Tag Archives: Academy Award

Cutting Edge Practical Effects Featured In New Sci Fi Fantasy SPACEMAN

J.K. Simmons and Mena Massoud star in Dan Abramovici’s New Sci-Fi Fantasy

SPACEMAN

New sci fi fantasy by Canadian Film Center alumni is a coming of age film breaks barriers via a deeply human handcrafted story made by fusing old Hollywood techniques with state-of-the art cinematic mastery.

TORONTO (July, 2024) – Press Play Films announces their newest film, SPACEMAN. Written and directed by emerging visionary filmmaker Dan Abramovici, the film stars Academy Award-winner J.K. Simmons (Whiplash, Being the Ricardos, Red One), Mena Massoud (Aladdin, The Royal Treatment) and Trevor Copp (Bulfinch’s Mythology). SPACEMAN is not only a fresh and innovative take on some of the most beloved and renowned cinematic genres, it’s something brand-new: A mix of sci fi, fantasy, and coming of age, combining elements of classic Hollywood, a la Chaplin and Keaton, with cutting edge practical effects, in a film that brings to mind classic works by Michel Gondry and Baz Luhrman. 

SPACEMAN is produced by Ali Mashayekhi (The Last King, Evolving Vegan), Mena Massoud, and Dan Abramovici.

SPACEMAN uses mime, stop motion, classic animation, and theatrical elements, to explore one artist’s loss of creative passion and his journey to get it back. Allied with his passion (Mena Massoud), Spaceman (Trevor Copp) has to travel through the looking glass, and battle his imposter syndrome (J.K. Simmons), in order to truly see himself once more.

The film is an exploration of identity, artistic passion, and the fragile nature of human connection. It weaves themes of self-discovery, mental health, and the pursuit of dreams. 

“My hope is to blur the lines between the tangible and the ephemeral. By delving into Spaceman’s subconscious we are able to explore  the cathartic nature of artistic creation and the ways in which it can offer a sense of purpose, as well as the danger and risk to one’s sense of self.” Said Abramovici. 

“Spaceman is a unique film in many ways, including it being highly commercially viable while staying true to its artistic integrity. It’s a movie that audiences all over the world will relate to on so many levels.” Said Mashayekhi. 

After immigrating to Canada, Abramovici used filmmaking to explore his many questions about identity, often using a surrealist approach to broach complex human moments. He began his career  as an actor, most recently on projects such as Sofia Coppolla’s Priscilla, HBO’s  Jane, FX’s What We Do In The Shadows, and CBS’s Star Trek Discovery.

Abramovici is an alumni of the CFC/ Canadian Film Center.

Abramovici sold his first feature film, the comedy BEN’S AT HOME to Netflix and then jumped behind the camera, writing and directing a series of short films, including the Academy-Qualifying PLAY IT AGAIN (Austin FF Best Short Winner 2021), LIMINAL (Raindance, HollyShorts), STUCK (Dances With Films LA), and SPACEMAN.

He is also a Top 10 screenwriting award winner at Cinequest, where Laurence Kasdan (Star Wars, Indiana Jones) and Dennis Lehane (The Wire, The Drop) served as writing mentors.

Abramovici’s upcoming feature, SEARCHING FOR MARCEAU, builds upon this previous work. It has ranked in the top 1% of projects on Coverfly, is a Shore Scripts Finalist, Top 50 at the LaunchPad competition, and a CineStory recipient.Ali Mashayekhi has produced over 85 films around the world since 2003 including; Japan, Indonesia, USA, Netherlands and France, screening at over a 100 festivals and winning several high profile awards including Best Short Film for “Play it Again”, directed by Dan Abramovici, at the Austin Film Festival in 2021. 

Ali is also the Executive Director of the Ethnically Diverse Artists (EDA) Foundation, a non-profit and charitable organization founded by Mena Massoud (Aladdin), which aims to inspire inclusivity and diversity in the arts. Additionally, Ali is the “Lead Creative Ambassador” for the International Network of Aid and Relief Association (INARA) founded by Ex-CNN senior international correspondent Arwa Damon, bringing creative film related initiatives to philanthropic work. 

Recently Ali premiered at Raindance Film Festival 2024 a Stephen King short story adaptation based on Sherlock Holmes, The Last King, entirely in the Persian language.

This fall, Ali is producing a gritty crime-thriller with Fortin Films, a Canadian production company from Toronto. Currently Ali is the Executive Producer on the travel vegan food show Evolving Vegan, with producing partner and Host Mena Massoud under their Press Play Productions company. 

