The PHV MAC is an ‘electronic peephole’ for your home security that takes images of anyone or anything that is out front.
Its ambient light sensor allows images to be taken up to 30 inches from the door. This battery-powered device features an LCD screen on the inside of the door to display the photos, which stores still shots as well as video on a Micro SD card and includes dates and times of when the sensor was activated. The batteries inside last for 9,000 triggers, and can be powered for a little more than 6 months. The playback feature allows you to view a time-lapsed video with all images with one press of a button.
The MAC 200 can function as a separate security camera for your home. The portable, motion-activated camera can store up to 14 months of images. You can watch over 8 hours of images with a condensed, time-lapsed 1 minute video. There are three capture modes you can choose from: motion-activated, time lapse capturing, and a hybrid mode that includes both. Activity can be set to sense anywhere between 20 feet to 320 feet between the three different modes.
Daniel Johnston is not a secret anymore. Thirteen years ago, in 2005, director Jeff Feuerzeig released the Sundance award-winning documentary on Johnston’s life “The Devil and Daniel Johnston,” his songs have been covered by renowned artists like Beck, Tom Waits and The Flaming Lips and he has also been featured in the 2006 Whitney Biennial of American Art. It seems that over the past few years the enigma that was Johnston has mutated into a proverbial “cult figure.” However this cliché is an inaccurate description. Where is the line between cult figure and pop culture icon drawn? The common theme found in essays and reviews on Johnston’s work is the examination of his mythology rather than the examination of his work. This type of analysis tends to do more harm than good: the myth swells while the work rusts.
The lack of critical texts on Johnston’s artwork is alarming considering that he has exhibited internationally and in his home country of the United States. Moreover, his work resides in numerous public and private art collections (including my own). Anyone even remotely familiar with Johnston’s work can recognize his assorted cast of unusual characters, symbols and motifs like Jeremiah the Frog (refer to images above and below), Vile Corrupt and the Dead Dog’s Eyeball. The latter image surfaces in Johnston’s early work as a result of a traumatic encounter with exactly that, a dead dog’s eyeball. In the book The Life, Art, and Music of Daniel Johnston, Johnston himself describes a childhood incident where he witnessed a dead dog hanging from a swing set: “He got himself caught on the rope and got hanged. I asked this girl where was her dog and she pointed over at him and said right there.” As the authors of the book point out, the same incident was addressed in lyrics from Johnston’s song “Catie” on the album Fun (1994):
I saw the dog hanging on the swing set
I asked the girl
Where was your doggie at?
I walked on down to see my grandpa yeah!
Well I’ve had a lot of horrors
And I’ve had a lot of fears
But the worst of horror
Is when there’s nothing here
What is fascinating about the reproduction of the dead dog’s eyeball in lyrics and illustrations is that it may be connected to the trauma Johnston experienced when first encountering the dead dog on the swing set. Trauma is characterized by an affective shock that has the capacity to wound the body and the psyche, which in turn causes anxiety, stress and other forms of neurosis. Seeing the dead dog’s eyeball during childhood might have registered trauma in Johnston that affects him well into his adult life and it could have taken the form of an obsession (fig. 4). In one particular drawing from his early work Johnston asks himself in bold text, “WHY DO I KEEP DRAWINGS [sic] THESE SILLY LITTLE EYEBALLS?” Here and elsewhere, the artist is consumed by flashbacks of the dead dog’s eyeball to the extent of being overwhelmed.
While Johnston’s manic depression and schizophrenia have been well-documented—and largely contribute to his mythic status—his encounters with trauma and its relation to his artwork have not. Keeping this idea in mind will help to better understand and appreciate the construction and trajectory of his characters, symbols and motifs. It may be time for writers, critics and scholars to take a step back, allow Johnston’s myth to rust and the impact of his work to swell. He is not a secret anymore. For the Silo, Matthew Ryan Smith, P.H.D.
Tarssa Yazdani and Don Goede, The Life, Art, and Music of Daniel Johnston (San Francisco and Colorado Springs: Smokemuse and Last Gasp, 2006). 33-34.
Random acts of kindness come in all shapes and sizes, something as simple as a smile to a stranger, or paying for the guy behind you in the cue at the coffee shop drive-thru counts. The idea is to leave someone, whether you know them or not, with a brightened day and a reminder that there are good people. There is an amazing movement happening in the artistic circles, created with the same purpose, it is called art abandonment and artists from all over are leaving behind their artworks anonymously.
“It’s something that I’ve done for a number of years now, albeit infrequently, usually on beverage napkins and the like,” says deMeng in an introduction to Art Abandonment on his blog. “About ten or so years ago I would walk to the same place by a river and leave a little charcoal drawing. So recently I started this activity up again…leaving little sketches with a note on the back”
deMeng acknowledged that he did not create the idea of art abandonment, but perhaps discovered its use as a random act of kindness as opposed to a political message used by many urban guerilla artists.
In fact, Haldimand-Norfolk artist Jarrod Barker created several guerilla art installations in Haldimand-Norfolk including one at Simcoe’s now demolished American Can property back in the summer of 2010.
ILIAD. J. Barker. Abandoned canned food factory Norfolk, Ontario.
deMeng outlined some of his theories behind the art of abandoning art and its purpose, including that its good for the heart and a little addictive once you begin and the simple fact that money is tight and giving a gift like this could encourage someone to continue to support the arts.
“I think it’s important to be able to let one’s art live beyond it’s creator, I love imagining what becomes of my art after it is gone…whether given or sold,” said deMeng.
“Some folks can’t seem to let go of their work, even when they sell it. This is a great way to learn to move on.”
The concept is very simple:
1) Create a piece of art.
2) Write or attach a note explaining it is a free gift, purposely left behind including contact information if you so wish.
3) Take a photo of your art and its place of abandonment and then sneak away unnoticed.
I myself am not an art abandoner, although if I had the time and resources I would, but I thought I could offer a unique opportunity for the abandoners I find so much joy in following on social media.
June 30, 2013 I will have departed to Peru for a ten day journey across a wide variety of landscapes including urban centers, Machu Picchu, and the Amazon rainforest.
I invited artists to send me their work in order to abandon on my journey, and I would share the photos of their abandonment locations with the artists as I continue my journey.
“Machu Picchu is on my bucket list,” said Burlington artist Heather Kuzyk who sent three art trading cards (atc) to be abandoned.
“So if I never perchance to make it there in body at least a part of my soul has been. ”I was excited by the thought of the photos I could take of the abandoned art on the Machu Picchu ruins with the beautiful Peruvian mountains sprawling in the background. Although I sincerely hope some of the finders will share of their discovery, I’m pleased just to imagine how excited I would be if I found something like that in such a magical place. For The Silo, Lacie Williamson.
Post-script: Remember to never install or leave behind work that contains string, toxic or synthetic materials, small pieces of plastic etc. Anything that can harm or interfere with the natural environment or wildlife must never be used.
Recent Ukrainian laws requiring that one in four songs on the radio be Ukrainian, not Russian or any other language, have met resistance from DJ’s who claim there is just not enough local talent. Ukrainian linguist and music lover Vira Vyrśka says there is plenty to choose from and shares her personal play list.
Can Ukraine legislate which language is spoken?
While we are on the topic of Ukraine’s aspiration to become free of Russian domination and partner with Europe, the political feud has bubbled over into new proposed language laws. But can you legislate which language people speak? Even some Putin critics disagree.
China’s pirate video underground
Unpaid subtitlers have made it possible for the House of Cards and John Stewart to become massive hits on the other side of the globe. So are they copywrite thieves or the last hold out against Chinese censorship? Meet Mr. Xia.
How beards explain international history
And you thought it was just hair. Beards have represented everything from religious extremism to masculine savagery and intellectual gravitas. A timeline of 3,000 years and 20 countries.
