Donald Trump was born into the real estate business in 1946 in New York City where his father, Fred Trump, was a developer. Donald got a jump-start in the business while he was still in college in the 1960s working menial jobs at his father’s lower middle-class apartment complex in Cincinnati. In 1971, he moved back to New York City where he took over his father’s company changing the name to The Trump Organization and earned a reputation as a fast-rising real estate tycoon on hotel, condominium and casino projects. In 1986, he made a deal with New York City Mayor Ed Koch to renovate Central Park’s Wollman Rink. The ice skating rink was going on its seventh year of renovations when Trump volunteered to finish and finance the restoration with his own money. He completed the job in just three months.
With his business success and wealth, Trump owns a roster of mansions. His main home is a posh three-level penthouse at Trump Tower on New York’s Fifth Avenue where he also runs his vast business operations. Also in the Gotham area, in 1996 Trump purchased a 60-room mansion in Bedford, New York with three pools and a bowling alley. He later bought Albemarle, a 23,000-square-foot mansion, vineyard and winery on 2,000 acres in Virginia for $12.7 million, a fraction of the original asking price of $100 million. Trump also keeps a large home on Rodeo Drive in Beverly Hills.
When he isn’t running for president, firing someone or saying something controversial, Trump relaxes at his Mar-A-Lago mansion in Palm Beach, Florida that he purchased in 1985 for $10 million. The 1920’s mansion with 62,000 square feet and over 100 rooms was originally built for Post Cereal heiress, Marjorie Merriweather Post. Trump upgraded it to a private resort with initiation fees of $100,000, annual dues of $12,000 and nightly rates up to $3,000. Mar-A-Lago guests have included Bill Clinton, Regis Philbin, Tony Bennett and Barbara Walters.
Trump was only 35 in 1982 when he and wife, Ivana, purchased their first mansion, a 5.8 acre home on a peninsula in Greenwich, Connecticut for $4 million. Always a family-oriented business, Ivana was also remodeling the Plaza Hotel in Manhattan in the early 1980s and was able to incorporate many of the same materials in the decoration of their new home creating a residence dripping in gold leaf, elegant chandeliers and crown moldings. When they divorced in 1991 after 15 years of marriage, Ivana won the mansion in the property settlement. She sold the Greenwich home for $15 million in 1998, and the mansion’s new owners immediately began a renovation to tone it down to more livable neutrals and added tennis courts as well as a 4,000-square-foot addition which includes guest suites, a lap pool and a sauna. It is currently for sale at $54 million.
Originally built in 1939, the 19,773-square-foot Georgian Colonial-style main house and a guest house have eight bedrooms, thirteen baths, a three-story rotunda foyer with double grand staircase, formal rooms overlooking views of the pool, grounds and Long Island Sound, home theater, a putting green, multiple terraces and patios, tennis courts and three fully-equipped staff apartments.
Awaiting a new Greenwich billionaire resident, Donald Trump’s former Connecticut mansion with major additions, six waterfront acres and private boat dock. The listing agent is Tamar Lurie of Coldwell Banker in Greenwich, Connecticut.
Real estate is never boring at TopTenRealEstateDeals. Check out today’s most entertaining, important and unusual real estate news stories of the week. News such as “Obama Vacation Home For Sale,” “Bacall’s Dakota Apartment Sells At Big Profit” and “New York’s First Penthouse.”
COSTA MESA, Calif. — BenQ America Corp., an internationally renowned digital lifestyle solutions provider and professional gaming monitor pioneer, today introduced the company’s all-new XR3501 curved gaming display. Designed to provide a more immersive gaming experience, the 35-inch panel brings gamers a dramatic 2,000R curvature — the highest of any LCD monitor — as well as a lightning-fast 144-Hz refresh rate, ultra-wide 21:9 aspect ratio, and BenQ’s RevolutionEyes™ technology — allowing gamers to experience enhanced visual comfort, a larger viewing area, and seamless peripheral views for a more authentic sense of engagement with today’s dynamic content.
