LOS ANGELES – Bucky O’Hare – the original comic book series turned into a classic cartoon – made its debut in the digital domain with an 8-page exclusive Swipe Studio e-comic book written and illustrated by brand creators Larry Hama and Michael Golden together with Neal Adams and his Continuity Productions. Bucky O’Hare and the Toad Menace made its premiere appearance Day One of Stan Lee’s Los Angeles Comic Con recently held October 28-30 at the Los Angeles Convention Center.
Designed utilizing the tools available on the all-new Swipe Studio design app, the latest offering in the Bucky O’Hare legacy follows Bucky and his crew as they do battle with the Toad Armada. The special Los Angeles Comic Con presentation featured legendary artist Neal Adams together with Swipe Studio’s famed creator Satoshi Nakajima.
The 8-pager provided fans with a glimpse into the creative for the planned Bucky O’Hare theatrical motion picture now in the works with Neal Adams producing and directing.
The brainchild of software genius Satoshi Nakajima – the engineering architect responsible for Windows 95 and Windows 98 along with Internet Explorer versions 3 and 4 – Swipe empowers everyone from consumers to creators to easily animate everything from emails to digital comics with media-rich digital elements and make use of animation, video, vector graphics as well as full audio for voice, music and sound effects on tablets and smartphones. Created to take full advantage of today’s touch-enabled smartphone and tablet technology, Swipe eliminates the need for complex programming typically required to build animation or other forms of design content. As a result, creators, designers, animators and artists have the tools to create media-rich animated digital content for consumption via touch-enabled devices including smartphones, tablets and touch-enabled set-top-boxes, such as iPhone and Apple TV.
In addition to the Swipe Bucky O’Hare comic book, artist Neal Adams also worked with the Swipe team to load into the platform an impressive portfolio of Bucky art elements and animation that can be adapted by anyone for any digital purpose, including e-mails or presentations of any kind, including all main characters and several backgrounds.
Creators and artists can now experience the free Swipe app instantly by downloading Swipe Studio to their iPhone/iPad/iPod touch and begin to create media-rich animated digital content. To download the Swipe Studio, go to App Store https://appsto.re/us/hlcDeb.iNote- Swipe Studio is available only for iPhone/iPad/iPod touch users with version iOS9 or later.
“We are thrilled to unveil the newest Bucky O’Hare creative from the team responsible for this celebrated and enduring property at Stan Lee’s Los Angeles Comic con,” said Nakajima. “I [had] tremendous enthusiasm towards sharing a panel with the great Neal Adams whose brilliant use of the Swipe Studio design tools helps us usher in a new era in digital design.”
“It has been a lot of fun to work with Swipe Studio and I encourage artists to check it out for their own design projects. In fact, Swipie – which is Swipe’s platform for consumers – continues to offer a wealth of art and animation applications to enhance everything from emails to digital presentations. Mr. Nakajima has built an extraordinary platform and I am proud to contribute Bucky O’Hare as a way of underscoring its power as a design platform,” said Neal Adams.
About Swipe, Inc.
Headquartered in Tokyo, Swipe, Inc. is the parent company for Swipe™, an open source platform embedding the full range of visual and audio media into digital documents for smartphones, tablets and other touch-screen devices. Swipe, Inc. Founder-Chief Technology Officer Satoshi Nakajima is recognized industry-wide as the lead engineer and architect of Windows 95 and Windows 98 which he created during his tenure with Microsoft. Visit Swipe, Inc. online at http://www.Swipe.net/.
I then entered the working world and forgot all about making music. Fast forward 30+ years, and the itch to make experimental music overtook me again, but now technology had changed drastically. I no longer needed hardware. I discovered apps on my iPhone, and music platforms like SoundCloud and Bandcamp were all that I needed. I was immediately obsessed.
I yearned to use hardware/instruments again, but not being able to play an instrument is a definite hindrance I searched for cheap keyboards on the net. I soon discovered the “Stylophone” and ordered one ‘sight unseen’. It was unique, inexpensive and fun, but quite limited in sound variety. I started mixing the Stylophone with app produced sounds/music, as well as other “found sounds”. (I really appreciate the functionality of software based mixing apps, which are almost essential to my creations these days). I then stumbled upon a couple of user videos of the Hyve synthesizer, and knew I had to have it. It was clearly non-musician friendly (and looked so different, cool and fun).
Then came the disappointment … You can’t buy one! (BUT I HAD TO HAVE ONE!!!) Turns out, the engineer/designer guru behind this awesome device (Skot Wiedmann), has work shops in the Chicago area, and you can go build your own, ( very inexpensively ). I knew what I had to do. I looked at a map, saw that Chicago was about 8 hours away, and realized that I had to go build it. I started to plan the trip. I knew that a fellow SoundCloud musician and Facebook friend (Leslie Rollins) lived in Berrien Springs, Michigan, about 2 hours outside of Chicago.
This presented a twofold opportunity. I could hopefully, meet Leslie face to face, and hopefully have a place to spend the night. I contacted Les and everything was A-OK! I purchased a ticket to build my Hyve, and started to plan my road trip. The workshop was going to be from Noon to 3pm, Saturday Sept.24 in a cool space called Lost Arts in Chicago.
I had the whole week off from work, because I was overseeing a contractor doing extensive yard work at my house all week, and I was hoping to leave Friday so as to arrive at Leslie’s place in the late afternoon or early evening, spend the night, and leave for the workshop Saturday morning. Alas, plans rarely work as hoped.
The contractor wasn’t finished until Friday afternoon, and Les wasn’t getting home from a business trip until late Friday night. New plan! Early to bed Friday. Early to rise Saturday (2:30 am), and depart for Leslie’s place in Michigan. It was an easy drive, and I got to Berrien Springs (a beautiful sleepy little university village) around 8:30 am. Met Leslie, and got to trade stories over a great breakfast in a local cafe. Then, I quickly admired Leslie’s impressive modular synth racks at his home studio “Convolution Atelier” and then left for “Lost Arts” in Chicago.
Lost Arts is located in a cool old industrial complex. The workshop provided everyone with a surface mount board with the touchpad on one side, and components layout on the back. A sheet listing components and placement was also handed out, along with tiny plastic tweezers. Everyone then had their component side “pasted” with a solder paste applied through a pierced template, in a process similar to silk screening. Everyone then started to receive their very tiny components from the parts list. Following the placement locations, the components (chips, capacitors, resistors, etc) were set into their pasted areas with the tweezers (magnification and extra lighting was a must). Once all the components were placed, they were carefully “soldered” into place by simply holding a heat gun over each component until the solder on the board had adhered it. Once this was done, everyone had their 9v battery and line-out jacks hand soldered into place by Skot , and then … the moment of truth, Skot tested each one for proper operation.
It was a fascinating process and great experience. I met a lot of cool people at the workshop, both builders and staff/helpers! I can’t say enough what a fantastic experience this was, and what an awesome, diverse and versatile device the Hyve is. I doubted my sanity when planning this trip, but it turned out to be very rewarding!
Leslie and I then went back to Michigan, stopped at a local brewery in Berrien Springs (Cultivate) and sampled a few of their excellent brews, and then proceeded to Convolution Atelier to play with Leslie’s modular system. (I’m a newbie to all things modular, and I received a great crash course from Leslie on his very cool array!) Then it was out to dinner with Leslie and his wonderful wife Lisa, and finally back to their house where I stayed for the night, and finally hit the road towards home the next morning. It truly was a great adventure! For the Silo, Mike Fuchs.
Nobody likes to live in a home that is cluttered, messy and full of stuff – but as you and your family accumulate more belongings, it can become easy to end up in this situation and then difficult to get back out of it. However, one of the simplest tricks to living without clutter is to make sure that it’s super easy for you and your family to clean up in the house quickly. We’ve put together a list of great tips that you can follow to ensure that your home can go from chaotic and cluttered to calm and clean in no time at all.
Closed Storage
Having closed storage is a great way to minimize clutter and also ensure that your home is tidy with minimal effort. Everybody likes the look of open shelving when everything on there is lined up perfectly, however the sad truth is that it’s not always very practical or possible to keep everything perfectly tidy and in order. Closed storage, when well thought out, can look just as good if not even better. If you’ve got a lot of stuff, stay away from open shelving wherever possible and use drawers and doors to conceal everything.
Under Bed Storage
Bedrooms, especially kid’s rooms, can quickly become cluttered if they have a lot of things and need constant reminding to tidy up after themselves. However, using beds with built-in drawers underneath makes a great storage space for bedroom clutter, and are easy and accessible enough for kids to clean up after themselves without even putting in that much effort. In an adult bedroom, under the bed storage makes an excellent space for storing shoes or other items of clothing that aren’t worn frequently.