Yes, you can go to jail for writing poetry
Putin’s political opponents and courageous whistle blowers have been thrown off of buildings and shot in broad daylight. But they are not his only targets. Bad poetry, it turns out, is also a crime. Just ask Alexander Byvshev.
Egypt’s missing belly dancers
Where are the famous belly dancers of Egypt? A video tour of belly-dancing from its heyday in the 1920’s in Cairo to its current diminished status in the country where the art of belly-dancing was born.
The 14 best Middle Eastern musicians?
Break out your iTunes and Spotify. This list spotlight Middle Eastern music trending now in every country from Morocco to Iraq. This music will make your next dinner party or romantic evening.
Syrian warfare the computer game?
Russian game makers Cats Who Play released a new game this year based on the war in Syria in which the player must side with the regime. Did they get it right?
Chavez love culture
The cult of Chavez has only spread after his death, creating a “love culture” as annoying to some as a clingy ex-girlfriend in a small town who keeps showing up everywhere. For the Silo, Alisa Cromer.
Yes this post’s title bears repeating. The public’s appetite for failing public figures continues to be satiated. But beyond the face value of these stories, should the public have deeper concerns about their causes and what could they be indicative of beyond sexual obsession? According to Dr. David M. Reiss, what is more pertinent to analyze is the self-defeating, self-sabotage aspect of these actions, and essentially the unconscious self-hatred and hatred of anyone who cares for them (i.e., humiliation of a wife).
According to Reiss, “We are getting away from one on the true critical issue — masochism. It is the acting out of the self-hatred by politicians through their legislation and power that is actually infinitely more dangerous to the public than any particular sexual activities. What more don’t we know about their behaviors behind the scenes and what else may manifest?”
In addition, the so-called treatment for someone is nothing more than a publicity play to help “fix” the problem in the public eye. The idea of his going into an “intensive treatment program” for two weeks is a joke. Especially at age 70, with decades of this type of behavior, a program like that can’t do anything but perhaps a diagnostic evaluation and set a course for ongoing therapy – with a poor prognosis. Otherwise, it’s an insult to the idea of therapy to think that two weeks could be of any significant effect.
David M. Reiss is a practicing psychiatrist for 30 years and recognized internationally for his expertise in character and personality dynamics. He has performed more than 10,000 psychiatric evaluations; evaluated and treated patients from diverse social and cultural backgrounds, and from every occupational field. He is an in-demand lecturer and has been published and covered in academic journals as well and general consumer media. For the Silo, Alyssa LaManna.
In her youth, Wendy E. Slater found her greatest gift of expression in poetry- and then went dormant. Years later, on a trip to Scotland, the fount reopened. She had been through a crucible of chronic illness that forever changed her, launching Slater on a quest for meaning and life reexamination. That quest opened a gateway into self-healing that resulted in 20 volumes of simmering, soul-searing and spiritual poetry that deftly points humankind toward a new awareness of our Oneness with all humanity, nature, the cosmos and the divinity.
Slater’s breathtaking dive into self-scouring, cleansing and finally transcendence offers hope for all who have been pulled down by the forces of self-blame, self-judgment and self-sabotage. The beauty of her soothing words and healing revelations clears the way for a new path to life-altering Unity, emerging from the alienation of separation.
Her awakening journey began first in the 1980’a where as a student studying science, she became increasingly aware of the inter-connectedness of all things. Struck down by an undiagnosed chronic illness in 1991 that incapacitated her for five years, she turned to alternative healing techniques when allopathic medicine failed her. This widely ranging exploration of holistic health and spiritual practices opened her eyes to a new way of being, brought forth consistently by healers from all societies and eras- an existence without “the false archetype of perfection.”
Says Slater, today a gifted alternative healer herself: “When blame and self-judgment are transformed, healed and cease to be, we have reawakened without myth, the mythos, of separation.”
It was on that one heart-opening trip to Scotland in 2001, that the poetry coalescing inside of her during that healing period began to pour forth. In subsequent trips to spiritually enriched landscapes, the words found their way to paper. Slater calls her work “Vision Quest” Poetry.
Into the Hearth, Poems-Volume 14, is actually the first of her volumes to reach publication. And it is already a widely-acclaimed Amazon.com #1 Bestseller:
“This is a very dangerous book of songs. You will find yourself overwhelmed, engulfed, and swept away into the very intimate heart fire of Wendy Slater, the feminine heart fire of love, and in the end you will be left in ashes, totally in love without any object whatsoever, yearning for more.: ~ John A. Perks, Author of “The Mahasiddha and His Idiot Servant,” Ven. Seonaidh Perks, Celtic Buddhist lineage
“Wendy E. Slater is that breed of poets who open our eyes, our hearts, and our minds with a warm arm around the shoulder, a sympathetic and empathic delivery that instantly binds the reader to her. These poems, quite simply, are eloquent, not only because they are offered with a desire to invite us to join her on the path to enhanced perception of the world and our place in it, but also because she manages to infuse that sense of spiritual respect that is so often absent in contemporary poetry.” ~Grady Harp, Amazon’s Hall of Fame, a Top 100 Amazon reviewer.
In the Hearth by Wendy E. Slater is available from Amazon.com and also on Kindle. To learn more about “Vision Quest” Poetry visit Traduka.com
If we’re living in an oxymoronic age (and it seems indeed that we are), then Ballasox footwear by corso como makes a lot of sense. Women’s fashion has never been off limits for innovation, experimentation and whimsy but today’s designs are also driven by comfort and economy.
That’s a lot of parameters to hit and with that in mind, let’s take a look at Ballasox- just one of many interesting lines of high fashion women’s footwear from corso como.
We decided to focus on two styles that represent interesting designs and coincidentally are the high and low price point in the Ballasox line: the Micaela with straps priced at $129 (usd) and the Prince priced at $60(usd). Fun! That’s a word we don’t often use when highlighting fashion. There are wonderful pop elements found in these shoes. Looking at the Micaela one is reminded of 1970’s Punk movement. The dog collar like strapping, the chrome studs and red and black leather colour scheme have an attitude that works. Especially if you’re pounding the streets on a busy weekend or hopping onto a motorcycle.
A still from the 1986 punk biopic film Sid and Nancy-
The Prince has a simple design and we adore the Warhol-like camo/snake patterning. Perhaps you’ve heard of Stephen Sprouse and Monica D Murgia’s recent camo design dresses? In the 1980’s Sprouse worked with Warhol and those designs were just slightly ahead of themselves. Contemporary television shows like Duck Dynasty and the mega-mall staple BassPro have changed all that. Camo isn’t just for your Dad to wear to the lodge- it’s become ubiquitous as Warhol predicted.
Check out the snakey Camo print in this closeup detail of the Prince
Back to the Prince. So this little shoe is not as unassuming as it first appears.
There is a pedigree and history of aesthetic design that is a part of its look. Yes, it’s technically a snake skin design but the type of snake chosen must have been carefully considered and settled on because this shoe would not look out of place paired with a Sprouse/D Murgia Camo dress. Now that’s a combination we’d love to see. For the Silo, Jarrod Barker.
Zylia, the Poland-based manufacturer of audio recording technologies, will host a workshop on 3D/360 music production and sound design during GameSoundCon 2018, today and tomorrow at the Millennium Biltmore Hotel in Los Angeles. Zylia co-founder and CTO Tomasz Żernicki will lead the workshop, focusing on the use of third-order Ambisonics spherical microphone arrays, such as that in the innovative new ZYLIA ZM-1, to capture a 3D full-sphere audio scene for gaming or ambient sound production.
“Use of a spherical microphone array to enable single-device capture of a full sound scene with high spatial resolution is a recent and significant advance in audio recording technology — and one that opens the door to 3D audio production opportunities for both professionals and amateurs,” said Żernicki. “We’re excited to be sharing this technology with GameSoundCon 2018 attendees and to be providing them with useful techniques for capturing 3D sound in Ambisonics format and for working with live sound in VR applications.”