J.K. Simmons has appeared in a diverse range of projects spanning from motion pictures, television and the stage on and off-Broadway.  He won the 2015 Academy Award for Best Supporting Actor for his portrayal of merciless jazz instructor, ‘Fletcher’ in Sony Pictures Classics’ “Whiplash.” His performance in the film also garnered him a Screen Actors Guild Award, Golden Globe, Independent Spirit Award and BAFTA Award, as well as many critics’ group awards around the world.  “Whiplash” premiered at the 2014 Sundance Film Festival and won the Dramatic Audience Award and Grand Jury Prize for Best Film.  The film also garnered five Academy Award nominations including Best Picture.  Simmons will next be seen in “The Union,” “Red One,” “SNL 1975,” and “Juror #2.”

In 2021, Simmons was seen starring alongside Nicole Kidman and Javier Bardem in Amazon’s biographical drama about Lucile Ball, “Being the Ricardos” in which he received an Academy Award nomination.

Simmons was also seen starring in STX’s, “National Champions’ and starring alongside Chris Pratt in Amazon’s sci-fi thriller “The Tomorrow War.” 

In 2020, Simmons starred in Hulu’s “Palm Springs”, alongside Andy Samberg and Cristin Milioti. He also appeared in the Apple TV+ miniseries, “Defending Jacob,” based on the 2012 novel of the same name.

In 2019, Simmons starred in the second season of the critically acclaimed Starz series “Counterpart” which began its run in 2017. Created by Justin Marks, Simmons portrays both primary characters as two vastly differing versions of themselves.  

In 2018, Simmons starred in Director Brian Kirk’s action thriller “21 Bridges,” alongside Sienna Miller, Taylor Kitsch and Chadwick Boseman. The film follows a disgraced NYPD detective (Boseman) who is thrust into a citywide manhunt for a cop killer. Simmons was also seen in Jason Reitman’s “The Front Runner” with Hugh Jackman and Vera Farmiga. He was recently seen in Universal’s thriller “The Snowman” with Michael Fassbender and Rebecca Ferguson and the Warner Bros. comedy “Father Figures” with Owen Wilson and Ed Helms.  In 2017, he was seen in the highly anticipated “Justice League” where he portrayed the iconic ‘Commissioner Gordon.’  

In 2016, Simmons voiced the character of Kai in Dreamworks’ highly anticipated “Kung Fu Panda 3” that released in January and voiced the character of ‘Mayor Leodore Lionheart’ in Disney’s “Zootopia” which released in March. Also in 2016, Simmons was seen in Sony Pictures Classics “The Meddler” with Susan Sarandon and Rose Byrne and Gavin O’Connor’s “The Accountant” with Ben Affleck and Anna Kendrick. Simmons also portrayed the real-life hero Jeff Pugliese in the 2016 Boston marathon film “Patriot’s Day” directed by Peter Berg. That same year Simmons completed production on an independent film entitled “I’m Not Here” which was directed by his wife Michelle Schumacher.  

He is known for playing the character J. Jonah Jameson in Sam Raimi’s “Spider Man” trilogy and memorably, his portrayal of the off-beat but not deadbeat father, Mac McGuff, in the hit comedy “Juno.” 

Past projects include “Terminator: Genisys,” “Jobs,” “Labor Day,” “The Words,” “The Music Never Stopped,” “Jennifer’s Body,” “Extract,” “The Vicious Kind,” “I Love You Man,” “Beginner’s Guide to Endings,” “Contraband,” “Hidalgo,” “The Ladykillers,” “The Mexican,” “Off the Map,” “For Love of the Game,” “The Gift,” “Thank You for Smoking,” “Rendition,” “Burn After Reading” and the Academy Award-nominated “Up in the Air.” 

On the small screen, Simmons played LAPD Assistant Chief Will Pope in TNT’s hit series “The Closer.” He also played Vern Schillinger on HBO’s acclaimed drama “Oz,” and had a recurring role as Dr. Emil Skoda on NBC’s “Law & Order.” He has had guest starring roles on NBC’s “Parks and Recreation,” and a recurring role on TBS’ hit comedy “Men at Work.” Simmons has appeared on the Broadway stage in performances of “Guys and Dolls,” “Laughter on the 23rd Floor,” “A Change in the Heir,” “Peter Pan” and “A Few Good Men.”  J.K. Simmons is repped by Gersh. 