Storage Containers
If you have boxes and boxes full of things that you don’t want to get rid of but barely use, they can take up a lot of room in your home and cause it to be quite cluttered. Investing in a storage container could be a great idea, especially if you don’t have free room at home such as in your shed or garage to store any extra stuff that’s just sitting around taking up room. Solutions for public storage Montreal offer a range of different sized storage containers which you could rent to put your stuff for the amount of time that you need.
Have a Clear Out
Although this might take a day or two to complete, having a full clear out of your home will really pay off. If, like most families, you have a lot of things lying around, sorting through the things and deciding what you do and don’t need is likely to free up a lot more room in your home. Clothing items could be sold on to make more money or given to charity, and any electrical things you don’t need can be listed for sale online, meaning that your clear out could result in a cleaner home and more money in the bank. For the Silo, Dimitry Karloff.
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LOS ANGELES – Toei Animation Inc. will debut an English subtitle simulcast of Dragon Ball Super on multiple digital platforms on October 22nd. For the first time, fans in North and Latin America, South Africa, Australia and New Zealand will be able to view Dragon Ball Super simulcast. Since its debut in Japan in July 2015, the hit follow-up to one of the greatest anime series of all time has been eagerly awaited by followers around the world. Through non-exclusive streaming partnerships with Crunchyroll, Daisuki.net and Anime Lab, Dragon Ball Super will finally be available.
Kicking off on Saturday October 22 at 9:00pm EST, viewers of Crunchyroll, Daisuki and Anime Lab can log in for a non-exclusive English-subtitled simulcast of episode 63, “Don’t Define Saiyan Cells! The Curtain Rises on Vegeta’s Intense Battle!!” which leads into the thrilling conclusion of the “Future Trunks Arc.” Audiences will get to join Japan live during the broadcast, and then tune in weekly for future new episodes.
Crunchyroll: USA, Canada, Australia/New Zealand for subscription viewing on demand (SVOD) and advertising video on demand (AVOD). Latin America and South Africa can only be viewed on SVOD.
Daisuki.net: USA, Canada, Australia/New Zealand for SVOD & AVOD
Anime Lab: Australia and New Zealand for SVOD & AVOD
Dragon Ball Super’s fourth arc features the return of Future Trunks. Hunted by a mysterious being bent on destruction, Future Trunks is brought into a fight spanning time and space. Episode 63 follows Future Trunks’ epic battle against Goku Black, and Goku’s acquisition of the powerful “Evil Containment Wave” technique.
To prepare for episode 63’s debut, viewers will also be able to stream the entire Future Trunks arc (the arc begins at episode 47). Then, starting on October 30, the complete series will roll-out, with 10 episodes released a week at a time.
“Patience always pays off, and we’re delighted to finally share Dragon Ball Super with our fans around the world. And believe me when I say there’s more to come. Stay tuned for additional exciting news before the end of the year!” said Masayuki Endo, President of Toei Animation Inc.
About Toei Animation Inc.
Based in Los Angeles, Toei Animation Inc. manages the film distribution of Toei’s top properties, including Dragon Ball all series, Sailor Moon, One Piece, Saint Seiya, and many others to North America, Latin America, South Africa, Australia and New Zealand. Toei Animation Los Angeles office further handles all categories of consumer product licensing based on its film and television brands within these territories. For more information, please visit http:www.toei-animation-usa.com or contact marketingdirector@thesilo.ca.
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Toei Animation Co., Ltd
Toei Animation Co., Ltd. (Jasdaq:4816) ranks amongst the world’s most prolific animation production studios. The company’s operations include animation development and production, and worldwide marketing and program licensing with sales offices in Paris, Hong Kong and representative office in Shanghai. Since its founding in 1956, Toei Animation Co., Ltd. has produced more than 11,000 episodes of TV series (more than 200 titles) and more than 215 long feature films. For more information, please visit http://www.toei-anim.co.jp.
At about 17:30 CEST on 16 October, the data link with the ExoMars/TGO orbiter had still not been fully re-established following separation. Subsequently, at around 18:40 CEST, ESA (the European Space Agency) re-established a full data link with the spacecraft, and the mission control team could confirm that separation had taken place as planned, at 16:42 CEST. Both the Schiaparelli module and the TGO orbiter are in good shape and en route – separately – to arrive at the Red Planet on 19 October. We will be hosting the live video feed from ESA and wish them all the best of success in landing on Mars.
Schiaparelli Mars Rover
An orbiter carried on the ExoMars 2016 mission will hunt for methane in the atmosphere and show if it’s likely to have been generated by geology or biological processes. In other words- suggestive evidence of life/past life on Mars.
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A new charity called the “Believe in Yourself Project” is helping to replace the poor body image that afflicts many girls and women. This image is heightened by what the traditional fashion industry deems as beautiful: Women are expected to appear a certain way and live up to a manufactured and unrealistic notion of what beauty is. At the same time, strained finances can prevent many girls from keeping up with what’s trending or cool, making them feel isolated among their friends for not being able to afford clothing that is deemed as “in” socially.
In an attempt to promote a positive body image, online fashion site www.ustrendy.com has created the ” Believe in Yourself Project.” The aim is to help women feel better about themselves and their physical attributes and to promote healthy self esteem among young girls at an early age, empowering these young women to take on active social roles within their school communities.
Over the past year, UsTrendy has given formal dresses to underprivileged high school girls and college students across the USA (with talks about expanding into Canada), for them to wear at their school dances. Donations began last winter, and UsTrendy reports that many of the girls in the program have had the self confidence to attend their first school dance.
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The Believe in Yourself Project is part of a broader initiative. UsTrendy is currently in talks with various influential women who at one time or currently have struggled with body image, encouraging them to serve as speakers and mentors to the various girls within the program.
“We hope to dispel the notion that you need to be a size 0 in order to be beautiful,” says UsTrendy Founder Sam Sisakhti.
Ultimately, the Believe in Yourself Project seeks to make people feel comfortable in their own skin and not let physical or financial insecurities or limitations affect their confidence.
COSTA MESA, Calif. — ZOWIE, BenQ’s eSports brand, was the official tournament eSports monitor of The Brooklyn Beatdown, recently held at the Barclays Center in Brooklyn, N.Y. Held alongside the ESL One New York Counter-Strike: Global Offensive (CS:GO) tournament, the Street Fighter V event featured the RL Series console monitors as 256 competitors battled for a $75,000USD prize pool. The ZOWIE RL Series armed competitors with experience-enhancing features such as head-to-combat, lag-free technology, instant response and adjustable stand.
“The Brooklyn Beatdown was an intense weekend full of epic battles between the world’s best SFV players,” said Ronald Kim, eSports marketing at BenQ America Corp. “We’ve been looking forward to watching the pros compete head-to-head on our RL2460 monitor.”
The Brooklyn Beatdown streamed matches utilized the RL2460 monitor’s exclusive head-to-head feature, which allows multiple monitors to connect to the console system without any additional lag and eliminating split screen sharing.
About BenQ Corporation Founded on the corporate vision of “Bringing Enjoyment and Quality to Life,” BenQ Corporation is a world-leading human technology and solutions provider aiming to elevate and enrich every aspect of consumers’ lives. To realize this vision, the company focuses on the aspects that matter most to people today — lifestyle, business, healthcare and education — with the hope of providing people with the means to live better, increase efficiency, feel healthier and enhance learning. Such means include a delightful broad portfolio of people-driven products and embedded technologies spanning digital projectors, monitors, interactive large-format displays, audio products, cloud consumer products, mobile communications and lifestyle lighting. Because it matters.
Last year’s indie best-selling graphic novel set to release the next installment in the breakthrough series. The second novel features an augmented reality app and introduces the character of actor Chad L. Coleman.
When TREADWATER Vol. 1 was released in comic book stores in July 2015, it was just another self-published indie title among many others. At the end of the month, this was no longer the case.
When the sales figures came in a month after its debut, TREADWATER found itself on equal footing with the likes of The Walking Dead when they first started out. According to Diamond Comic Distributors TREADWATER managed to achieve 90% of Walking Dead’s sales, while outperforming other popular franchises like Dark Matter in their respective opening months.
TREADWATER is best described as a dark and mature sci-fi action drama. It is a pre-apocalyptic story that takes place in a plausible dystopian future, where a global economic crisis splinters political alliances and plunges the world’s nations into crime and disorder. As the dual forces of anarchy and totalitarianism sweep over the world, six antiheroes are recruited into a privately funded special operative program in an attempt to keep the world from tearing itself apart.
Part of the ugly charm of TREADWATER lies within its ability to predict current events. The isolationist politics of the world’s leading nations, as exemplified by the rise of Trump in the US and BREXIT in the UK; the attempted coup in Turkey, along with its backlash in the form of a dictatorial powergrab; the increasing civil unrest in the US and the terrorist attacks in Europe – all these developments find their parallels in the world of TREADWATER.