During the Zylia GameSoundCon workshop, Żernicki will demonstrate how just one spherical microphone array can record an entire 3D sound scene and then separate the recording’s individual sound sources for multitrack editing in post production. The numerous physical microphone capsules within the spherical array effectively enable users to work with software-controlled virtual microphones with adjustable direction and spatial characteristics. By isolating particular sounds, cutting out interesting areas of the sound space, and zooming in on particular sound objects, this kind of sound representation allows for soundscape modification in post production and simplifies ambient or Foley sound preparation.
Żernicki will explain how sound recorded by third-order Ambisonics spherical microphone array can be converted into the Ambisonics format and used in 360-degree movies — particularly virtual reality content on Facebook 360, YouTube 360, or game engines — in which listeners can rotate the whole sound scene. He also will discuss usage of 360 sound with the combination of binaural or surround loudspeaker reproduction.
As an audio expert, Żernicki focuses his professional interest on 360/VR music production, spatial sound processing, and recording. He holds doctorates in electrical and electronic engineering, and he takes an active role in the Moving Picture Experts Group (MPEG) standardization committee. He also has made significant contributions to audio compression standards such as MPEG-D USAC and MPEG-H 3D Audio.
GameSoundCon is dedicated to game music, sound design, and virtual reality audio. Throughout the conference, Żernicki and other Zylia experts will be on hand to discuss 3D/360 sound applications, as well as the company’s ZYLIA ZM-1 spherical microphone array, ZYLIA Studio PRO VST/AU plugin, and ZYLIA Ambisonics Converter.
TORONTO — In March 2019, the Royal Ontario Museum (ROM) brings visitors an exhibition of rarely-seen royal treasures from Marwar-Jodhpur, one of the largest former princely states in India. The ROM will be the final North American destination and the exclusive Canadian venue forTreasures of a Desert Kingdom: The Royal Arts of Jodhpur, India. This exhibition, organized by the Museum of Fine Arts, Houston, with the collaboration of the Mehrangarh Museum Trust, India, will be on display from March 9 to September 2, 2019.
“As a leading centre for scholarship and expertise in South Asian art and culture, we are delighted to give visitors the unprecedented opportunity to explore a part of India’s rich cultural history that has rarely been seen,” says Josh Basseches, ROM Director & CEO. “This landmark exhibition will not only captivate audiences, it will also offer a deeper understanding of India’s artistic heritage and its continuing influence today.”
Treasures of a Desert Kingdom features nearly 250 artworks and objects from the kingdom of Marwar-Jodhpur, located in the northwestern state of Rajasthan. The exhibition traces the kingdom’s cultural history as it was continually reshaped by cross-cultural encounters. Lavishly-made ceremonial objects, opulent jewellery, textiles and tapestries, palace furnishings, architectural treasures, and a monumental 17th-century court tent showcase the history of Marwar-Jodhpur and the Rathore dynasty that ruled the region for more than 700 years.
Drawn primarily from the collections of the Mehrangarh Museum Trust and the private collections of the royal family of Jodhpur, the exhibition marks the first time that most of these treasures have been seen beyond the palace walls.
Dr. Deepali Dewan, the exhibition’s coordinating curator and ROM’s Dan Mishra Curator of South Asian Art & Culture says: “This exhibition will be a special experience because most of the treasures are coming from Jodhpur itself. Treasures of a Desert Kingdom tells the story of an incredibly dynamic, cosmopolitan, and influential kingdom that saw art and culture as a critical aspect of rule. Jodhpur flourished, despite the odds of being in the middle of a desert, because they made strategic alliances, opened their borders, and allowed for a diverse culture. These are lessons still relevant today. This enthralling presentation demystifies our notions of life at the royal court, while highlighting India’s multifaceted past and its contemporary cultural landscape. There will be something familiar and something surprising for everyone.”
On view in Garfield Weston Exhibition Hall, Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India explores numerous thought-provoking themes, including the cross-pollination of new ideas through art and culture; the strong influence of women in the royal court; the importance of royal patronage; and the powerful role of art as tools of diplomacy.
The ROM engagement follows the exhibition’s run at the Museum of Fine Arts, Houston and the Seattle Arts Museum.
Treasures of a Desert Kingdom: The Royal Arts of Jodhpur, India is a separately ticketed exhibition. ROM Members enjoy free admission and exclusive opportunities to experience ROM exhibitions and programs. For the Silo, Anne Vranic.
Featured image- MFAH Exhibit Peacock in the Desert photo: Houstonia
My name is Olga and I’m a Virtual Reality VR artist/sculptor based in Toronto,Ontario. In 2016 I was hired by Google to create VR experience for YouTube Plus event. This was my first introduction to Google Tiltbrush. I live painted the Toronto skyline in front of hundreds of people.
Since then I was involved in Google projects and many other events and conferences. My VR works were featured on national media chains such as the CBC and Space Channel. I would very much like to share them with you as well. Since Russian is my native language, I often prefer to speak through video and if a picture is worth a thousand words then a video must be worth even more.
I am very passionate about this new medium. I have talent and humor and would love to work on big VR / AR art project. Perhaps there are others like me, looking to collaborate? I would be happy to hear from you.
Put Breastfeeding on the map! As a species, we have survived because of breastfeeding. With the advent of corporations devising infant formulas to help moms who return to work, or to help moms who can’t breastfeed, and to help dads feel bonded to their babies – formula in Western Society has become the expected way to feed your baby.
But does the choice to breastfeed or formula feed define your ability to be a mom? Absolutely not.
So, why do we celebrate World Breastfeeding Week for an entire week around the world (First week of October in Canada)?
We celebrate what has been passed down to us through evolution (or creation). We have breasts to feed our children. They weren’t positioned to hold up strapless gowns, nor were they created for the purpose of pleasing our mates.
There have been 2 or 3 generations in Canada who haven’t breastfed. Much knowledge has been lost.
Thanks to the La Leche League and more recent peer-to-peer groups, mother-to-mother support is filling the hole made by the lack of breastfeeding knowledge among family members, and the relative lack of medical information in our medical systems. For years, doctors and hospitals have been visited by formula company representatives. This does not make the doctors knowledgeable about breastfeeding. They only learned to give a bottle when there was an breastfeeding issue.
Many doctors today still do the same thing. Push the formula and don’t give mom breastfeeding support. I’ve heard them. Clients also tell me. They need support in their choices, not a heartbreaking way out.
There is no money in breastfeeding. A Lactation Consultant could spend time visiting doctors like formula companies do, discussing the risks to formula feeding (and those risks are many and documented). She would not have money to leave freebies at the office – pens, measuring tape, free samples. There is no money for breastfeeding promotion.
How will the doctors and nurses learn? I know recent grads from medical schools who were given 3 hours of breastfeeding education over the course of their studies. Clients who take classes with me also get 3 hours but I wonder which is of better service?
This is one reason why we celebrate breastfeeding for a week: We need to let people know about the damage the marketing of formulas has done to our psyche and to our general health.
This is not about being “mom enough.” This is about remembering that biologically and physiologically speaking, the normal way to feed our children is by breastfeeding. Celebrate World Breastfeeding Week in October. This is not about any ‘mommy wars’ which are born and bred by the media. This is about helping women feel happy in their choice to breastfeed – under a blanket or not. This is about getting letting every know that breastfeeding needs to be seen and celebrated, if only this one week a year. Stephanie MacDonald.
Play Golf Better Faster is out and unless you’re Arnold Palmer or Tiger Woods you’ll want to read this to get the best tips, strategies and more good-to-know content to improve your golf fame. Barlis’ book is organized into three sections: Using Your Brain, Practicing Your Game and Playing Your Game. You’ll feel your golf game improving with every page you turn. So in lieu of spoiling the need-to-know material in Play Golf Better Faster, here are some tips you can read until you get your hands on Barlis’ new book.