Mena was born in Cairo, Egypt and raised in Markham, Ontario, Canada. He attended the University of Toronto for Neuroscience before transferring to Ryerson University’s notable theater program and graduating with a BFA in acting. He got his first big break starring in ABC Spark & Teen Nick’s mystery-drama television series “Open Heart” as “Jared Malik.”

After several years of acting in high-profile television and film projects, Massoud went on to star as “Tarek Kassar” in the highly-anticipated series “Tom Clancy’s Jack Ryan”.

In 2018 it was announced that, after an extensive worldwide search and multiple auditions, he had landed the coveted role of “Aladdin” in the Disney live-action remake of “Aladdin,” directed by Guy Ritchie. After leading “Aladdin” to the highly coveted $1 Billion Dollar mark at the box office, Massoud went on to star in Netflix’s “The Royal Treatment” which became its #1 film worldwide for several weeks in a row in 2022.

Mena’s banner Press Play Productions was set up to address a growing need for diverse stories and content, particularly from the MENA region, which comprises fast-growing entertainment industries. The international expansion of streaming services such as Netflix into MENA has provided more commissioning opportunities for companies like Press Play. Mena Massoud is repped by LINK Entertainment, Gersh and Hensen, Jacobson, Teller & Hoberman.

For the Silo, Lon Haber.

Museum Celebrates Banksy- An Artist Who Hates Museums

(NEW YORK) – The presence of The Banksy Museum in New York City has been confirmed. SoHo is now the home to the world’s largest collection of Banksy’s life-sized murals and artwork. Located at 227 Canal Street (at Broadway), NYC The Banksy Museum is now open, in preview, to the public. The official press opening is Wednesday, May 15. Tickets are now available online at MuseumBanksy.com and on site at the museum. Advance reservations are strongly encouraged.
Displaying over 160 works by the world’s most famous-yet-anonymous street artist, The Banksy Museum recreates the revolutionary and often ephemeral art that Banksy has painted on surfaces in London, Bristol, Paris, Venice, Bethlehem, New York, Los Angeles, and beyond. Visitors to the museum will immerse themselves in an environmental experience, giving viewers access to Banksy creations, much of which has long since been whitewashed or dismantled. Beyond the iconic street art, the exhibition also features some of the artist’s studio work, as well as animated visual and video elements.
The New York Banksy Museum experience, an American premiere, follows successful exhibitions in ParisBarcelona, Kraków and Brussels. The new exhibition, a New York premiere, is expanded to over 160 recreations, making it the largest display of Banksy work ever seen in a single setting.
Is it even possible to create a museum that celebrates the work of an artist who once said “the only thing worth looking at in most museums of art is all the schoolgirls on day trips with the art departments”?  Banksy Museum founder Hazis Vardar initially had his doubts. “Street art belongs in the raw setting of the streets,” said Vardar. “But if people can’t see it, is it even art? Little of Banksy’s works are visible to the public at large. Most have been stolen for resale, inadvertently destroyed, or erased by overzealous city cleaning teams. Most of this transient art could only be viewed on tiny smartphone screens, which is no way to experience the scale or emotion of Banksy’s work. So we knew that we needed to create an exhibition that would bring Banksy’s art back before the public.”
Creators of The Banksy Museum faced the challenge of mounting an exhibition that was as unconventional and transgressive as the art within. “If we only trapped Banksy’s work in guilt frames on a wall, this would antithesize all that Banksy’s art represents,” says Vardar. “So we set out recreate the artworks in a life-size, re-imagined space that reflects the street experience. We employed a team of anonymous street artists, like Banksy, to recreate the work. The outcome was, truly, a magnificent reflection of Banksy’s energy, defiance, and raw talent.”  
Banksy is undoubtedly, the world’s most celebrated and elusive guerrilla street artist. Armed with little more than spray paint and stencils, the man behind the pseudonym Banksy has fostered an alluring identity that doesn’t embrace tradition, but shreds it. There’s still much we don’t know about the mysterious artist since he first made his mark in the ’90s, but what we do know is that Banksy’s striking, satirical work always delves into political and socio-critical discourse. Banksy’s artwork is characterized by striking images, often combined with slogans.  His work often engages political themes, satirically critiquing war, capitalism, hypocrisy, and greed. Common subjects include rats, apes, policemen, members of the royal family, and children. In addition to his two-dimensional work, Banksy is known for his installation artwork. A hero to some, a vandal to others, Banksy’s artwork has been known to sell for record-breaking sums, with landowners rushing to profit from – or whitewash – buildings chosen as his latest canvas.  Banksy maintains an oxymoronic relationship with the art world, demonstrating hostility to capitalism while being one of the most sought-after and collected contemporary artists. Celebrities who’ve collected Banksy art include Brad Pitt, Angelina Jolie, Christina Aguilera, and Lance Armstrong to name a few. 
Banksy was nominated for an Academy Award for his 2010 documentary feature Exit Through the Gift Shop, an examination of the relationship between commercial and street art. 
In Wall and Piece, one of his four books containing photographs of his work complemented with his own thoughts, Banksy says “copyright is for losers” and encourages non-commercial use of his work for activism and the public’s personal enjoyment.
Banksy’s art has been further amplified by worldwide media coverage of his rebellious pranks. Between 2003 – 2005, Banksy made headlines by covertly placing his artwork beside masterpieces at The Tate and The British Museums in London; The Louvre in París; and The Museum of Modern Art (MoMA), The Metropolitan Museum of Art, The Brooklyn Museum and The American Museum of Natural History in New York. In 2018, Banksy shook the art establishment when he orchestrated the self-destruction of his canvas, “Girl with Balloon,“ having it drop through a shredder built into the bottom of its gilt frame just moments after it sold for $1.4 million usd / $1.92 million cad at Sotheby’s. The first artwork in history to have been created live during an auction, the work was renamed “Love Is In The Bin” and resold for $25.4 million usd/ $34.9 million cad just three years later.
The art world has coined the phrase “the Banksy effect” to illustrate the increased interest in other street artists, largely due to Banksy’s overwhelming international success.