Yet Morgan Rosenblum and Nat Prinzi, the creative minds behind the TREADWATER franchise, take no pride in the accuracy of their grim predictions. Their primary goal is to create an engaging and believable superhero story, which avoids the pitfalls of the genre, while staying true to its roots. This is why the story of Treadwater is driven by its larger-than-life, yet deeply imperfect characters, rather than merely a clever premise or unlikely plot twists.
The new installment of the graphic novel, TREADWATER Vol. 2, will be released in late 2016. Along with the novel, the TREADWATER team will debut its own augmented reality app for smartphones. When pointed at the comic book, the app will immerse the readers into the world of TREADWATER by bringing its characters to life in front of their eyes.
The AR app is not the first step that Rosenblum and Prinzi have taken in the direction of interactive storytelling. The TREADWATER franchise already consists of a motion comic, a video game and an interactive website, which lets its users “hack” into Treadwater’s secret database, allowing them to explore their coveted network.
The ability of the creative duo to inspire and impress their audience has led to the inclusion of TREADWATER Vol. 1 into the curriculum of West Aurora High School in IL. It is now being taught in their creative writing class alongside of Orson Welles.
The appeal of the TREADWATER franchise goes beyond high school students, as actor Chad L. Coleman has become a character and a partner in the TREADWATER franchise. Best known for his roles as Tyreese in The Walking Dead, Dennis “Cutty” Wise in The Wire and now Tobias Church in Arrow, Mr. Coleman’s character will see significant development in the second volume of the graphic novel. The new installment will also introduce the character of Holly Wolf, a celebrity cosplayer and 2015 Geek Fantasy Woman of the Year, who also joined the TREADWATER franchise as a supporting character.
Key Dates in 2016:
October 6-9: Come visit us at New York Comic Con. You’ll find us at booth 2314, where you’ll be able to interview the creators of TREADWATER, actor Chad L. Coleman and cosplayer Holly Wolf among others. You’ll also be able to experience the entirety of the TREADWATER franchise, including the Beta Version of our very own PS4 video game.
October 1-21: Special pre-order promo period for TREADWATER Vol 2. Each pre-order will come with a digital copy of the bestselling graphic novel TREADWATER Vol 1 to help the new readers get caught up to speed with the story. Additionally our readers will get a limited edition single issue, signed by its writers, creators and artist. Thirdly, they will also receive a digital collector’s edition of the “Treadwater Dossiers” Character Art Book.
October is National Disability Employment Awareness Month in Canada, and Amanda Orichefsky wants to celebrate the contributions of workers with disabilities and educate the able bodied about the value of a diverse workforce inclusive of their skills and talents.
Amanda Orichefsky of Toronto, now 27, was born with arthrogryposis, a condition that robbed her of the use of her arms. Despite her disability, Amanda has pursued her passion for art, attending George Brown College where she graduated in 2010 with a diploma in Fine Arts & Animation.
Today, Amanda earns a stipend to further her painting studies as a member of Mouth and Foot Painting Artists, an international association of 800 disabled artists around the world. She also sells reproductions of her work to support herself. A younger Amanda was also asked to give a demonstration of her mouth painting skills to Wayne Gretzky, which was filmed as part of the commercial for Ronald McDonald House Charities seen above.
Amanda is also a member of the MFPA which has been operating in Canada since 1961 and is a member of the International Association of Mouth and Foot Painting Artists. There are currently 13 disabled artists working in Canada and over 750 others around the world. For the Silo, Ginny Grimsley.
Imagine looking in your glasses to see updates from your friends on social media. The future is coming sooner than you think and yes, you will be wearing your next computer- check out this future ready infographic from our friends at Frames Direct.
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The first published concept of Virtual Reality: Pygmalion’s Spectales (short story) by Stanley G. Weinbaum ‘You drink,’ said the elfin, bearded face, ‘to make real a dream. Is it not so? Either to dream that what you seek is yours, or else to dream that what you hate is conquered. You drink to escape reality, and the irony is that even reality is a dream.’ Published June 1935 ~ Wonder Stories
It’s late September as I write this and with winter slowly creeping in (Sorry but true!) and holiday shopping season around the corner, I would like to tell you all about some amazing books to add to your shopping list and help pass the cold months. If you are an aviation lover, you are in for a very special treat courtesy of Quarto Publishing.
They took the ORIGINAL flight manual and republished it… all 1,040 pages and 8 pounds!!!! The Lockheed SR-71 Blackbird was a long-range, Mach 3 reconnaissance aircraft developed by Lockheed’s top-secret Skunk Works. One of the first aircraft designed to have a low radar signature, the SR-71 could map 100,000 square miles from an altitude of 80,000 feet. Operational from 1964 to 1998, it is still the fastest jet-powered aircraft – a Blackbird once completed a Los Angeles-to-Washington, D.C. flight in 64 minutes. Naturally, reigning in all that technology and performance required some know-how on the parts of the pilots and ground crews
For as long as there has been sustained heavier-than-air human flight, airplanes have been used to gather information about our adversaries. Less than a decade after the Wright Brothers flew at Kitty Hawk, Italian pilots were keeping tabs on Turkish foes in Libya. Today, aircraft with specialized designs and sensory equipment still cruise the skies, spying out secrets in the never-ending quest for an upper hand.
Hatched in June 1943 after a special request of the US Army Air Forces to develop a turbojet-powered fighter to counter growing German threats, Lockheed Martin’s Skunk Works has gone on to develop remarkable aeronautical and space technologies, including stealth. Some have made it into production, while others never quite made it off drafting boards and computer screens, but proved fascinating nonetheless.
There’s no shortage of fantastic archival aviation photography from World War II. But photos from the period fall short in three major categories: the vast majority are black and white, most were composed under duress, and very few capture moments that have since entered the written record of aerial conflict.
Award-winning artist Jim Laurier rectifies the situation in this stunning, large-format, hardcover book celebrating World War II’s top fighter aircraft.
A gala premiere screening party for King of the Dancehall was well attended on Sunday, September 11th at the Toronto Film Festival.
Star watchers noticed Film star and director Nick Cannon in attendance as well as additional talent from the film including Busta Rhymes, Kreesha Turner and Kimberly Patterson. Adding to the excitement, Kardinal Offishall, Extra’s A.J. Calloway, professional boxers Lennox Lewis and Adonis Stevenson, Drew Dazzle, Louis Gossett Jr. and more, also stopped by EFS for CIROCcocktails and to congratulate the cast.
TORONTO, ON – SEPTEMBER 11: Actress Kreesha Turner attends the “King of the Dancehall” premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )TORONTO, ON – SEPTEMBER 11: An interior view inside the “King of the Dancehall” premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )TORONTO, ON – SEPTEMBER 11: Professional boxers Adonis Stevenson (L) and Lennox Lewis attend the “King of the Dancehall” premiere screening party presented by Ciroc during the 2016 Toronto International Film Festival at EFS Lounge on September 11, 2016 in Toronto, Canada. (Photo by Matt Winkelmeyer/Getty Images for Brilliant Consulting )
The first two Chantilly Arts & Elegance Richard Mille, which enjoyed ever-increasing success, placed the event among the benchmark international Concours d’Elégance, and the third show consolidated the same trend. It was organized on Sunday 4th September and confirmed its status as the elegant rendezvous of the early autumn attracting some 13,500 visitors to the Chantilly domain, a stable figure compared to 2015. The number would certainly have been higher if the weather – cloudy skies and light rain in the morning – had been as clement as in previous years.
There were eight concept cars in the running for the Concours d’Elégance entered by Aston Martin, BMW, Bugatti, DS Automobiles, Lexus, McLaren, Mercedes-Benz and Rolls-Royce, an increase in the number of car manufacturers associated this year with six Fashion Houses: Balmain, Eymeric François, Giorgio Armani, Jean-Paul Gaultier, Jorgen Simonsen and Timothy Everest. Four prizes were awarded for the Concours d’Elégance. The Best of Show award went to DS E-TENSE combined with a creation by Eymeric François. The ‘Prix Public’ crowned the Mercedes-Maybach 6 Vision associated with a dress created by Jean-Paul Gaultier. The prize for the motor car and fashion combination for the most beautiful ensemble went to the 570GT by McLaren Special Operations with a model also dressed by Jean-Paul Gaultier. And a special prize was awarded to the new ‘atelier’ motorbike by Zagato, the work of the master coachbuilder from Milan for the Italian manufacturer MV Augusta, which was given its world premier at Chantilly.