Kalliope Barlis New book: Don’t Chop Wood, Drive the Spike
PGA advises “If you put a log on the ground and asked someone to take out a chunk of wood from the log they would most likely swing the ax into the log at an angle and create sliced out section from the log. This action is done with an abrupt angle of attack into the wood log.”
Calculating the wind before you swing may sound like a no-brainer but it’s a necessary reminder and can take years to really get down pact. Don’t be afraid to make a few waist-high practice swings to get the feel and stricter for your hit. Then pick your target area and move it according to the wind. Once you become a more seasoned golfer you will learn the wind strengths and you may even be able to detect the pattern the wind is blowing in. Just remember that practice makes perfect.
Mind Power
Like most sports, golf can be as much mentally challenging as it is physically. It’s important to keep a clear mind so you don’t end up getting in your own way. Simple exercises you might have learned back in elementary school can be perfect for this scenario. If you’re stressing out about your score or your next shot take a deep breath in, hold it for 10 seconds and exhale -this strategy has been proven to help quell stress and panic. Another method is to wear a rubber band around your wrist and every time you start feeling anxious you snap the band. You’re not punishing yourself for stressing out -you’re actually training your brain! The small unpleasant feeling will eventually be linked to negative thoughts and soon without even thinking, your subconscious will start to repress those negative thoughts.
If you are considering taking your first steps onto the property ladder, you basically have a choice between purchasing a condo or purchasing a house. Which is right for you depends on your circumstances and wants/needs.
A condo encompasses more elements of apartment living which can have both its benefits and drawbacks, and it is important to weigh these up before you make a final decision and take on what is a huge financial undertaking. Why not check out the Mirvish + Gehry condocomplex to see an example of what’s on offer and then come back here to find out more about the pros and cons?
#1: No Mowing the Lawn
One of the biggest pros of living in a condo is that there is very little to look after aside from the general cleanliness of your home, and even then, there’s not a whole lot of that in comparison to a house. Less square footage means less cleaning and no garden means you don’t have a lawn to mow, a garden to tend to or a roof to repair when things start to go wrong. This leaves you with more time to do things which you truly enjoy.
#2: A True Sense of Community
When you are living in a condo building, there’s a true sense of community between you and your fellow residents, especially when there are communal areas such as lounges and game rooms. This is much better than living in a street where people keep themselves to themselves and don’t get involved with each other. You will make more friends and develop relationships.
Image- liherald.com
#3: It Can Be Quite Noisy
The obvious downside to living in a condo vs. a detached house is the noise factor. When you live in a condo, you are adjoined to other people’s homes and sometimes there can be problems arising due to noise. Although modern condo buildings have good sound insulation, it’s not perfect and this is an important consideration if you are somebody who doesn’t like the slightest bit of noise from other people.
#4: You Can’t Choose Your Neighbours
Although you can’t pick your neighbours with a house, it’s easier to avoid them. When you live in the same block as neighbours whom you don’t like, avoiding them can be difficult as you are forced to share certain parts of the building with them. Although there can be a great sense of community, this can work in the other direction and be more of an inconvenience than anything else.
When it comes to deciding between buying a condo and a house, the decision can be very hard to make. It requires a lot of careful thought before you dive into it – you’ll probably be living in your condo for several years and it’s important to make the right choice. There are many other pros and cons associated with living in a condo vs living in a house, so before you commit to anything, carry on doing your research. For the Silo, Dimitry Karloff.
“Career colleges have a strong proven track record and are among our province’s most efficient paths to employment. They should be rewarded by a reduction in the costly and time-consuming regulatory burden they currently experience so they can be freed to take on students looking to gain access to the job market.” Barrett Image: thewordforge.com
When I wrote this, Ontario was in the midst of an unprecedented jobs crisis and in need of sensible and affordable solutions. One avenue is to improve our colleges and universities.
Ontario’s system of higher learning must reflect the requirements of jobs in the present and the future. And it must reflect today’s economic realities.
Students recognize an academic education is often not enough – it must be coupled with employable skills. Some 80 percent of college applicants cite “career preparation” as a major reason for enrollment – something they may not have considered when they were making their post-secondary choices in high school.
The path from high school graduation to employment is often far longer and more expensive than it needs to be, thus inefficient for both the student and taxpayer.
Currently 35 percent of all new jobs in Ontario go to college graduates and apprentices, and only 26 percent go to university graduates. Many university students end up in the college system after learning how adept it is at teaching job-ready skills. To encourage more students to choose college first, we must create more options and paths for these students and improve the credit transfer system in Ontario. This would allow for part of the degree to be done at the college level and part of the education delivered through a university.
By improving the credit transfer system using online education to create bridging courses between institutions, students who take a course at one institution can be brought up to speed at another – – smoothing the move between institutions that deliver different course content. The online courses should be designed to assess whether students meet the standard at the new institution, whether they are moving from a college to a university or from a university to another university.
Language labs have shown that technology is effective for educating, distant or not. In this photo, Undergraduate Ted Glomski, a third-year Chinese student, practices writing Chinese characters on a tablet PC computer in the Learning Support Services (LSS) Language Learning Lab. For fifty years, LSS has provided technology support to language classes, evolving from the language tapes and foreign films of old to mp3s, DVDs, wikis, blogs and touchscreens. photo: Michael Forster Rothbart
We need to be creative with programs that meet the expectations of students but also offer them at an affordable price.
In response to the growing demand for online learning, university and college programs can be taken at home using the internet. Universities and colleges do offer degree programs online that are flexible, cost effective and allow you to learn on your own time. They feature online instructors who help and provide feedback as you progress through the course.
We should encourage colleges to offer applied three-year degrees and limit the proliferation of four-year degrees in the college system. For example, a Bachelor of Applied Technology Degree is designed to teach leadership roles in the construction industry – – a program that meets a job market need, and is clearly suited to the college sector. Encouraging more three-year degrees like this one would allow colleges to cater to a student market looking for strong credentials without creeping into the degree market best served by universities.
Career colleges have a strong proven track record and are among our province’s most efficient paths to employment. They should be rewarded by a reduction in the costly and time-consuming regulatory burden they currently experience so they can be freed to take on students looking to gain access to the job market.
With these sensible and affordable solutions, improving Ontario’s colleges and universities will most certainly lead to better jobs. For the Silo, Haldimand-Norfolk MPP Toby Barrett.
If you enjoy French fashion, art and film and coloring books, sharpen your pencil crayons and prepare to be inspired by two French icons of unparalleled creativity: fashion designer Yves Saint Laurent and playwright and filmmaker Jean Cocteau in these two funky adult coloring books.
“The chicest stress reliever ever.” —Buzzfeed
This elegant, imaginative colouring book explores the dynamic, fanciful creations of iconic fashion designer Yves Saint Laurent, who headed the House of Dior at age twenty-one before launching his own design house at age twenty-five.
The book’s line drawings for colouring are based on many of fashion designer’s original sketches for dresses over the years. In these pages, one can see the breadth and versatility of his creations with designs inspired by harlequins and the Carnival of Venice, Pop Art and Mondrian, and the cultures of Asia, Africa, and beyond. Colourists have much breadth and versatility to design creations of their own, with the accompaniment of full-colour photos of the dresses for reference.
This book is produced in conjunction with the Fondation Pierre Berge-Yves Saint Laurent, dedicated to preserving and promoting the history of the House of Yves Saint Laurent.
JEAN COCTEAU COLOURING BOOK
The Jean Cocteau Coloring Book brings the fanciful, elegant world of artist, playwright, and filmmaker Jean Cocteau to life, serving as a primer on the work of this inspiring artist.