“BenQ’s new XR3501 monitor is set to transform gaming into a faster, wider, and more engaging all-around experience,” said J.Y. Hu, Vice President, Business Line Management at BenQ America Corp. “Featuring a 2-meter curvature, a fast-action refresh rate, and a 2560×1080 resolution, the panel provides breathtaking visuals that surround users with edge-to-edge excitement. Players will experience their favorite games in an entirely new way while features such as Black eQualizer, RevolutionEyes technology, and PIP will definitely put them ahead of the pack.”
BenQ’s XR3501 monitor has been designed for casual gamers looking for a more enveloping gaming experience. With over 20 options for color vibrance, the VA panel provides higher color reproduction with better viewing angles, which proves vital when using such a large curved screen by adding an extra layer of color optimization. Users can also adjust color levels directly via OSD or DisplayPilot for complete color control. Using Black eQualizer, the panel brightens darker scenes within games without over-exposing white levels — giving gamers the advantage of seeing details more clearly than their competitors, while picture in picture allows multiple sources to be connected and viewed on the monitor. With a focus on “Eye-Care” and visual comfort, the XR3501 is equipped with BenQ’s RevolutionEyes technology. Featuring ZeroFlicker™, the monitor eliminates flickering at all brightness levels, reducing visual strain to provide a more comfortable viewing experience. When combined with the device’s built-in Low Blue Light modes, the monitor also successfully filters the exposure of emitted blue spectrum light — effectively reducing eye fatigue and elevating gaming performance to provide exceptional visual comfort, even during long hours of gaming or dynamic content viewing.
BenQ’s curved XR3501 monitor is now shipping across North America at an MSRP of USD$999. Details on BenQ’s full line of gaming monitors can be found at http://gaming.benq.com.
About BenQ America Corp.
The BenQ digital lifestyle brand stands for “Bringing Enjoyment ‘N’ Quality to Life,” fusing lifestyle with technology, enjoyment with productivity, and aesthetic design with purpose-built engineering. It is this mantra that has made BenQ the No. 1-selling projector brand powered by TI DLP® technology in The Americas(1). BenQ America Corp. offers an extensive line of visual display and presentation solutions that incorporate the very latest technologies. The company delivers a broad range of Colorific™ projectors, RevolutionEyes™ monitors, interactive large-format displays, mobile audio products, cloud consumer products, and lifestyle lighting for any application and market — education, home, gaming, enterprise, government, house of worship, digital signage, A/V, and IT — with cutting-edge models that lead the industry in performance, reliability, environmental sustainability, and aesthetics. Whether it’s interactive digital whiteboards for classrooms, full HD 3D projectors for home theaters, short-throw projectors for boardrooms, interactive flat-panel displays for digital signage, or LED-backlight monitors for professional gaming, BenQ continues to defy the limits of digital displays. The company’s products are available across North America through leading value-added distributors, resellers, and retailers.
(1) Based upon Q1’15 Quarterly Projector Shipment and Forecast Report from PMA Research
About BenQ Corporation
Founded on the corporate vision of “Bringing Enjoyment ‘N’ Quality to Life”, BenQ Corporation is a world-leading human technology and solutions provider aiming to elevate and enrich every aspect of consumers’ lives. To realize this vision, the company focuses on the aspects that matter most to people today — lifestyle, business, healthcare, and education — with the hope of providing people with the means to live better, increase efficiency, feel healthier, and enhance learning.
Such means include a delightful broad portfolio of people-driven products and embedded technologies spanning digital projectors, monitors, interactive large-format displays, audio products, cloud consumer products, mobile communications, and lifestyle lighting. Because it matters.