The Concours d’Etat attracted around one hundred exceptional cars from all over the world divided into 21 classes. The jury awarded the Best of Show to the 1938 Alfa Romeo 8C 2900B Lungo Berlinetta with coachwork by Touring belonging to American collector, John Shirley, entered in the class Pre-war beginnings of aerodynamics – Closed road-going cars.
Photo: Stephanie Bezard
Jean Todt, the president of the FIA (Fédération Interationale de l’Automobile) also awarded several prizes including the one for the class devoted to him in homage to Fifty years of an exceptional career. In it were several cars which he had guided to victory as a co-driver as well as competitions manager at Peugeot and then Ferrari. So he was delighted to award the prize to the Peugeot 504 Rally Group 4 and to Jean Guichet, his driver at the time: they won the 1979 Argentinean rally in this car.
Forty clubs made the trip to Chantilly bringing 800 cars that were on show in the domain. They were an integral part of the event and made a large contribution to the success of the big garden party to which the public was invited.
Overall, the fans of motor cars, all generations combined, as well as families were attracted by the programing of the third staging of Chantilly Arts & Elegance Richard Mille, which celebrated the art de vivre and know-how à la française with several workshops and activities in the Chantilly domain.
The Chantilly Arts & Elegance Richard Mille, awarded the prize for the Motoring Event of the Year by British magazine Octane in 2014 and 2015 and sponsored by the Ministry of Culture and Communications in 2014 and 2015, has definitely found its place among the worldwide exceptional rendezvous devoted to the motor car, especially as it has revived con brio the great tradition of the Concours d’Elégance of the 1920s of which France was the cradle.
Patrick Peter (Organizer): “We brought to the third event all the experience we acquired in the two previous ones, as well as some innovations starting with the Supercar Rally on Saturday morning organized in the Chantilly region in which some twenty cars, hardly ever seen on the road, attracted a large crowd of spectators along the route. It’s an important link that we want to establish and develop with manufacturers of exceptional cars, which I hope to see more of at our event in 2017. Thanks to the awards given to the first two, our concours is now acknowledged as one of the best and most beautiful in the world. This is an important factor in the eyes of the manufacturers. We also have to attract a bigger crowd to reach a figure of 20 000 or 25 000 spectators in the next few years. It took several Le Mans Classics to achieve this number. Thus, I feel confident about the future of Chantilly Arts & Elegance Richard Mille.”
Frank Lloyd Wright designed over 1,000 structures (532 were completed) in his 70-years-plus career – mostly homes but also hotels, schools, churches, the Johnson Wax Headquarters and the Guggenheim Museum. This iconic American architect’s final design was the Norman Lykes House in Phoenix in the same year of his death in 1959. It is now for sale priced at USD$3.6 million and profiled at toptenrealestatedeals.com.
The Guggenheim cameo in Men In Black (1min 25secs)
Wright had been working with his apprentice, John Rattenbury, on the Lykes House sketches and had already chosen the building site for the home when he died. Having come full circle from his start in Prairie style, to textile block, to organic and, towards the end, the functional Usonian for the masses, his last designs showed a new interest in circles and curves as he created buildings in the round such as the Guggenheim and the house he built for his son, the David and Gladys Wright home also in Phoenix.
With a site on top of Palm Canyon with views of the valley, Wright began the Lykes design by replicating the curves of the mountainsides, making the home an integral part of its environment and providing big views for its owners and visitors. Though Wright passed away before finishing the working plans, the Lykes hired his apprentice, Rattenbury, to complete the plans according to the details set forth by Wright. The couple loved the completed plans, though it was another seven years before they started construction. When they did, Rattenbury oversaw the build and the home was completed in 1967. In addition to the structure itself, Wright also designed the furniture and built-ins for the home.
In 1994, new owners wanted some updating, so they called back Rattenbury to do the redesign by expanding the master bedroom, converting a workshop into a media room and combining two other bedrooms into a guest room – all without disrupting the overall design. Rather futuristic for its time, the circular and curvilinear design has become a timeless piece of architecture that continues to be copied by today’s designers and builders.
Now for sale and registered with the Frank Lloyd Wright Building Conservancy, the 2,849-square-foot home on one acre of desert plateau has three bedrooms, three bathrooms, the signature large living room fireplace intended to bring families and friends together, a lower-level media room, two home offices with built-ins of desk, cabinet storage and walls of shelving, a distinctive curved kitchen with Wright-designed island and unique under-cabinet windows and timeless stainless-steel counters, contemporary tiled large baths, and a privacy walled crescent pool patio viewed from inside through glass walls. There is also a separate large office in the round with all built-in furnishings encircled by half-moon windows. Views of valley and mountains can be seen from almost every room.
Classic last Wright design before his death, contemporary for today including lots of storage space with furniture and built-ins designed by the famous architect, the Lykes House is now for sale and priced at USD$3.6 million. For the Silo, Terry Walsh.
This is an entertaining article The United States spends millions of dollars every year covering up something they say doesn’t exist – Extraterrestrials. In fact, the U.S. military not only recognizes three alien species but for nearly 70 years has been working with the Greys, the Reptilians and the Tall Whites under signed treaties. America also has diplomatic relations with the Anunnaki.
But the cover-up goes even deeper.
The U.S. military has the capability of time travel using interstellar spacecraft capable of flying faster than the speed of light.
Time Traveler John Titor II
Based at Area 51, John Titor II began travelling through time on missions for a highly-secretive arm of the U.S. Air Force in 1979 and served as commander of the 177th Time Travel Division from the years 2030 to 2036.
His life story is told for the first time in “Disclosed:Chronicles of John Titor II” – a new book co-written by Canadian authors Bob Mitchell and Jason Quitt.
“In return for allowing the Greys, the Reptilians and the Tall Whites to have hidden bases on Earth with unlimited access to resources – and the U.S. never revealing to the public they exist – the ETs have provided black technology to the military beyond anybody’s wildest imagination,” Titor II said.
Titor II reveals the hidden truths behind humanity’s biggest cover-ups.
These include;
The existence of at least two different off-world colonies.
The U.S. military has a fighting force of thousands of genetically-engineered cloned super soldiers.
Who really killed President John F Kennedy?
Our timeline has been changed without us knowing it.
Humanity’s extinction and Earth’s inevitable environmental Armageddon.
Mitchell, Quitt and John Titor II will discuss their mind blowing book for the first time on Coast to Coast with George Noory on Sept. 1, the same day it goes on sale on Amazon. .
Bob Mitchell
“Once you read this book you will never look at the world the same way again,” author Bob Mitchell said. “Parts of it scared the hell out of me, especially when John revealed what our future will be like.”
“Disclosed has the potential to shake up the entire conspiracy/UFO world,” author Jason Quitt said. “People all over the world are demanding disclosure. This bookwill push the boundaries.
Disclosed:Chronicles of John Titor II is a perfect follow the international sensation “Forbidden Knowledge–Revelations of a multi-dimensional time traveler,” which was co-written by Mitchell and Quitt and released in March 2016.
“It’s important to understand that John Titor II isn’t the John Titor, who suddenly popped up on the Internet in 2000 claiming to be a time traveler with so many outlandish predictions,” Mitchell said. “In our new book, John Titor II doesn’t make predictions. He has experienced what has and is about to happen.”.
Jason Quitt
“John Titor II is the real deal,” Quitt said..
Although no longer time traveling, John Titor II continues to consult with the Department of Defense. He lives in a heavily-secured compound with 24-hour security in southern California. For the Silo, Sigmund George Smith.
How many of us have had to deal with messy, twisted and often times dangerous wires and power cords in our homes? It’s amazing how quickly an outlet can fill up and then what to do? Bryan Nooner is the owner of an Illinois home construction company and the CEO/founder of Twist and Seal. He developed the idea when he and his family could not keep their outdoor light cords dry during the holidays. It was time to develop a solution and find a way to organize all of the cords.
After trying everything he could think of to makeshift some waterproof protection, Twist and Seal was born.
Twist and Seal’s patented designs enclose connectors in a water-tight cocoon, safeguarding homes and protecting against outages and electrical shocks.
Smart cable management- The Cord Protect Green
Since its inception in 2012, the company’s family of patented products has grown to include several options in a range of sizes, including the Mini, Cord Dome, and the brand new Cord Protect, as well as the company currently taking pre-orders on the contractor-grade Maxx. Twist and Seal was awarded the “Most Innovative Product of the Year” Award three years in a row at the National Hardware Show in the U.S.
Twist and Seal is certified by the National Electrical Manufacturers Association (NEMA) and the Consumer Product Safety Commission and is made in the USA. For the Silo, Lauren Knight.
Pricing: Mini: usd $9.98 for a 2-pack Cord Protect: usd $8.95 each Cord Dome: usd $29.95 each To learn more contact:marketingdirector@thesilo.ca
Dear Reader, it is difficult to deny that a side of art making is fatally concerned with the poetic grace of the gesture – it is expected that a work should exude a cosmic and ineffable air.