As a playwright, Cocteau is best known for The Human Voice (1930); as a filmmaker, he directed Beauty and the Beast (1946) and Orpheus (1948). A prominent member of the Paris avant-garde (1910s), he formed friendships and professional relationships with Picasso, Stravinsky, Gide, and more. His paintings and graphic art were playful, fantastical expressions exploring mythological themes and subjects, personal portraits, and domestic scenes.
Cocteau’s graphic drawings are ready to be coloured in, alongside original illustrations for reference. Also included are images from the original film poster for Beauty and the Beast, playful doodles that Cocteau included in letters to his lover Jean Marais, and drawings of Parisien women, cats, sleeping figures, circus performers, and other figures emanating from Cocteau’s imagination. For the Silo, Cynara Geissler.
Yves Saint Laurent Coloring Book
ISBN: 978-1-551526-39-3
$12.95 list USD | CDN
US distribution by Consortium
Canadian distribution by UTP
Canadian sales by Ampersand Inc.
Jean Cocteau Coloring Book
ISBN:978-1-55156-40-9
$12.95 list USD | CDN
US distribution by Consortium
Canadian distribution by UTP
Canadian sales by Ampersand Inc.
LOS ANGELES (September, 2018) – Following years of campaigning by In Defense of Animals to end the barbaric fur trade, Los Angeles is making history by becoming the largest city in the world to ban fur sales. Los Angeles’ City Council today voted unanimously to draft an ordinance outlining a city-wide fur ban.
“Los Angeles’ historic move to ban fur sales today is likely to herald the end of the barbaric fur industry for good,” said In Defense of Animals President, Marilyn Kroplick M.D. “This major city sets global fashion and culture trends, and has sent a message to the world that animals should not to be abused for clothing. We are delighted by this significant victory for animals, the public, and activists and organizations around the world who have exposed the cruel fur industry.”
Los Angeles’ fur ban ordinance will prohibit the sale of apparel and accessories made in whole or in part of fur, including coats, handbags, shoes, hats, and jewelry. Retailers will be given a two-year phase-in period. The fur ban ordinance will need to be approved and signed by Mayor Eric Garcetti before officially becoming law.
Councilmembers Paul Koretz proposed the ordinance and highlighted the far-reaching impact of this ban, stating to the chamber, “Other big cities will see what we’re doing and follow our lead, and pretty soon there will be no big cities in which you can buy a fur coat anywhere in the United States.”
4 million Los Angeles residents and nearly 50 million tourists who visit the city every year will be affected by the ban, making it the world’s most significant fur sales restriction to date.
Los Angeles’ ban follows fur sales bans in San Francisco, Berkeley, and West Hollywood. More than 20 countries worldwide have taken national legislative action against fur including the UK, Austria and the Netherlands.
The Los Angeles fur ban builds on years of dedication and hard work of California activists including several members of In Defense of Animals who have spent many years of their lives fighting fur and hosting Fur Free Friday events every year without fail.
In Defense of Animals is an international animal protection organization with over 250,000 supporters and a 30-year history of fighting for animals, people and the environment through education, campaigns and hands-on rescue facilities in India, Africa, and rural Mississippi.
The Province of Ontario boasts 444 municipalities, including the City of Toronto, which provide critical services for people in Ontario.
On August 14, as an elected representative, I voted in favor of Bill 5 – Better Local Government Act. Our goal as government was clear then, and we remain committed to that same goal today: to have Toronto, which is Ontario’s largest municipality and a major economic engine for both the province and the country, move away from a dysfunctional council system, a broken system that has difficulty with decision-making, a broken system that gets very little done.
Toronto residents deserve an efficient council that gets things done on big issues like transit, infrastructure and housing.
Having 47 Toronto councilors in one room is dysfunctional. For example, after days of debate at the committee level, city council took 15 hours to pass its 2017 budget – 15 hours of going back and forth and back and forth on a document that was already nearly set in stone, 15 hours to express opinions expressed numerous times before on the record. And after all that, council passed a budget that created a $2-million budget hole that meant it had to hastily draw from a reserve fund.
Over a month ago, we passed Bill 5 as an answer to the unacceptable public policy stalemates at Toronto city hall. However, due to a ruling by a Superior Court of Justice, we made a decision to replace Bill 5 with new legislation. However, on September 19, we received news the Ontario Court of Appeal concluded, “…there is a strong likelihood that the application judge erred in law and that the attorney general’s appeal to this court will succeed.” The court of appeal’s tentative conclusion was that, “Bill 5 does not suffer from constitutional infirmity.”
Our government concurs with the Stay, which goes on to recognize the change voted in by Bill 5 is undoubtedly frustrating for candidates who are campaigning in 25-ward boundaries. However, the frustration is not enough to persuade that there is substantial interference with their freedom of expression.
The inconvenience candidates will experience because of the change from 47 to 25 wards does not prevent or impede them from speaking their mind about the issues arising in the election. The Stay indicates candidates have no constitutionally guaranteed right to the 47-ward system, and Bill 5 does not deprive them of their constitutional right to speak on civic issues.
Over the summer, there has been much debate and many views expressed, including many former politicians. Christy Clark, the former Premier of British Columbia, has expressed support for our legislation. She said people all across Canada, not just in Toronto, are wondering why governments can’t move things faster.
Former Premier of Saskatchewan Brad Wall understands why we need to act and to be able to use the legal tools that are available to us.
Similarly, Former Premier of Quebec Jean Charest pointed out that the political gridlock and dysfunction at Toronto city hall is known far and wide.
With the date of the municipal election rapidly approaching, we need to take action – October 22 is just a few weeks away – to provide greater certainty for everyone and to ensure the election in Toronto proceeds. For the Silo, Haldimand-Norfolk MPP Toby Barrett.
For as long as I can recall, I’ve wanted to write original music, never being a fan of jumping into a covers band and playing someone else’s music. I never understood why anyone would want to, apart from maybe doing a remake or remixing a song. I’ve done a few stints, and have friends currently in covers bands… fantastic players and performers.. and I respect that…. but it’s just not for me. Usually I find that the instruments themselves are the drivers that motivate and provide me with the inspiration for ideas that might eventually become songs on an album. That’s even more relevant now with all the choices one has in electronic instruments, VSTs, DAWS, etc.
Voice Industrie Founder Alain Levesque
Years ago, electronic instruments were far less intuitive and user friendly, but we managed to squeeze every ounce of functionality they offered to break new ground and explore things not otherwise possible on acoustic instruments. With Voice Industrie, I write and produce all the songs, mostly because I know what I’m after, and to a lesser extent because nobody has ever offered to co-write a VI track. I’m not entirely sure how that translates in the grand scheme of things lol…. But here we are six albums into it since 1992.
My name is Alain Levesque and I am primarily a self-taught drummer who “learned his chops” by playing along to Pink Floyd, Yes, Genesis and King Crimson records many years ago. Suffice it to say Bill Bruford quickly became my idol and mentor. I loved how he approached drumming then and right up until the day he retired. I was determined to form or find a prog band to play with until Gary Numan came along and then things changed. I became fascinated with synthesizers and electronic music and began producing crude experimental electronic works in addition to maintaining my role as a drummer/songwriter for a prog trio we named Roboxis. Fast forward to 1992 after a few short-lived projects and solo outings, and the formation of Voice Industrie, which included 2 drummers on electronic pads and 2 keyboardists armed with what resembled an entire music store’s synth department.
Back then “VI” performed live only about 4 times a year, including some very memorable outings with 2Unlimited, KMFDM, Cassandra Complex, Assemblage23, SNFU and many other very good established or upcoming bands. Today, VI consists of a trio that includes a full time drummer on a Simmons SD2000, a keyboardist and myself on Simmons and Nord pads, Keyboards and vocals. We recently held the “Dreams Of Flight” album release in Edmonton and Calgary. While VI has ventured south to the USA, we have yet to travel overseas. Maybe next year?
