I have been following, with some amusement, the media firestorm unleashed since the Canadian Broadcast Standards Council decided in mid-January that the classic, 25 year old Dire Straits song Money for Nothing must be censored. According to the CBSC, times have changed and the word “faggot” is now inappropriate for Canadian airwaves. The CBC, National Post, and newspapers from Edmonton to Ottawa have all weighed in, including our own Simcoe Reformer, expressing outrage over the censorship of a critically acclaimed work of art and, well, political correctness just generally gone mad. While I agree that this is a censorship issue, you have to dig to find commentary about why it’s such an interesting one.
If you put the lyrics together with the music video, the song appears to be written from the perspective of two furniture and appliance movers watching the early days of MTV at work. They are making their case to one another, colourfully, that rock stars get their “money for nothing” (you’ll recognize the song title) and their “chicks for free—” the implication being that if these two very hardworking fellows are getting any “chicks,” it’s because they’ve paid for them. The lyrics at the centre of the debate are as follows:
“The little faggot with the earring and the makeup (ya buddy, that’s his own hair).
The little faggot’s got his own jet airplane. The little faggot is a millionaire.”
Now that really is a lot of “faggots” for family hour, to be sure. But in context, the song does not read as homophobic. On the contrary, it is a parody of some hard-talking, blue collar guys and their feelings about rock stars—written, remember, by rock stars (and yes, that is Sting on background vocals).
I was in high-school when this song came out and I can’t tell you how many jocks and future frat boys sang it to me on the bus, thinking they were making a cruel and clever joke. The irony wasn’t lost on me. They weren’t paying attention: not to the song, or to themselves, or to the disconnect between their affection for makeup and leotard wearing glam-metal bands like Poison and Cinderella—even Motley Crew—and calling me “gay” for dressing like I was in The Cure. But I guess that’s more hypocrisy than irony, and this is starting to become revenge.
Here’s another level of irony: censoring the word “faggot” actually neuters songwriter Mark Knopfler’s commentary on, if not homophobia, then at least a kind of prejudice based, seemingly, in resentment. Knopfler’s characters—and that is what they are—see the stars of MTV as representative of an easy life, as far away from their backbreaking drudgery as the moon. Looked at in this way, they are not quite the same as the blustery boys on my school bus. But they have something in common: for them, calling someone a “faggot” isn’t necessarily a comment on sexual orientation. It’s more a measurement of traditional masculinity.
But what about blatant racism? There’s another line in this song that’s not even part of the current censorship debate. “What’s that,” our refrigerator movers continue? “Hawaian noises? They’re bangin’ on those bongos like a chimpanzee.” OK, apparently there have been no angry calls to the Standards Council about that line. If there was any doubt before, Knopfler’s picture of these men is now crystal clear…if you’re paying attention.
The moral of this story? I’ll tell you my favourite: It is a dangerous thing to release a controversial work of popular art that requires careful reading. And one question remains: who taught the brainiacs at the CBSC to read? JS
CBSC is the Canadian Broadcast Standards Council, who act to ensure that an acceptable code of operation is met for media broadcast. This means that they control what you and I are “allowed” to hear and see. If you agree that censoring a classic rock song because it has been misinterpreted is wrong, please add a “like” to the link on our Facebook wall. It seems that Canadians have been blocked from viewing the unedited Dire Straits Money for Nothing video from Youtube as well, so here’s a little gem to enjoy instead. – Content Producer