Where / When: The Banksy Museum, 277 Canal Street, NYC 10013 (at Broadway) is open daily, 10AM – 8PM.
How to get there by subway: N, R, Q, W, A, C, E and 6 trains to Canal Street.
Family friendly: All ages are welcome to The Banksy Museum. This is an experience that all family members can enjoy.
About the venue: The Banksy Museum is an indoor, air-conditioned venue. The museum is located on the 2nd & 3rd floors.
Accessibility: Located on the second floor, the venue is accessible, with an elevator. Guests requiring assistance throughout this experience are entitled to apply for one free pass for their personal assistant/support worker.
How long does the experience last?: Visitors are welcome to enjoy the exhibition at their own pace. The exhibition, on average, takes an hour to experience.Parking: There is no parking at this venue, but parking is available in the neighborhood.

For the Silo, Brett Oberman.

Six Landmark Films from the Columbia Pictures Library Debut on 4K

Debut on 4K Ultra HD For the First Time October 25th 

IT HAPPENED ONE NIGHT FROM HERE TO ETERNITY

TO SIR, WITH LOVE ~ THE LAST PICTURE SHOW ANNIE

AS GOOD AS IT GETS

Exclusively Available on 4K Disc in this Limited Edition Set,

Includes an 80-Page Hardbound Book on the History & Impact of the Films

and Over 35 Hours of New and Archival Special Features


TORONTO, ONT. (October, 2022) – 
Continuing the fan-favourite and award-winning series, Sony Pictures Home Entertainment is proud to debut six more acclaimed and iconic films from its library on 4K Ultra HD disc for the first time ever, exclusively within the COLUMBIA CLASSICS 4K ULTRA HD COLLECTION VOLUME 3, available October 25. This must-own set includes films that have resonated and endured, with stars and stories that have reverberated through cinema history: IT HAPPENED ONE NIGHT, FROM HERE TO ETERNITY, TO SIR, WITH LOVE, THE LAST PICTURE SHOW, ANNIE and AS GOOD AS IT GETSEach film is presented in 4K resolution with Dolby Vision High Dynamic Range, and four of the films have all-new Dolby Atmos mixes.

The six films in the COLUMBIA CLASSICS 4K ULTRA HD COLLECTION VOLUME 3 are only available on 4K Ultra HD disc within this special limited edition collector’s set. Included with the collection is a gorgeous hardbound 80-page book, featuring in-depth sections about the making of each film within the set via six all-new incisive essays from renowned writers—including a special exclusive essay from award-winning writer/director James L. Brooks on his 1997 classic, AS GOOD AS IT GETS!

The set also includes a variety of rare related features and TV episodes, expanding the worlds of several of the included films—some of which haven’t been available in decades! From a 1932 cinematic incarnation of Annie to a nearly five-hour 1979 TV miniseries adaptation of FROM HERE TO ETERNITY—and much more!—these supplemental additions round out this must-own gift set, perfectly timed for holiday gift-giving.