The Technology We Use And Embrace
In the early days I owned a Star instruments “Synare3” pad and was happy messing about with that, until the Simmons SDSV electronic drums arrived in 1984 everything really opened up. I was able to play melodies on those pads with sticks in hand while holding down the kick/snare back beat with my feet. I could contribute melodies and play harmonies to guitar or keyboard lines. Great fun, until the draw of commercially viable music lured away my mates, and thus Roboxis was to be no more. I continued to acquire synths and Simmons gear as it came available, making the task of creating music from a drummer’s perspective somewhat less difficult, and ultimately managed a decent studio filled with electronic drums, racked modules and keyboard gear.
Voice Industrie Simmons SD2000 electronic drumset
Through the years the equipment roster has undergone changes and upgrades, but with much of the now vintage gear still serving my needs. The first two VI albums were written on and recorded directly off an Ensoniq ESQ-1 and Ensoniq EPS. A change to Cakewalk DOS (!!) was made at album #4, and I have used a number of DAWs [Digital audio workstations commonly known as ‘recording on a computer or laptop using a software program CP] until really finding my groove with FL Studio and Cubase.
I have a few “go to” VSTs but still draw on sounds generated by vintage outboard gear such as the Simmons SDS7, SDE, MTM, Korg Wavestation, Ensoniq VFX-SD and others for inspiration. I quite enjoy randomly layering multiple instruments with MIDI to see what ensues, like playing the Nord Drum2 and Simmons SD2000 MIDI’d to a VST or Virus TI. I am never quite sure what will ensue. For the past few albums, I have forced myself to toss away familiarity when writing. Only by subjecting oneself to discomfort and unfamiliar territory will one experience unexpected results. This couldn’t be more true with the latest album, where a lot of it emerged from accidents and bending the rules lol. I love that!
Let’s cut right to the chase: Do you know what’s in your lunch? We were curious, so we decided to investigate further.
We tested popular foods such as Cheerios, a Tim Hortons bagel, Ritz crackers and Fontaine Santé hummus and the results were overwhelming: 80 per cent of the foods tested contained the harmful chemical glyphosate. Glyphosate, Canada’s top-selling weed killer and key ingredient in Monsanto’s product Roundup, is of particular concern because of its links to cancer.
The unchecked use of glyphosate and widespread contamination of the foods that you and your children eat every day is not acceptable.
Just last month, a California court ruled that Monsanto’s glyphosate–based pesticide, contributed to an American citizen’s cancer. The court case revealed documents showing Monsanto manipulated scientific research and downplayed the risk of its products for decades. This case is just one of several thousand lawsuits against Monsanto (now owned by Bayer).
In Canada, the Pest Management Regulatory Agency (a department of Health Canada) recently reauthorized glyphosate for another 15 years. We are calling on the federal government to bring our outdated toxics and pesticide laws into the 21st century and remove harmful chemicals like glyphosate from our food. With your help, we can make this happen. For more information check out this report at whatsinyourlunch.caFor the Silo, Muhannad Malas.
Blundstone wearers are devoted- its not that unusual for the artist types to even sketch their beloved, worked-in Blunds…. sketch: Richard McLean image: redbubble.com
A pair of Blundstone boots has a way of replacing a big chunk of your everyday footwear. Not only because Blundstone boots are so functional, but also because these are boots you want to wear every day. The two-tone styles aim to appeal to those who like a bit more colour in their fashion choices. Blundstone’s two-tone styles give you the same fantastic quality in a more colourful package.
“In the past, we’ve played it safe with neutral colours like Classic Black, Steel Grey and Rustic Brown,” says Ian Heaps of Blundstone Footwear. “The two-tone boots are perfect for those who want the same great quality, durability and functionality of the classic Blundstone boot, but with a little extra edge and a pop of colour.”
Blundstone Canada CEO Mr. Ian Heaps
Blundstones are widely recognized for their practicality and adaptability as footwear, but they are also an extremely versatile fashion accessory. All styles are unisex, and the sleek look of the boots make them compatible with anything from jeans or shorts, to slacks and even skirts. The two-tones styles are available in women’s 6 to men’s 14 sizes.
#1319 Rustic Brown with two tone sole from Blundstone Boots Fall line.
….and the devilishly stylish #1316 Red and Black with two tone sole.
About Blundstone
Blundstones have been available in Canada since 1993 at Australian Boot Company and other retailers, and now sold at over 600 locations across Canada. Tin Shack is the exclusive Canadian distributor of Blundstone, located in Collingwood, Ontario. Founded in Vancouver in 1998, Tin Shack distributes footwear made by Blundstone, Pty, of Tasmania, Australia. Founded in 1870, Blundstone is Australia’s leading manufacturer of quality footwear and remains a family-owned company to this day. Blundstones have been toughing it out for no-nonsense, go-anywhere, do-anything types seeking comfort, durability and rugged style. Boasting pull-on comfort, Blundstones are all-weather, lightweight, durable and no-gimmick footwear. For more information, visit www.blundstone.ca.
Finnair and Helsinki Airport have been connecting East and West for 35 years via Helsinki. To celebrate this achievement, the two have released a short film, the first one of its kind – made by an airline and an airport. The short film East and West Side Story speaks of meaningful encounters that take place when people travel.
East and West Side Story follows a famous writer in need of personal privacy, while the whole world wants to have her in the limelight. The story plays on three continents, spacing from the US to Korea and ending in Finland. As the film’s title East and West Side Story suggests, the film has two directors: Young-Wok Paik aka “Wookie” comes from Korea and Johan Storm from Sweden. The two directors both give their point of view on the same story, produced by B-Reel Films (Bergman: a Year in Life). The leading roles are played by Anne Bergstedt (Boardwalk Empire, Black Swan) and Jae Hoon (One Day Maybe).
East and West Side Story is an excellent example of modern companies using branded entertainment to tell more emotional stories and reach an even wider audience around the world. The short film premiered last night in a very special event at Helsinki Airport, where an aircraft hangar was turned into a movie theater for one night. The guests were hosted by Renny Harlin, the established Hollywood filmmaker and one of the most sought-after directors in China.
Artificially intelligent humanoid robot, Sophia, will make her first comic convention appearance at the first annual Ogden UnCon June 7-9, 2019. Sophia the Robot, the masterpiece of Hanson Robotics (www.hansonrobotics.com), has captivated nations and has become an internet sensation. Sophia has met with world leaders, addressed the United Nations, appeared on TV shows such as The Daily Show and The Tonight Show starring Jimmy Fallon, and has graced the cover of Cosmopolitan, ELLE magazine, and more. Now, this modern marvel is coming to Ogden, Utah to meet her fans and kick off Ogden UnCon’s first event.
Ever since her unveiling in 2016, Sophia has quickly rocketed to stardom. Sophia is Hanson Robotics’ most advanced human-like robot, created by combining breakthrough innovations in robotics, AI, and artistry. The epitome of artificial intelligence, Sophia is endowed with remarkable expressiveness, aesthetics, and interactivity, and can simulate a full range of facial expressions, track and recognize faces, and hold natural conversations with people.
Just like Ogden UnCon, Sophia shares a remarkable, unique and unexpected story that captivates and surprises, making her the perfect headliner for our inaugural year.
“Sophia is the personification of the comic con spirit.” says Russ Adams, Ogden UnCon founder. “She is science fiction, fantasy, technological marvel, and superhero come to life. And we are honored she is making her geek-dom debut at Ogden UnCon.”
Fans attending Ogden UnCon will have the chance to engage with Sophia as she greets them on celebrity row, performs on multiple panels and parties with other celebrities and VIP ticket holders at the UnCon VIP Party. Other celebrities such as Naomi Grossman of American Horror Story, Amy Hill of Preacher, Neil Kaplan of Voltron: Legendary Defenders, and many more who have yet to be announced, also round out the show’s guest list.