Regardless of your medium, I hope this glance into the minds of two established poets from very different walks of life can help dissipate the intimidating mist between process and product, as well as remind you that the transcendent and the familiar are often one in the same.
Global spectator Meena Alexander recognizes that even in the grand art of poetry is a desire to express what cannot be said through its own means. After eight books of poems and a lifetime of travel, Alexander continues to defend her craft as the most ordinary of entities, no more inexplicable than a child’s obvious and impossible sense of language or rhythm.
New York-based Eileen Myles approaches poetry from a reserved and humble perspective, with the intent of striking a tasteful balance between metaphysical grandeur and the habitual rhythm of the everyday.
Myles, a breathing artistic currency, treats poetry as an extension of the self with the potency of a movement and the collective memory of a civilization. Myles proves that common experience and abstract phenomena are synonymous when we step back to look.
If the weight of the world seems so immense that the few strands of creativity cannot unravel, the Mayer Foundation offers emergency funding for New York artists facing economic, residential or medical turbulence. Proposals may be submitted at any time, with over two thousand dollars granted to those with concrete objectives and a levelheaded art plan.
It is easy to forget that behind the polished mirror of history is a messy and cumulative reality. There is little difference between the intelligentsia of years past and the friends sitting at your dining room table. For the Silo, Brainard Carey.
There is general disagreement on whether Indian music can be performed on the harmonium and public interest in the debate is accordingly intense, as the controversially written articles and discussions prove to this day.
The matter has evaded scientific scrutiny until now…….click the following link to learn more about the harmonium in North Indian music: Full Text PDF- The Harmonium in North Indian Musicby Birgit Abels.
When we launched XSplit almost six years ago, we set out on a mission to make live streaming and recording simple. In that time, both broadcasting and gaming changed dramatically, with the advent of new live streaming services, the birth of the Twitch Streamer, and the explosion of eSports capturing the imagination of players across the globe.
Fast forward to 2016 and the world’s top gaming personalities, eSports teams, game developers, publishers and millions of people worldwide are using XSplit to create innovative, hilarious, entertaining and meaningful content that has impacted audiences of all ages. Live streaming has helped bring people together from all walks of life, and with hundreds of thousands of new users joining us every month, that number is set to grow higher still.
Yet this is still only the beginning. Our aspirations for the future are much bigger, as we envision a world where players can seamlessly connect to one another in a dedicated space, share and create content, compete with one another and grow their own communities. To turn this dream into a reality though, we knew we needed the right expertise, technology and people to make this happen.
This is where social discovery platform, Player.me, and tournament management service, Challonge come in. Between these two services we see the potential to create a platform that connects the entire gaming community and serves the needs of all players in their daily lives.
Henrik Levring
We’re going to shake things up a bit over the coming months by combining the Player.me community and discovery engine with Challonge’s tournament bracket technology to create a future where players, content creators, eSports entrepreneurs and event organizers, can connect with one another seamlessly and beautifully.
Both Sean Fee (CEO of Player.me) and David Cornelius (CEO of Challonge), two top entrepreneurs and leaders in their field share this vision to build a connected experience, and we cannot wait to show you what’s coming in the near future. On a final note, we would like to thank our community, our partners and of course you – our users for being with us on this adventure. For the Silo, Henrik Levring, CEO of SplitmediaLabs.
Starting last month Habits Studio and QUANTUM formalized a new partnership that signaled an exciting collaboration between the Italian design studio and the Japanese innovation studio/accelerator.
With shared aspirations and values, the two companies plan to work closely to develop Internet of Things (IoT) products that breathe new life into everyday experiences. The first product created by the partnership was unveiled at the Digital Habits booth at the Salone del Mobile Milano 2016, held in Milan, Italy in April. Inspired by moon-watching, the teams introduced a unique interior lighting display, ‘Another Moon’, that showcases the delicate beauty of waxing and waning of the moon in real time.
Being enhanced through their collaboration, both companies are committed to developing future products and services that have appeal for the wider global marketplace. The partnership opens up new opportunities for both companies to incorporate global design perspectives into the earliest stages of product development.
In addition to this, QUANTUM and Habits Studio plan to leverage their partnership across a wide range of projects undertaken in conjunction with QUANTUM’s numerous partner companies.
HABITS Studio provides seamless experiences for users looking to adopt innovations and new technologies. The team includes product designers, mechanical and electronic engineers, visual and interaction designers, who together, bring their visions to life by making interactive prototypes as proof of concepts. Habits Studio has also an internal innovation platform, called ‘Digital Habits’.
QUANTUM was launched in 2014 as a division within TBWA\HAKUHODO to help foster innovative growth and exploration. It went on to establish its own brand called QM in 2015. The collaboration with Habits Studio started between QM and Digital Habits.
“We have a special link with Japan. We started working in the country in 2000 when we were still students. Now we feel somehow integrated with the habits and creativity of the Japanese people. Our design approach appears to be especially effective for Japanese advanced industries. The partnership with QUANTUM ideally fits this opportunity and the capabilities of both companies express together a whole creative heritage.” Innocenzo Rifino, Founder, Habits Studio
“Our work style at Ku-Mu (QM) is always to collaborate with partners flexibly depending on the products and services we produce. Through the project with Habits Studio, we realized that partnering with global design firms would make us enrich the products we develop with a broader perspective, especially at a time when both businesses and markets are becoming more global. Habits has lots of experiences working with global companies, including some in Japan, and we are very excited to continue our collaboration on more projects based on this partnership.” Futaba Maehara, General Manager, QUANTUM Makers, QUANTUM
I learned about the Hamilton Audio Visual Node (HAVN) a few years ago by doing the rounds during Art Crawl. Since then it’s become obvious they’re hosting some of the most innovative music and visual art in Hamilton. I sat down with Connor Bennett and Chris Ferguson at the beginning of July to learn more about the collective and discover yet another reason to move to Hamilton. Connor and Chris made it pretty clear you don’t need an invitation to join the party. Featured Title Image, The HAVN Storefront on Barton Street Credit: Ariel Bader-Shamai
Timothy: How did HAVN get started?
Connor: Um, a few of us started a band, and we were practising in the basement of a student house and when it came time to leave that house, we wanted a space where we could continue to play, and show art, and we just lucked out, our collaborator and co-founder Amy McIntosh was living above a storefront and…
Chris: …had a good relationship with the landlord and managed to get the downstairs space at a price we could afford.
Connor: That was May, 2012, we opened up just as most of us were graduating from McMaster University.
Timothy: What does it mean to be a node for the arts? Is the storefront a critical component?
Connor: It’s probably not critical, although it’s nice, it’s really nice. I wouldn’t say it’s critical because we don’t do regular gallery hours, where people can just pop in. It is nice to have the storefront space for things like art crawl. We’re off of James Street but it’s still easier to get people out as compared to a studio space.
Aubrey Wilson Quartet in February 2015, Photo Credit: Amy McIntosh
Chris: Back to your question, as to what it means to be a node. Nodes are intersection points, which denotes the collaborative nature, the interdisciplinary nature of what we’re trying to do. And it was chosen for the sake of the acronym [Laughter].
Timothy: So what are your activities?
Chris: You could put it into four categories. We do art shows every art crawl, and occasionally outside of art crawl. We do music shows two to five times a month. And then there’s HAVN Records, our cassette tape little label. There’s also some miscellaneous things that are harder to categorize. We’ve done craft nights where people come out. Or if people in the collective supply an idea and make it happen. For a little while we had a darkroom in the backroom where people could develop photos.
Timothy: What are some of the highlights from the past couple of years?
Chris: It wasn’t something that I was involved with personally but I thought the darkroom was a really cool idea. It’s not something that’s widely available and it was a DIY thing where they obtained all the equipment and brought it all together. Some of it was donated by a like-minded friend from Guelph.
Connor: One of the best concerts I’ve seen recently was hosted by Cem Zafir and his partner Donna Akrey at HAVN, and they had a percussionist by the name of Tatsuya Nakatani come in and everyone in the room was transported to a different world, it was a magical moment. Those happen a lot. We’ve been really lucky with a lot of good music.
Hagface and Zena in August 2015, Photo Credit: Tony Hoang
Chris: What was the name of the show, I think Ariel and Petra did it, with the yarn, it was kind of, performance stuff; would you consider it a successor to the Quanta_1 show, where you and Kearon…
Connor: Yeah, yeah, it’s kind of like that…
Chris: An extension of that idea. Petra and Ariel did it, how would you describe it?
Connor: It was kind of a poetic yarn installation, with figures…
Chris: …and quotations.
Connor: It was great.
Chris: Really well executed. Not something you see a lot of.
