“Love is a big and wonderful idea, but life is made up of small things. As a kid, you have nothing to do with the way the world is run; you just have to hurry to catch up with it.”

Heather O’Neill’s first novel, Lullabies for Little Criminals, is a firsthand heartbreaking account of growing up. Told through the eyes of a young girl as she matures, the novel navigates through the perils of maturing in a harsh, and at most times, unforgiving world.

The story revolves around a young girl named Baby. Baby lives a nomadic life with her father, Jules, in urban and rural Quebec. Motherless and often neglected by her drug addicted, yet loving, father, Baby is left to her own devices.

As the story evolves, Baby ages and rapidly enters into young adulthood. Going from carrying around her dolls around in a vinyl suitcase from apartment to apartment to blossoming into an attractive young woman, Baby struggles to understand her place in her small world. Tempted by a dominant male figure when her father begins to distance himself from her, Baby begins to quickly get lost in an adult world she is not ready for.

Perhaps one of the most striking elements of this story is O’Neil’s ability to capture and depict the young mind at work. We have all been there—young and confused. Baby epitomizes this perfectly. O’Neil’s writing is full of heartbreaking realizations that, at one time of another, we have all come face to face with.

“From the way people have always talked about your heart being broken, it sort of seemed to be a one-time thing. Mine seemed to break all the time.”

Silo Direct Link to Fictionwriting’s interview with Heather O’Neil

A captivating read that will absorb its reader from the very start, Heather O’Neil’s Lullabies for Little Criminals, is one that will capture your imagination and stir your senses. For the Silo, Sarah Purdy.