“Ogden UnCon is going to be a huge event for Ogden,” shares Ogden Downtown Alliance’s Danielle Collier, “not only will it bring guests to share in all Ogden has to offer, but it will drive our local economy, add excitement in a different realm and create an opportunity to celebrate arts and culture.” This three-day event will bring $700,000 USD in economic impact to local businesses.
Ogden UnCon is focused on bringing unconventional shows, panels, workshops and celebrity guests to Northern Utah. As Ogden’s “Untamed & Unconventional” popular culture con, this convention seeks to inspire and support local artists while entertaining and thrilling our community.
Innagural Ogden UnCon June 7-9, 2019 Ogden Eccles Conference Center 2415 Washington Blvd, Ogden Utah 84401
Tickets for Ogden UnCon go on sale October 1, 2018. To see a full celebrity lineup and purchase tickets visit OgdenUnCon.com. Stay up to date with happenings and announcements by following @OgdenUnCon on Facebook, Twitter and Instagram.
Hanson Robotics Limited (HRL) is an AI company dedicated to research, robotics and the creation of the world’s most realistic humanoids. We quest to create robots with intellect, empathy and wisdom, traits future AI technologies and robots will need in order to solve some of humanity’s toughest problems. Led by renowned roboticist, sculptor and former Disney imagineer David Hanson, HRL recently received the prestigious 2018 Edison Prize for Robotics. For more information, please visithttp://hansonrobotics.com.
The Brant Community Charity Airshow is a little gem for aviation buffs and each year, on the Wednesday before the Labor Day Weekend, fans have a chance to see and hear something unexpected either in the sky or up close on the ground. This time around I decided to walk to the eastern limit of the ground space- I hadn’t expected to find one of my personal favorites – the de Havilland Vampire Jet Fighter.
Waterloo Warbirds Team Coordinator Ramona Ostrander and the de Havilland Vampire.
Ramona Ostrander explained what makes this World War 2 era jet (the Vampire first flew in 1944) so special.
A few years ago, in September 2015, 193 countries signed up to support the UN’s 17 sustainable development goals for our planet and the people that live on it. The all-encompassing plan included promises to end poverty, feed everyone, create stability and peace, provide quality education and protect the future of our world. Every man, woman and child on the planet were invited to play their part to turn 17 goals into action and the promises into reality.
Goal 4 promised to achieve inclusive and equitable quality education for all. “OECD countries have generally been successful in guaranteeing adequate infrastructure and near-universal access to basic education,” says Andreas Schleicher, Director for Education and Skills at the OECD. But he notes that participation in education is not enough “to ensure the knowledge, competence, skills and attitudes that are necessary to increase individuals’ well-being and the prosperity of modern societies.” He adds that the OECD’s programs have a key role to play “in the achievement of – and measuring progress towards – SDG 4 and its targets, as well as other education-related SDG targets.”
“Just because poverty or pollution or climate change happen in another country far away, that does not mean that we are not part of the cause of these problems and their necessary solution.” — Thomas Gass
Since September 2015, education leaders and other influencers around the world have encouraged schools to promote all the goals. We’ve talked to teachers that acknowledge there’s nothing like real world challenges and case studies which allow students to apply the knowledge skills and dispositions they will need to succeed in an interconnected world.
How are we all doing so far? What have leaders learned from the implementation journey, and as a new school year begins, how can we build on those lessons to improve our efforts to achieve our planet’s plan moving forward?
Thomas Gass was appointed by the UN Secretary-General as Assistant Secretary-General for Policy Coordination and Inter-Agency Affairs in UN DESA and he took office on 3 September 2013. The Global Search for Education welcomes Thomas Gass.
“Educators have an essential role in making sure the SDGs become a real social contract with the people.” — Thomas Gass
Thomas, please share one or two of the most important lessons you have personally learned spearheading the SDG’s implementation process thus far? It’s simple: The SDG’s are not a run-off-the-mill development strategy for big international organisations to fix the problems in the South… The SDGs are a shared vision of humanity – they are the missing (vision) piece of our globalization puzzle! This means that they can only be implemented if everyone is involved: Governments of course, but also municipalities, private companies, schools and universities, local organisations and individuals – everyone. Now, that can only happen if the people know about them… So mobilization and advocacy are crucial. The SDGs must become a new social contract between leaders and the people.
Leaders agreed that we must change the way we deal with the weakest among us, i.e. that we take the greatest care of those who are weak. What more would you ask of the leaders of rich and poor countries in terms of being good role models for this important part of the vision?
The promise to leave no one behind is the most difficult commitment of this new social contract. It requires that we all seek to understand who the most vulnerable people are and what risks they face, and then systematically empower these people and build their resilience. Political as well as economic leaders need to understand that sustainability has been redefined: If a significant economic or social group is left behind, our development is not sustainable. By the same token, we are fooling ourselves if we think that any single country or private company can be “sustainable” by itself. The SDGs demand that we are honest with ourselves about our ecological and social footprint! Just because poverty or pollution or climate change happen in another country far away, that does not mean that we are not part of the cause of these problems and their necessary solution.
“Know your #SDGs/#GlobalGoals and hold adults and leaders accountable for them, push back if they try to make you believe that your country, language, tribe or family is greater or more deserving than the others, and look for opportunities to make a difference yourselves.” — Thomas Gass
What more would you ask of educators in the work that lies ahead?
Educators have an essential role in making sure the SDGs become a real social contract with the people. I have the highest esteem for those committed educators who are bringing the SDGs into the classrooms, and educating younger generations to become global citizens. I firmly believe that this can be done as part of any teaching subject or class. I encourage all educators to join movements and co-create resources such as teachsdgs.org, GCEDclearinghouse.org, etc., and to encourage OECD/PISA to align their Global Competency criteria to the SDGs by 2018.
And finally, perhaps most important – what is your message to youth for the school year ahead on their part in the planet’s plan?
Here is my message:This world is your world to share and enjoy. As Mahatma Gandhi said: “The world has enough for everyone’s need, but not enough for everyone’s greed.” Know your #SDGs/#GlobalGoals and hold adults and leaders accountable for them, push back if they try to make you believe that your country, language, tribe or family is greater or more deserving than the others, and look for opportunities to make a difference yourselves. Thank you Thomas. For the Silo, C. M. Rubin.
What would it be like to listen in on a discussion on new materials/textiles by a director at NASA, an entrepreneur focusing on branding for dogs and an international superstar in fashion? It may sound odd at first thought, however, in the fashion industry today everyone is linked through technology – which nowadays is every brand’s biggest competitor.
Marcelo & Jordana Guimaraes (husband and wife) are the founders of FASHINNOVATION – an event bringing the thought leaders in the fashion and technology industries in front of an audience to discuss topics including production/manufacturing, sustainability, textiles/technology, branding/design, e-commerce, celebrities in fashion and “fashion-tech on the rise”(startups). These conversations will take place in moderated panels sharing a common goal: to spark the entrepreneurial mindset through inspiration and knowledge.
FASHINNOVATION will take place during New York Fashion Week on September 12th, 2018.
“I’ve been involved in the entrepreneurial eco-system throughout my life – always with a focus on technology. The challenge with the fashion and technology industries, is having them always inter connected to have a finger on the pulse of the latest innovations – making things exciting and thought provoking. With the merge of ideas, the outcome is unimaginable” says Founder, Marcelo Guimaraes.