Connor: Yeah, there’s lots of highlights.
Chris: We could keep going.
Connor: Once you start thinking about it.
Chris: I really liked our show for Supercrawl last year, which ended up being themed around Cootes Paradise, the Cootes to Escarpment EcoPark System, which is a conservation effort beginning with Cootes Paradise all the way into Burlington to connect some critical natural lands. The show really nailed the peaceful nature of it. Supercrawl is very busy, there’s tonnes of people and then you come to HAVN and it’s peaceful, relaxed.
Connor: Serene.
Chris: Yeah, Judy Major-Girardin, a professor at McMaster that taught a lot of the HAVN crew, was very generous with her time and she’s a big supporter of that initiative, so she put up a gorgeous installation with sound recordings from Georgian Bay. Frogs. Printed cheesecloth. It was stunning.
Corridors, in Support of the Cootes to Escarpment EcoPark System, September 2015, Photo Credit: Ariel Bader-Shamai
Timothy: What are your objectives? What is the need or desire that you are addressing?
Connor: I’d say from the music side of things, it’s a space for outsider music, for music that doesn’t really fit in a club or a bar. It’s a small space, really intimate, so even if ten people come out it feels like a nice crowd.
Chris: Yeah, It could just be a touring band who might have trouble booking a show at a bigger venue, because they wouldn’t attract a bigger crowd.
Connor: We know a lot of people who are booking shows in Hamilton and we’re filling a bit of a void since they’re not booking these types of shows. Like free jazz, for example, there’s no venues that are booking free jazz but we will gladly and enthusiastically book a free-jazz show.
Boyhood and Holzkopf in July 2015, Photo Credit: Tony Hoang
Timothy: How did you determine the scope of your practice?
Connor: Time determined that. When I started out with HAVN I was working a lot more with Kearon on the visual arts and installation projects and with time my interests and time investments moved more towards the music. It’s a natural evolution within the group, that we’ve settled into our roles based on our interests.
Timothy: Were those interests present from the beginning, or have they been nurtured over time?
Connor: One of the reasons why this has worked out for so long is that everyone has been really passionate about creativity, and art in general, and open to all art forms. That’s been the crux of why we’ve been around for so long, and putting on shows that are successful.
Timothy: What is your current relationship with institutional structures like the university and the gallery?
Connor: Well, quite a few professors from McMaster have shown art in our space. Judy and Dr. McQueen had a show recently. Other galleries? We have good relationships with other galleries, in particular, the Factory Media Centre, because we’ve done a lot of media art, not only that, we’ve shown a lot of art there, and both Amy McIntosh and Aaron Hutchinson have been on the board there. Amy’s been involved since the beginning.
Timothy: You position yourself as an alternative, though.
Chris: It’s not an adversarial relationship, like ‘that stuff is no good.’
Connor: We just don’t want to replicate things that are being done elsewhere. I’m sure we do it all the time. But the intention is to fill a void, take a risk.
Timothy: What are the benefits and limitations associated with your present configuration?
Connor: We’ve had trouble finding grants that apply to us. That’s one challenge because we operate with no inflow of money, so it’s just tough to make it work sometimes. That’s one of the limitations.
Chris: Sometimes I wonder if we put more time into the grants whether we would begin to take a different path. Like, having gallery hours wouldn’t be a bad thing, but it would be different than what we do now, and it would mean that we would be travelling down a more traditional path.
Timothy: Can you speak of the benefits and effects of HAVN, for yourselves and the broader community?
Connor: It’s such a useful space for us as artists and musicians, that’s kind of priceless.
Chris: It’s great to have a spot that you’re part of.
The Celestial Offerings Show in December 2015, Photo Credit: Petra Matar
Connor: Ideally we’re providing a space that’s inclusive, and open, where people feel comfortable. But if I was new to Hamilton and I went to HAVN I could understand feeling intimidated because there’s all these people who know each other already.
Chris: I think it’s always hard, because you establish your audience, and your friends, and you want people to have a stake in the space, that they’re part of it, that they’re not just attending shows, but that they’re part of the community too. But you have to balance that with being open and having new people feel that they can be part of it.
Timothy: So do you have any words of advice to people who might want to start a collective?
Chris: If I had any advice it would be pretty cheesy.
Connor: I don’t know. [Laughter]
Chris: The real trick is having the right group of people.
Connor: Get lucky.
Chris: Yeah, we couldn’t have made this happen in a bigger city where the rents are more expensive.
Print All Over Me is a creative community of people turning virtual ideas into real world objects. Every three months, we release a series of silhouettes like t-shirts, backpacks, jockstraps, etc. As a designer, you can upload your own artwork to each silhouette and then offer your design for sale. Even “captcha” designs like in our collab below with EXONEMO.
Every piece on PAOM is custom made. We print the fabric first and then cut and sew. We believe that by taking fashion slowly we can: a. offer high quality items; b. produce in an environmentally sustainable way; c. (and most importantly) offer our studio employees a living wage and health benefits.
Our office and collab studio is based in New York at New Inc. – the New Museum’s incubator. Our main production studio is outside Shanghai and we have a satellite studio in Georgia, outside Savannah.
Click me to design your own captcha – antibot wear.
Supplemental-
Neilsen’s signature look- a la 1970’s 1980’s
Was Cheap Trick guitarist Rick Nielsen an early captcha-clothing pioneer?
Many people are currently looking at Montreal condos for sale, as the present boom in the property market makes it an ideal investment. As these developments continue, Montreal is also becoming more and more attractive to employees, tourists, homeowners, and investors alike.
Planning to buy a condo and make money from it? Check out these tips:
Assess your surroundings.
First, check your location and what that means for your rental property. Are you near offices? Are you in a family-friendly suburb? Are there other rental properties nearby? How much are they renting it out for? Check out the city government website for said information which can help you better estimate the possible return.
Pick a target market.
Who are you renting out your condo to? This will dictate where you’ll advertise it and how much you’ll rent it out for. Try to pick a target market that’s not particularly saturated, especially considering the area where your condo is located.
Force appreciation of your condo’s value.
Before you rent it out, you can actually force appreciation on its value by negotiating lower maintenance rates. If you can increase the efficiency of utilities like water and electricity, this will lower operating costs and increase value – making it more desirable to possible tenants.
Prepare your condo for renting out.
You have to remember that you’ll also have competition, as you’re not the only rental property available. Depending on who you’re targeting, you should make it appealing and furnish it appropriately. By doing so, you’re making it the preferred choice of consumers.
Put it out in the market.
Even if your condo is ready for renting out, that doesn’t mean you’ll automatically have tenants. You’ll need to advertise that the property available, and using the right channels is also key.
Make all agreements clear.
Be very clear about your rental agreements. Is it a month-to-month contract or are you looking at something more long-term, like an annual lease? Who pays for the utilities? Who pays for the condo fees? Make sure the agreement between you and tenants is very clear to avoid future conflict.
Rent out unused garage space.
Most condos come with a garage space, and you don’t necessarily have to include this in your rental package especially if your condo is in the city and your tenants don’t have a car anyway. You can always rent out the garage space as a lot of people are simply looking for a dependable parking space where they can park when going to work. .
Rent out unused street parking space.
If your condo comes with street parking space, you can also rent this out separately to other tenants in the building.
Consider other schemes.
Open your mind to other schemes for rental, like a weekday-only rental or short-term contracts. This is more likely to happen if your condo is located in a dense area like downtown Montreal, where you have office workers and tourists as well.
Rent it out as office space.
If your condo is the studio type, you don’t have to make it residential. You can also rent it out as office space for professionals.
BenQ America Corp., the No.1 DLP® projector brand worldwide, today introduced the Colorific™i500, a completely new way to enjoy immersive entertainment in small spaces. A compact device that combines wireless streaming, short-throw LED projection and rich integrated audio, BenQ’s i500 instantly delivers big-screen entertainment designed for today’s modern, tech-friendly lifestyles. With access to the most popular apps, the i500 opens unlimited possibilities for thousands of movies, shows, apps, games and even live broadcast — all without cables, set-top boxes or streaming dongles.
Cute as a button right? It’s only about 20cm x 9cm or 8″ x 3″
“The i500 smart projector is an entertainment game-changer,” said J.Y. Hu, vice president at BenQ America Corp. “At just 3.3 pounds and 3 inches tall just about the size of today’s tablets, the i500 is a powerful and versatile device for even the tightest spaces. Simply turn on the i500 and you’re ready to stream videos and music wirelessly for the ultimate big-screen experience anywhere.”
