specimen managed to captivate noted Dallas artist: J.D.Miller enough that he immortalized it via a acrylic painting reminiscent of the Impressionist works of Van Gogh and the like. The specimen is accompanied by this amazing painting, as well as a custom acrylic stand.

Opening bid with buyer’s premium was $125,000 (usd)


Overall Measurements: 10 x 12 x 8.5 inches (25.4 x 30.48 x 21.59 cm)
Painting Measurements: 52 x 64 inches (132.08 x 162.56 cm)
Estimate: $200,000 – $250,000.