A look back at an earlier NYC Fashion week show-
Confirmed to participate are: Vice President of Shopify/Co-Founder of Shopify Plus – Loren Padelford, Co-Founder of Ministry of Supply – Gihan Amarasiriwardena, Global Fashion Industry Leader & Partner at IBM – Karl Haller, Best-Selling Author & Host of TV Show: Elevator Pitch – David Meltzer, Designer/Founder at Kris Harring – Kris Harrington, Co-Founder of Bolt Threads – David Breslauer, Fashion Designer (Project Runway season 11 & All Stars) – Layana Aguilar, Art Creative for MAC make-up & Fenti by Rihanna – Jason Naylor, Founders of HICKIES (collaboration w/ DVF) – Mariquel Waingarten & Gaston Frydlewski, Co-Founder of M.Gemi – Ben Fischman, Executive Director at FIT’s Infor Design and Tech Lab – Michael Ferraro, Co-Founder of Universal Standard – Alexandra Waldman, Founders of Haerfest – Tim & Dan Joo, Founder of ByBorre (NIKE & Louis Vuitton collabs)– Borre Akkersdijk, Founder of Zee Dog – Thadeu Diz, Co-Founder of WindowsWear – Jon Harari, Program Executive at NASA – Jenn Gustetic and Founder of Fashion Tech Consortium – Michael Reidbord. Institutions in participation include Singularity University (NYC Chapter) and Endeavor. Part of all proceeds will be donated to NFTE.
“It’s exciting to see the positive feedback on FASHINNOVATION from leaders in the fashion and tech industries. We have additional confirmations on the way ranging from fashion personalities to platinum record superstars – the eclectic mix of people and companies participating, will ensure that everyone who attends walks away with knowledge that is unmatched” says Co-Founder & PR Director Jordana Guimaraes.
The event will resume with a cocktail networking reception, with live performances by: “violin superstar” who’s performed w/ Beyonce, etc. – Ezinma and singer/songwriter Heather LaRose – recently hitting 1 million streams online & best known for her song “New Moon” featured on MTV’s “Teen Wolf”.
Back in 2012 The Silo reported on a dark novel titled Zurabia. That book held a plot that seems less like fiction with each passing year. Corrupt bankers, a practically valueless dollar, hyper-unemployment and underemployment, home-grown terrorism, the uptick in natural disasters and the overall lack of trust in our most important institutions – these are some of the reasons all North Americans should be very, very concerned, according to author Peter Dash a world-traveled researcher for Harvard University’s Center for International Affairs.
Peter Dash and his novel
“I predict a brutal world ahead of us,” says Dash, author of “ZUrabia,” a book about rogue forces taking over the world’s most important institutions. “Unfortunately, I have been right since my research at Harvard in 1986, when I questioned the viability of government institutions to meet general needs and growing problems, both domestically and abroad.”
The pragmatic holiday shopper this year will purchase items to safeguard their families against these threats, which have been long in the making and won’t disappear quickly, he says.
From Dash’s homepage- a map of Zurabia complete with mountains and a mushroom cloud. Biblical ! CP
“Terrorism wasn’t inaugurated with 9-11; extremism in Muslim sects has been growing for decades, and Neo-Nazi groups are starting to flourish in failing states like Greece,” he says. “The dollar has been steadily losing its value since the creation of the Federal Reserve in 1913; climate change has been on the radar for quite a while; and there have been greedy bankers since, well, banks have existed.”
“If you’re confident that everything is sure to be okay, then you’re not paying attention,” he says.
He offers a four-point survival strategy for holiday and everyday shopping:
• Gold is good: The dollar has lost 95 percent of its value in 100 years, and it will continue losing value. As
the Reserve continues to flood money into the system, thereby reducing current or potential value, more inflation is inevitable, acting as yet another tax on wages. So, collect and buy any gold that you can and consider spending federal notes while they’re still worth something to businesses. Think about your
jewelry, and buying more. Silver is a good option if gold is too expensive, and there are Exchange Traded Funds, or ETFs, that are backed by physical gold. A reputable banker or broker can help explain for those who are interested. “TD Ameritrade or Charles Schwab may be good places to start getting information on gold and silver ETF trading,” according to Dash.
• Inflation: Spend your money now or smartly invest it before you lose it. Remember, banks often give clients less than one percent on many accounts, but inflation on food and real items we use, like gasoline, are going up by much more. In essence, your banker is stealing your money through the assistance of the Fed, which is killing your savings rate by cheapening money. As if to pour salt on this wound, the bank,
in many cases, lends money at four percent or higher. Rerouting some bank savings/wages by investing in canned food, for example, may protect you against the scourge of food inflation, as well as other disasters.
• Worthy purchases: With food and water, a failed society puts a premium on additional goods. They include home insulation, gardening tools and materials, computer programs and language learning kits – perhaps Spanish or Chinese – because of the increasing prominence of other cultures. Guns, security systems and other measures to protect one’s home will likely prove extremely valuable should law enforcement be spread too thin, or fail as an institution.
• Buy in bulk: Places like Wal-Mart or Costco will help you get the most value with large purchases of food. It’s important to be well-stocked if something happens that results in the emptying of grocery markets, but remember to have adequate space in your house, apartment or cabin for a “safe” room, which is part of a sound strategy for protecting you and your family.
Peter Dash has been a teacher, professor and corporate trainer for the last 17 years, working in Saudi Arabia, the former Soviet Union and China. He has an applied science degree in forestry from the University of British Columbia and a Masters in applied teaching from Southern Queensland in Australia. He was a researcher in world (dis) order and youth groups at Harvard University’s Center for International Affairs, started by Henry Kissinger. He follows the investment field intensely, focusing on commodity funds and trends.
Fifteen percent of his book’s royalties will go to needy students consistent to the many years Dash has worked in assisting voluntary youth organizations. He lives on a small tropical island that is stocked with the finest well water, fish and food. Dash invests in Gold ETFs and commodity trading companies.
I first took notice of this film because of where I live- which is not that far away from Long Point, Ontario, a mecca for birdwatchers. I find that it’s a more immersive experience to watch a movie that is connected thematically in some way to the sorts of activities that the area I live in has to offer. This reinforces the suspension of disbelief while watching and serves to supercharge the imagination. If you live in a seaside community and you’ve ever watched Jaws followed by a bit of swimming you know exactly what I mean.
Back to the birds
The main story arc of The Big Year goes a little like this: A ready-to-retire-but-not-quite-sure-its-the-right-time-to-retire businessman and a mid-thirties-divorced-unemployed-savant (he can identify any bird just by hearing a few notes of its birdsong) aim for beating the current single year record of bird sightings. In the parlance of the ‘birding’ community, this is known as doing a ‘big year’. The current record holder, played by Owen Wilson, is the rock-star of the ‘birding’ community and is completely obsessed with stopping anyone else from beating his record- even if this means missing the birth of his child and ruining his second marriage.
Highly competitive obsession
Jack Black, Steve Martin and Owen Wilson in the The Big Year.
I always believed that birding was a slowly paced albeit serious hobby but this movie turns the notion on its head. The story develops and moves quickly. The characters are highly competitive and race against each other as the suspense and intensity builds.
The Big Year is satisfying, clever and funny . If you are a birder there is a good chance that you will love this movie (especially if you can relate to the obsessive compulsive behavior of the main characters) but then again you might end up blaming this movie- you might decide on doing a big year and to hell with anything and anyone in your path. For the Silo, Doug McKenzie.
Jack Black’s character feeling bad (but not that bad) about Steve Martin’s character picking up the dinner tab.
The PHV MAC is an ‘electronic peephole’ for your home security that takes images of anyone or anything that is out front.
Yes, you can go to jail for writing poetry
The ROM engagement follows the exhibition’s run at the Museum of Fine Arts, Houston and the Seattle Arts Museum.
Put Breastfeeding on the map! As a species, we have survived because of 
Here is my message: This world is your world to share and enjoy. As Mahatma Gandhi said: “The world has enough for everyone’s need, but not enough for everyone’s greed.” Know your #SDGs/#GlobalGoals and hold adults and leaders accountable for them, push back if they try to make you believe that your country, language, tribe or family is greater or more deserving than the others, and look for opportunities to make a difference yourselves. Thank you Thomas. For the Silo, 