IT HAPPENED ONE NIGHT

Synopsis:

Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly), who wants to stop her from marrying a worthless playboy. En route to New York, Ellie gets involved with an out-of-work newsman, Peter Warne (Gable). When their bus breaks down, the bickering couple set off on a madcap hitchhiking expedition. Complications fly when the runaway heiress and brash reporter fall in love. Directed by Frank Capra, IT HAPPENED ONE NIGHT was the first movie to be honoured with all five major Oscars®: Best Picture, Best Actor, Best Actress, Best Director, and Best Screenplay.

IT HAPPENED ONE NIGHT Disc Breakdown

·       4K Ultra HD Includes:

·       Feature presented in 4K resolution with Dolby Vision

·       Original Mono DTS-HD Master Audio

·       Special Feature:

o  NEW: YOU CAN’T RUN AWAY FROM IT – 1956 remake of IT HAPPENED ONE NIGHT, starring June Allyson and Jack Lemmon. Newly remastered in HD!

§  Blu-ray Includes:

·       Feature presented in high definition, sourced from the 4K master

·       Original Mono DTS-HD Master Audio

·       Special Features:

o  Audio Commentary featuring Frank Capra, Jr.

o  Frank Capra, Jr. Remembers It Happened One Night Featurette

o  Screwball Comedy? Featurette

o  Original Live Radio Broadcast

o  Advertising Materials

o  Theatrical Trailer


IT HAPPENED ONE NIGHT 
has a run time of approximately 105 minutes and is rated PG.

FROM HERE TO ETERNITY

Synopsis:

In this landmark film, passion and tragedy collide on a military base as a fateful day in December 1941 draws near. Private Prewitt (Montgomery Clift) is a soldier and former boxer being manipulated by his superior and peers. His friend Maggio (Frank Sinatra) tries to help him but has his own troubles. Sergeant Warden (Burt Lancaster) and Karen Holmes (Deborah Kerr) tread on dangerous ground as lovers in an illicit affair. Each of their lives will be changed when their stories culminate in the Japanese attack on Pearl Harbor. Winner of eight Oscars®, including Best Picture, Best Director and Best Supporting awards for Sinatra in a career-defining role and for Donna Reed as a not-so-wholesome club hostess.

FROM HERE TO ETERNITY Disc Breakdown

·       4K Ultra HD Includes:

·       Feature presented in 4K resolution with Dolby Vision

·       Dolby Atmos English audio

·       5.1 DTS-HD Master Audio

·       Original Mono DTS-HD Master Audio

·       Special Features:

o   NEW: Strength and Sacrifice: The Making of From Here to Eternity

o   NEW: Eternal History Revisited Featurettes

o   NEW: FROM HERE TO ETERNITY 1980 TV Pilot – the TV pilot starring William Devane and Barbara Hershey, presented in SD!*

o   Theatrical Trailers

·       Feature Blu-ray Includes:

·       Feature presented in high definition

·       5.1 DTS-HD Master Audio

·       Dolby Digital Mono

·       Special Features:

o   Eternal History: Graphics-in-Picture Track

o   Audio Commentary featuring Tim Zinnemann and Alvin Sargent

o   Making of From Here to Eternity

o   Excerpt from “Fred Zinnemann – As I See It” 

FROM HERE TO ETERNITY has a run time of approximately 118 minutes and is rated PG.

TO SIR, WITH LOVE

Synopsis:

A novice teacher faces a class of rowdy, undisciplined working-class punks in this classic film that reflected some of the problems and fears of teens in the 60s. Sidney Poitier gives one of his finest performances as Mark Thackeray, an out-of-work engineer who turns to teaching in London’s tough East End. The graduating class, led by Denham (Christian Roberts), Pamela (Judy Geeson) and Barbara (Lulu, who also sings the hit title song), sets out to destroy Thackeray as they did his predecessor by breaking his spirit. But Thackeray, no stranger to hostility, meets the challenge by treating the students as young adults who will soon enter a work force where they must stand or fall on their own. Celebrating its 55th anniversary.

TO SIR, WITH LOVE Disc Breakdown

·       4K Ultra HD Includes:

·       Feature presented in 4K resolution with Dolby Vision, restored from the original camera negative

·       Dolby Atmos English audio

·       5.1 DTS-HD Master Audio

·       Original Mono DTS-HD Master Audio

·       Special Features:

o   NEW: A Tribute to Sidney Poitier

o   NEW: TO SIR, WITH LOVE 1974 TV Pilot – Hari Rhodes stars in this rare TV adaptation of the 1967 classic film, presented in HD!