Thanks to its short-throw lens, the i500 projects images up to 80 inches from as close as 3 feet from the wall or screen, enabling supersized movies, shows, apps and games in WXGA (1280 x 800) native resolution. Supporting a variety of streaming content, the i500’s Colorific technology features a long-life LED light source rated for 20,000 hours without lamp replacement and is capable of projecting high-definition videos with supreme clarity and sharpness. Its vertical keystone correction means the projector can be placed at an indirect angle without any distortion — perfect for placement on a coffee table. With its contemporary gold finish, it blends in seamlessly with existing décor.
On the other side of the dual-sided device users will find a pair of 5W fine-mesh-covered chambered speakers specially tuned to produce clear voices and rich sound quality without external audio connections. When the i500 is not projecting, it can double as a powerful, portable Bluetooth® speaker system.
The i500 comes out-of-box-ready and maintains its flawless performance with the latest software and streaming apps via over-the-air live updates to provide years of unlimited hassle-free entertainment. It is preloaded with popular streaming services and apps such as YouTube, Spotify, Vimeo, Netflix, Hulu and many others. Also, with available game pad and controllers, the i500 unleashes a universe of heart-pounding games including action/adventure, strategy, role-playing and even first-person shooter games.
The i500 does all of this via wireless LAN with no other connections required, and it can play video or music content from a USB stick or display Excel, Word, or PowerPoint documents without a PC. For even more convenience and versatility, the projector offers a selection of the latest inputs, including HDMI x 1, USB 2.0 x1, USB 3.0 x 1, audio I/O as well as a mic in.
The BenQ i500 is now shipping in North America at a retail price of U.S. $749.
Ontario is offering a new and convenient way to buy alcohol products by introducing online sales through LCBO.com.
Order beer with your iphone & open it when it is delivered with your iphone case!
Starting today, LCBO consumers can buy online up to 5,000 different products from across Canada and 85 other countries. Customers can choose to have their order sent to an LCBO store of their choosing for pick up, free of charge, or choose to have it delivered directly to their home, anywhere in Ontario.
Ontario beverage alcohol producers will have access to greater “virtual” shelf space, which increases their reach to consumers who may not always have access to their product in their local store. This is the government’s latest step to expand options for buying alcohol, including the sale of beer in grocery stores last December, cider this June and the arrival of wine this fall.
Today’s e-commerce launch strengthens LCBO’s ability to generate revenue for Ontarians and continue to fund key public services such as health care and education.
Ontario is expanding access responsibly. In partnership with Canada Post, the LCBO will ensure that online orders are only handled by and delivered to adults of legal drinking age. Ontario is also developing a comprehensive alcohol policy to support the safe and responsible consumption of alcohol.
Supporting more choice and convenience for consumers, while improving opportunities for businesses, is part of the government’s economic plan to build Ontario up and deliver on its number-one priority to grow the economy and create jobs. The four-part plan includes helping more people get and create the jobs of the future by expanding access to high-quality college and university education. The plan is making the largest infrastructure investment in hospitals, schools, roads, bridges and transit in Ontario’s history and is investing in a low-carbon economy driven by innovative, high-growth, export-oriented businesses. The plan is also helping working Ontarians achieve a more secure retirement.
QUOTES
“This exciting launch of LCBO.com gives consumers greater choice and convenience while increasing opportunities for Ontario’s dynamic beverage alcohol producers. LCBO’s new e-commerce platform will continue to maintain a high standard of socially responsible distribution, while helping Ontario’s wine, beer and spirits businesses grow and create good, well-paying jobs in communities throughout Ontario.” — Charles Sousa, Minister of Finance
George Soleas
“Online shopping at LCBO.com enables us to offer a convenient customer experience in a changing marketplace. This e-commerce platform draws on our local and international supplier relationships and buying power, efficient supply chain and extensive store network– bringing our customers across Ontario better access to a world of products. This new virtual LCBO store is a natural extension of our in store shopping experience.— George Soleas, President and CEO, LCBO
QUICK FACTS
§ Up to 5,000 individual products are now available online, including exclusives beyond the LCBO’s current catalogue. The total could grow to more than 16,000 over time.
§ Consumers can have Canada Post deliver products securely and responsibly directly to their home anywhere in Ontario for $12 per order plus tax. They can also have them shipped free for pickup at any of the LCBO’s 655 stores. A $50 minimum applies to online orders.
§ The LCBO had another record year in 2015–16, with sales of $5.57 billion, up 6.8 per cent year over year. It paid a dividend of $1.935 billion to Ontario, an increase of $130 million.
§ Ontario Premier Kathleen Wynne, Québec Premier Philippe Couillard and British Columbia Premier Christy Clark recently committed to greater choice, convenience and expanded access to wines produced in their provinces through online ordering.
§ The Premier’s Advisory Council on Government Assets stated in its final report that it strongly supports the LCBO’s e-commerce launch because it will improve consumer choice.
L’Ontario lance un service de vente en ligne via LCBO.com
Des produits du Canada et de 85 autres pays au bout des doigts du consommateur
NOUVELLES
L’Ontario offre un moyen nouveau et pratique d’acheter des produits alcoolisés en offrant un service de vente en ligne via LCBO.com.
À compter d’aujourd’hui, les clients de la LCBO pourront acheter en ligne jusqu’à 5 000 produits du Canada et de 85 autres pays. Ils pourront faire livrer leur commande à un magasin de la LCBO sans frais, ou encore directement à leur domicile n’importe où en Ontario.
Les producteurs ontariens de produits alcoolisés auront accès à des rayons « virtuels » plus vastes, ce qui leur permettra d’atteindre des consommateurs qui ne trouvent pas toujours leurs produits dans le magasin de leur quartier. Il s’agit de la toute dernière mesure prise par le gouvernement pour élargir les options en matière d’achat de produits alcoolisés, qui comprennent la vente dans les épiceries de bière depuis décembre dernier, de cidre depuis ce mois de juin et de vin à compter de l’automne prochain.
Le lancement du service de vente en ligne renforce la capacité de la LCBO de générer des revenus pour la population de l’Ontario et de continuer à financer les services publics clés, dont les soins de santé et l’éducation.
L’Ontario élargit l’accès de façon responsable. La LCBO s’associe à Postes Canada pour s’assurer que les commandes en ligne sont traitées et livrées par des adultes en âge légal de boire. De plus, l’Ontario établit une politique détaillée en matière d’alcool pour appuyer la consommation sûre et responsable d’alcool.
Offrir plus de choix et de commodité aux consommateurs, tout en améliorant les possibilités pour les entreprises fait partie du plan économique du gouvernement, qui vise à favoriser l’essor de l’Ontario et à concrétiser sa principale priorité, à savoir stimuler l’économie et créer des emplois. Ce plan en quatre volets consiste notamment à aider plus de gens à obtenir et à créer les emplois de l’avenir en élargissant l’accès à des études collégiales et universitaires de haute qualité. De plus, le plan permet le plus important investissement de l’histoire de l’Ontario dans l’infrastructure des hôpitaux, des écoles, des routes, des ponts et des transports en commun et investit dans une économie sobre en carbone guidée par des entreprises innovatrices, à forte croissance et axées sur l’exportation. Enfin, le plan aide la population ontarienne active à bénéficier d’une retraite plus sure.
CITATION
« Le lancement de LCBO.com est un événement réjouissant qui donne aux consommateurs plus de choix et de commodité tout en accroissant les possibilités pour les producteurs dynamiques de boissons alcoolisées de notre province. La nouvelle plateforme de vente en ligne de la LCBO maintiendra une norme élevée de distribution socialement responsable, tout en aidant les producteurs ontariens de vin, de bière et de spiritueux à prendre de l’expansion et à créer de bons emplois bien rémunérés dans toute la province. »
— Charles Sousa, ministre des Finances
« LCBO.com nous permet d’offrir aux consommateurs un service de vente en ligne pratique sur un marché en évolution. Cette plateforme tire parti des relations que nous entretenons avec nos fournisseurs locaux et internationaux, de notre pouvoir d’achat, de notre chaîne d’approvisionnement efficace et de notre vaste réseau de magasins, afin d’offrir aux consommateurs ontariens un meilleur accès à une myriade de produits. Ce nouveau magasin virtuel de la LCBO est un prolongement naturel de l’expérience que nous offrons dans nos magasins. »
— George Soleas, président-directeur général, LCBO
EN BREF
· Jusqu’à 5 000 produits individuels sont maintenant offerts en ligne, y compris des articles exclusifs ne figurant pas dans le catalogue actuel de la LCBO. À terme, le total pourrait atteindre plus de 16 000 produits.
· Les consommateurs peuvent faire se livrer les produits de façon fiable et responsable par Postes Canada directement à leur domicile, n’importe où en Ontario, au coût de 12 $ la commande plus la taxe. Ils peuvent aussi recevoir leur commande sans frais dans l’un des 655 magasins de la LCBO. Un minimum de 50 $ s’applique aux commandes en ligne.