·       Blu-ray Includes:

·       Feature presented in high definition, sourced from the 4K master

·       5.1 DTS-HD Master Audio

·       Original Mono DTS-HD Master Audio

·       Special Features:

o   Audio Commentary featuring Actor Judy Geeson and Film Historians Julie Kirgo and Nick Redman

o   Audio Commentary featuring Novelist E.R. Braithwaite and Author / Teacher Salome Thomas-El

o   NEW: TO SIR, WITH LOVE II – the 1992 TV-movie sequel to the 1967 classic, starring Sidney Poitier and directed by Peter Bogdanovich, presented in HD!

o   NEW: To Potter, With Love Featurette

o   NEW: Beginnings of an Acting Career Featurette

o   Those Schoolboy Days Featurette

o   Look and Learn Featurette

o   E.R. Braithwaite: In His Own Words Featurette

o   Lulu and the B-Side Featurette

o   Miniskirts, Blue Jeans and Pop Music! Featurette

o   To Sidney, With Love Featurette

o   Principal El: He Chose to Stay Featurette

o   Theatrical Trailer

TO SIR, WITH LOVE has a run time of approximately 105 minutes and is rated PG.

THE LAST PICTURE SHOW

Synopsis:

Released in 1971 to critical acclaim and public controversy, THE LAST PICTURE SHOW garnered eight Academy Award® nominations, including Best Picture, and was hailed as the most important work by a young American director since Citizen Kane. A surprisingly frank, bittersweet drama of social and sexual mores in small-town Texas, the film features a talent-laden cast led by Jeff Bridges, Cybill Shepherd and Timothy Bottoms. Cloris Leachman and Ben Johnson each won Oscars® for their work in supporting roles. Featuring both director Peter Bogdanovich’s preferred 1999 Definitive Director’s Cut and the 1971 Theatrical version on 4K Ultra HD.

THE LAST PICTURE SHOW Disc Breakdown

·       Director’s Cut 4K Ultra HD Includes:

·       Director’s Cut presented in 4K resolution with Dolby Vision, restored from the original camera negative

·       Original Mono DTS-HD Master Audio

·       Theatrical Version 4K Ultra HD Includes:

·       1971 Theatrical version presented in 4K resolution with Dolby Vision, restored from the original camera negative

·       Original Mono DTS-HD Master Audio

·       Feature Blu-ray Includes:

·       Director’s Cut presented in high definition, sourced from the 4K master

·       Mono DTS-HD Master Audio

  • Special Features:

o   Audio Commentary featuring Director Peter Bogdanovich

o   NEW: A Tribute to Peter Bogdanovich

o   The Last Picture Show: A Look Back Documentary 

o   A Discussion with Filmmaker Peter Bogdanovich

o   Location Footage

o   Promotional Featurette 

o   Theatrical Trailers

THE LAST PICTURE SHOW has a run time of approximately 118 minutes and is rated 18A. THE LAST PICTURE SHOW: DIRECTOR’S CUT has a run time of approximately 126 minutes and is rated 18A for sexuality, nudity and language.

ANNIE

Synopsis:

Celebrating its 40th anniversary, ANNIE is the story of everyone’s favourite plucky, red-haired orphan! One day Annie (Aileen Quinn) is chosen to stay for a week with the famous billionaire “Daddy” Warbucks (Albert Finney). One week turns into many, and the only person standing in the way of Annie’s fun is Miss Hannigan, the tyrannical ruler of the orphanage (played to hilarious perfection by Carol Burnett). Will Miss Hannigan’s zany attempts to kidnap the irrepressible Annie succeed? Sing along with the unforgettable songs and experience this beloved musical!

ANNIE Disc Breakdown

·       4K Ultra HD Includes:

·       Feature presented in 4K resolution with Dolby Vision, restored from the original camera negative

·       Dolby Atmos English audio

·       5.1 DTS-HD Master Audio

·       Original 2-Channel Surround DTS-HD Master Audio

·       Special Feature:

  • NEW: LITTLE ORPHAN ANNIE – 1932 feature starring Mitzi Green as Annie, newly restored and presented in HD!

·       Feature Blu-ray Includes:

·       Feature presented in high definition, sourced from the 4K master

·       5.1 DTS-HD Master Audio

·       Original 2-Channel Surround DTS-HD Master Audio

·       Special Features:

  • NEW: Cast Audio Commentary – featuring all-new reflections from stars Carol Burnett, Ann Reinking, Tim Curry and Roseanne Sorrentino
  • NEW: Aileen Quinn: A Conversation
  • NEW: Behind the Music with Charles Strouse
  • NEW: Looking Back: Behind the Scenes
  • Annie’s Journey to the Screen
  • “Easy Street”
  • “I Don’t Need Anything But You”
  • Making a Finale (no audio)
  • Sing-Along with Annie!
  • My Hollywood Adventure with Aileen Quinn
  • Musical Performance by Play: “It’s the Hard-Knock Life”
  • Theatrical Trailers and TV Spots

ANNIE has a run time of approximately 127 minutes and is rated G.

AS GOOD AS IT GETS

Synopsis:

Jack Nicholson, Helen Hunt, Greg Kinnear and Cuba Gooding, Jr., star in James L. Brooks’ hit comedy, AS GOOD AS IT GETS, now celebrating its 25th anniversary. Nicholson gives a show-stopping Academy Award®-winning performance as Melvin Udall, an obsessive-compulsive novelist with Manhattan’s meanest mouth. But when his neighbor Simon is hospitalized, Melvin is forced to babysit Simon’s dog. And that unexpected act of kindness, along with waitress Carol Connelly (Helen Hunt, in an Academy Award®-winning performance), helps put Melvin back in the human race. Nominated for seven Academy Awards®, including Best Picture (1997).

AS GOOD AS IT GETS Disc Breakdown

·       4K Ultra HD Includes:

·       Feature presented in 4K resolution with Dolby Vision, restored from the original camera negative

·       Dolby Atmos English audio

·       Original 5.0 DTS-HD Master Audio

·       Feature Blu-ray Includes:

·       Feature presented in high definition, sourced from the 4K master

·       Original 5.0 DTS-HD Master Audio

·       Special Features:

o   Audio Commentary featuring Director James L. Brooks, Stars Jack Nicholson, Helen Hunt and Greg Kinnear, Editor Richard Marks, Producer Laurence Mark and Composer Hans Zimmer

o   NEW: Deleted Scenes

  • Melvin Stalls Victor with Intro from James L. Brooks
  • “Kiss Her, Man!” Original Ending

o   NEW: Behind the Scenes Footage

o   NEW: The Making of As Good As It Gets Featurette

o   NEW: Archival Theatrical EPK Soundbites

o   Theatrical Trailer

AS GOOD AS IT GETS has a run time of approximately 139 minutes and is rated PG for strong language, thematic elements, nudity and a beating. 

EXCLUSIVE BONUS DISC INCLUDES:

·       FROM HERE TO ETERNITY – the nearly 5-hour 1979 TV miniseries starring Natalie Wood, William Devane and Peter Boyle, presented in high definition*

* Select instances of music have been removed for this presentation.

Academy Award® and Oscar® are the registered trademarks and service marks of the Academy of Motion Picture Arts and Sciences.

Another Million Dollar Movie Poster Auction

The stunning three sheet movie poster for the lost 1926 Paramount big budget silent film The American Venus realized $35,850 to lead the day in Heritage Auctions’ July 25-26 Vintage Movie Posters Signature Auction in Beverly Hills. The auction realized, in total, more than $1.45 million. All prices include 19.5% Buyer’s Premium.

Controversy surrounds this 1932 Disney cartoon- in one scene, Mickey Mouse is seen using a cigarette lighter that has a painted swastika on it. In 1932, the world did not fully understand the significance of the swastika as it would relate to the rise of Naziism. image: Heritage Auctions

“Demand was steady and prices were, overall, quite good across the more than 1,300 lots we featured in this auction,” said Grey Smith, Director of Movie Posters at Heritage. “We saw a trifecta of focuses in this auction as collectors went after early Hollywood, Disney animation and Universal Horror. At the end of the day, we were all quite pleased with the solid results.”

The American Venus (Paramount, 1926) three sheet is a film that is now lost to history, minus a few trailers. What is known about it, however, is that the poster spectacularly features Louise Brooks, though this was only her second film appearance. She was relatively unknown at the time and her role in the film was very minor. The producers, however, obviously realized her star potential as they featured her exclusively on the poster. Brooks would go on to become one of the most iconic female stars of the late silent era.

“Brooks crafted a personal style that left an indelible mark on 1920s popular culture that’s still imitated today,” said Smith. “She achieved a cult status rarely garnered by entertainers of that time and is clearly a star that still resonates with collectors at the top of the hobby.”