· 2015-2016 a été une nouvelle année record pour la LCBO qui a enregistré des ventes de 5,57 milliards de dollars, soit une augmentation de 6,8 % d’une année sur l’autre. Elle a versé un dividende de 1,935 milliard de dollars à l’Ontario, ce qui représente une hausse de 130 millions de dollars.
· Kathleen Wynne, première ministre de l’Ontario, Philippe Couillard, premier ministre du Québec, et Christy Clark, première ministre de la Colombie-Britannique, se sont récemment engagés à offrir plus de choix et de commodité ainsi qu’un meilleur accès aux vins produits dans leurs provinces grâce au service de commande en ligne.
· Dans son rapport final, le Conseil consultatif de la première ministre pour la gestion des biens provinciaux a indiqué qu’il appuyait vivement le lancement du service de vente en ligne de la LCBO parce qu’il offrira plus de choix au consommateur.
POUR EN SAVOIR PLUS
§ Communiqué et document d’information de la LCBO concernant le service de vente en ligne
§ Engagement de la LCBO envers un service de vente au détail et une consommation responsables
§ Programmes de l’Ontario favorisant la consommation responsable d’alcool
International animal protection organization, In Defense of Animals, today released its list of the Ten Worst Tanks for Dolphins and Whales in North America, with Ontario’s Marineland shamed as the worst aquarium in Canada, and second overall.
The facility is listed as having the ‘starkest contrast’ between a ‘solitary orca and beluga whale hoarding’ while Canada’s Vancouver Aquarium appears in ninth place. The Ten Worst Tanks list exposes and represents the misery and suffering of the oceans’ most intelligent and complex mammals in captivity. Whales and dolphins are subject to astonishing rates of premature death, captivity-related injuries, forced removal of babies from mothers, and solitary isolation. Many are confined to swimming endless circles in cramped tanks, deprived of healthy social groups, and forced to endure invasive reproduction techniques, polluted water, dangerous transport, and brutal exploitation of their sociable natures through “swim” and “petting” programs.
The list was selected from over 60 facilities from southern Canada to Mexico where almost 1,000 whales and dolphins are held captive for public display. “Forcing an orca to live in solitary confinement while hoarding so many beluga whales is Marineland’s tragic dichotomy, and a horrific example of cetacean captivity. It plumbs the depths in its exploitation of intelligent and sensitive animals,” said In Defense of Animals President, Dr. Marilyn Kroplick. “Even with the most modern technology, veterinary care, and infrastructure, cetaceans still suffer intensely in captivity and exhibit surprisingly high mortality rates.Please help protect dolphins and whales in the wild where they belong, by pledging to never visit facilities that imprison them.”
40+ yr old Orca “Kiska” has been in solitary confinement since 2011. photo: Natalie Lucier
Marineland’s Shame: Marineland holds Canada’s last captive orca, 40 or so year-old Kiska, who was ripped away from her family and native Icelandic waters when she was a baby. Kiska has outlived at least seventeen other orcas with whom she has shared the tank over the years. She has also been used to breed for new exhibits, enduring the death of every last one of her five children at Marineland, none of whom lived longer than six years. One of them, Kanuck, was apparently separated from her prematurely and “stored” in a warehouse, where he died at age four. Since 2011, Kiska has been kept in solitary confinement, which has no doubt caused great suffering for this highly social and intelligent cetacean. The last orca Kiska knew was a male named Ikaika, who was “loaned” to Marineland by SeaWorld for breeding in 2006.
SeaWorld became “concerned about Ikaika’s physical and psychological health” and stated that Marineland was “not meeting its obligations in veterinary care, husbandry, or training.” Citing these concerns, SeaWorld successfully sued Marineland in 2011 for Ikaika’s return, leaving Kiska alone once more. Kiska’s physical and psychological condition appears to be poor. Observers point to her severely worn down teeth from self-injurious and compulsive gnawing, dorsal fin deterioration, signs of being underweight, and intermittent bleeding from her tail as indicators of greatly compromised health. Behaviorally, Kiska exhibits lethargy, self-isolation in a tiny medical pool adjacent to the main pool, and repetitive stereotyped behaviors; strong indications of severe psychological distress, depression, and despondency. Kiska is not the only animal suffering at Marineland.
CEO John Holer has also amassed approximately 46 beluga whales, five bottlenose dolphins, 28 black bears and approximately 500 fallow deer. An undercover investigation by Last Chance for Animals in 2015 reportedly exposed belugas suffering from a litany of physical ailments, including eye abnormalities, hypersalivation, regurgitation, and a condition in some of the females causing them to rub chronically against the tank until blood was visible in the water. Lacerations and deep teeth-rake marks indicating inescapable stress-related aggression from other belugas were also noted on many of the belugas. We are also concerned about signs of severe eye irritation perhaps caused by chemically-treated water.
Later in 2015, the Ontario Society for the Prevention of Cruelty to Animals (OSPCA) made a non-public finding that questioned some of Last Chance for Animals’ claims of abuses at Marineland. But Julie Woodyer of Zoocheck has filed a new complaint with the Ontario Society for the Prevention of Cruelty to Animals documenting continued violations of the Captive Animal Care Standards at Marineland.
In Defense of Animals President, Dr. Marilyn Kroplick.
We urge the Ontario Society for the Prevention of Cruelty to Animals to act urgently to enforce minimum standards at Marineland. Belugas have certainly not evolved for millions of years to be packed into a tank – and orcas are among the most social and family-oriented species on the planet.
10 WORST TANKS: 1. SeaWorld, San Antonio, Texas; San Diego, California; Orlando, Florida 2. Marineland, Niagara Falls, Ontario, Canada 3. Puerto Aventuras Dolphin Discovery, Mayan Riviera, Quinta Roo, Mexico 4. Georgia Aquarium, Atlanta, Georgia 5. Miami Seaquarium, Miami, Florida 6. Six Flags Mexico, Mexico City, Mexico 7. Institute for Marine Mammal Studies, Gulfport, Mississippi and Unnamed new facility planned by same owner also in Gulfport, Mississippi 8. Mirage Hotel, Las Vegas, Nevada 9. Vancouver Aquarium, Vancouver, British Columbia, Canada 10. Shedd Aquarium, Chicago, Illinois
Honorable Mention: National Aquarium, Baltimore, Maryland
The Ten Worst Tanks list was produced over the past year by multiple cetacean experts and scientists to represent the myriad horrors faced by cetaceans in captivity. Facilities were examined and investigated in-person; through review of government records, veterinary records, and death reports; and via image and data documentation. For more information please visit: www.idausa.org/10WorstTanks
In Defense of Animals is an international animal protection organization located in San Rafael, Calif. dedicated to protecting animals’ rights, welfare, and habitats through education, outreach, and our hands-on rescue facilities in India, Africa, and rural Mississippi. For the Silo, Toni Frohoff, Ph.D.
I really like this album, there’s some great soundscapes but also a sparseness and edge of tension at times. The production is excellent allowing sounds to evolve and grow. Fact: you will find a variety of recorded sounds that combine with layers of noise and drone elements and this results in the expected elements of experimental but yet retains a solid coherence.
Ohms Per Swamp Cubed
This song uses field recordings and subtle noise / drone elements, it has a stripped back feel but this is done very effectively.
Melancholic Transistor
This also sounds like another field recording and has excellently layered noise / drone sounds and a subtle emerging lead which adds a great tension. My Role…
A great spoken recording, although I’m not sure where it was taken from. There’s effective layering of sounds again, and there are looping elements and bass and percussion sounds. Take note of the processing of the vocals towards the end because this is excellent too.
Laminated Numbers
The processed vocals have an ethereal, spooky feel. Again- more layering of sounds, butfor this time there’s an Eastern feel to the background sounds and the song captures the mood of a “half-heard” conversation. All of these different elements are combined really well. We Interrupt This Broadcast
The striking percussive sounds heard here are layered logically against a recording of a public news report that warns of an impending nuclear strike. There’s a effective tension to this song. Drone #4
Opens with a string type sound layered over a field recording and a warble like sound that serves to remind the listener of hand-tuning an old radio while searching for a clear station or trying to remove static caused by radio wave interference. Overall, a nice bit of tension to this song. Lo Fi Left Over Laminated Loops
This song has a big atmospheric opening, slowly evolving sounds and dense layering. Sophisticated Babble
A slowly revealed opening and then sounds panned really well create a broad stereo spectrum. This track has a sparse feel and yet the recorded vocals are richly layered. There is a sense and feel of being a removed outsider listening in from afar. Radio Waving
Strong combinations of radio recordings and noise, the layered percussive rhythm works especially well and provides a contrast to the harsher radio sounds.
There’s lots to consider here. For the Silo, Mike Fuchs. Yellow Salamand’r 4 on facebook