Vintage posters were emotional, engaging and uniquely hand-crafted before hitting the printing press. image: Heritage Auctions

Rare and early Disney posters always create a stir when they appear at auction and the presence of a 1932 United Artists one sheet for Disney’s The Wayward Canary, depicting Mickey and Minnie Mouse, set collectors buzzing on its way to a $26,920 final price realized. Released in November 1932, the same year that the Academy awarded Disney a special Oscar for his creation of a nationwide phenomenon, Mickey Mouse, this is a key addition to any top Disney collection.

Universal Horror posters are still the gold standard in movie posters and this auction boasted several prime pieces from the top films of the genre, including a beautiful pre-war 1935 Belgian one sheet for Bride of Frankenstein, James Whale’s sequel to his 1931 masterpiece Frankenstein that quickly became a classic in its own right, realizing $20,315 from a determined collector, while a 1943 one sheet for Frankenstein Meets the Wolf Man — often cited as one of the best posters in the Universal horror cannon — was the subject of intense collector interest before finding a new home at $15,535.

The Social Network Movie Blows My Mind

Movie expectations are a dangerous bag. We savor anticipation, but envisioning a positive experience before you’ve actually had the experience can warp perception and lead to anti-climax: the proverbial let down.

Hype is another form of expectation, one that is projected from external sources. And how many times have we heard the phrase: “It just doesn’t live up to the hype.” We get suckered by marketing and take solace in acerbic criticism. We love to hate the let down.

I went to my local video store a couple of weeks ago on a mission. It was time, I decided, to watch The Social Network, the much acclaimed film by director David Fincher (Seven, Fight Club) about the founding of Facebook.

Rarely do my trips to Super-A Video feel like such an event. First of all, Columbia Pictures has gone all out on a gorgeous, deluxe box for this film. I felt like I was in a record store again, holding in my hands, for the first time, a new album I had been waiting for. Some of you will remember what that was like…

On the cover, a host of superlatives from the likes of The New York Times, New Yorker, and Rolling Stone Magazine. “Stupendous!” “Exhilarating!” “Absolutely emblematic of its time and place!” The list of ecstatic declamations was exhilarating in itself. But it also made me nervous. Will it live up to the hype[rbole]?

So this was my Friday night. I dimmed the lights and sank into my couch, prepared for what was, in the educated opinion of many, a defining cinematic event. This is my substitute for romance, I guess. And in this case: no anticlimax.

The film starts at a blistering pace with a scene of two people sitting relatively still. The momentum is in the dialogue, in the intellectual animation of two brains on fire. I watched the movie again on Saturday, this time with a friend, and he was literally on the edge of his seat, concentrating to following the rapid-fire repartee which is the opening salvo of Fincher’s film. And then he said, “Wow. What a way to start a movie.” Certainly makes you pay attention.

Screenwriter Aaron Sorkin (A Few Good Men, TV’s The West Wing), who is known for his dense, tightly scripted approach to writing, has already won the Golden Globe for this piece of work and the Oscar seems likely. But don’t let my description of the opening scene scare you off. The Social Network is not an exhausting experience. It chronicles a moment of great creative outpouring in the lives of brilliant people who think very quickly, and it finds a way to carry you along, and in, to the tale of their accomplishments and relationships.

The DVD extras illuminate what can happen when a great director, writer and actors work collaboratively on a project like this, providing a rare glimpse into the artistic process of an incredible team. Fincher (Golden Globe, Best Director), comes off as an affable perfectionist, admired in spite of the fact that he will do 99 takes of a scene—ie: that electric opening. And the newly feted Jesse Eisenberg, with a host of Best Actor nominations for his role as principle Facebook architect Mark Zuckerberg, seems almost as smart as the genius he portrays.

The other star of this film is Trent Reznor and Atticus Ross’ original soundtrack. At times haunting, at times propulsive, these long-time musical partners (Nine Inch Nails) have created a techno film score that will make your home theatre sing. Never obtrusive, always complimentary, it adds tone and depth, feeling and movement to this film. And it is cool. This is important. Zuckerberg knew that, with Facebook, he was on to something cool. He also knew that there is no more precious commodity—aside from sex—when it comes to marketing to young adults.

The Social Network, too, is that rare constellation of co-factors: it is a document, and example, of pop-culture that is blisteringly smart, sophisticated, exciting, funny, sexy, and cool. It is also a work of art, and for all of these reasons it is, truly, an emblem and anthem of our time.  For the Silo, Chris Dowber.