About BenQ Group
The BenQ Group is a $22+ billion powerhouse comprised of nearly 20 independent companies operating in over 30 countries across numerous industries with a combined workforce of over 100,000 employees. Each Group member is a recognized leader in its own field, contributing to the BenQ Group’s vast resources, broad R&D, and distinct strategic strengths. By leveraging each company’s vertical specialization to create true scale across horizontal markets, the BenQ Group controls a highly efficient value chain with the unrivaled ability to deliver critical components and world-class solutions in the following industries: TFT-LCD, green energy, fine chemicals and advanced materials, lighting, IC design, precision components, system integration, branded business, and service. The Group is committed to profitable and sustainable businesses that share its long-standing vision of Bringing Enjoyment ‘N’ Quality to Life. The BenQ Group companies are: BenQ Corporation, AU Optronics Corporation (world’s top manufacturer of large-size TFT-LCD panels), Qisda Corporation, Darfon Electronics Corporation, BenQ ESCO Corp., BenQ Materials Corp., BenQ Guru Corp., BenQ Medical Center, BenQ Medical Technology Corp., BenQ AB DentCare Corp., Daxin Materials Corp., Dazzo Technology Corp., Forhouse Corp., Lextar Electronics Corp., LILY Medical Corp., and Raydium Semiconductor Corp.
All trademarks and registered trademarks mentioned herein are the property of their respective owners.
The Jewish High Holidays are a time when family and friends come together to share a meal and celebrate the new year. Paris-trained pastry chef, Paula Shoyer created the essential baking book for that provides desserts and breads perfect for any Jewish holiday or dinner. THE HOLIDAY KOSHER BAKER has desserts that follow the latest trends but also recipes that remind us of those our grandmothers used to make – but with Paula’s distinctively modern and healthier twist.
Even modern Jewish bakers gravitate towards traditional Jewish recipes when they bake for Rosh Hashanah. Maybe it is because Rosh Hashanah, one of the most significant holidays of the Jewish calendar, deserves baked goods that are central to the rich Jewish culinary tradition. These classics include rugelach, strudel, babka, honey and apple cakes, and, of course, round challahs.
“I have always tried to honor tradition, because I want my children to grow up appreciating classic Jewish food, but I have tried to vary the recipes to make them more interesting to a modern audience,” Paula explains. Paula’s take on babka are mini babka bites, she turned honey cake into crunchy biscotti and below recipes for a strudel that combines fresh and dried fruit, and challah rolls filled with the classics: apples and honey.
This New Year, sweeten up your dinner table with two of Paula’s delicious recipes:
(Recipes from The Holiday Kosher Baker by Paula Shoyer Sterling / November 2013)
Apricot and Berry Strudel
Makes 2 rolls, serves 10
For this recipe, I took apple strudel, a delicious dessert that has been absent from holiday tables since my childhood, and instead substituted berries and dried fruit for the apples. You could also make this dessert with plums, or substitute dates or dried figs for the apricots. You will have enough filo to double the recipe and can easily double the filling to serve more people. I always thought the filo came in large boxes and needed trimming, but recently learned that it also comes in smaller, about 8 X 12-inch, sheets. They are easy to work with and were used to make the cute rolls pictured here.
1 cup dried apricots, chopped into 1/3- inch pieces
1 ½ cups (6 ounces) blackberries or blueberries
3 tablespoons sugar
1 tablespoon cornstarch
1 pound filo dough (8 X 12-inch sheets), thawed according to package directions
Spray oil
Preheat oven 350°F. Line a jelly roll pan with parchment. Set aside. Place the chopped apricots and berries into a medium bowl. Add the sugar and cornstarch and toss lightly. Set aside.
Have ready a clean, damp dish towel. Place a large piece of parchment paper on the counter. Take the filo out of its package and unroll. Separate one sheet and place on top of the parchment. Spray with the oil. Place a second sheet on top and spray again. Repeat with two more sheets. Cover the remaining filo with the damp towel.
Place ½ of the filling along the long end of the filo, two inches from the edge. Fold the right and left sides (the short sides) in one inch. Starting from the side with the filling, roll up tightly until you have a long log. Place on the baking sheet. Repeat to make another log.
Bake for 40 minutes, or until lightly browned on top. Let cool and cut into two-inch slices. Serve warm or at room temperature. Store covered at room temperature for up to two days. Reheat to serve.
Apple and Honey Challah Rolls
Makes 24 rolls
I filled these delicious rolls with cooked apples and honey, which we eat at the beginning of the meal and wish everyone a sweet new year. Almost every year on Rosh Hashanah I host at least 25 people in my home. I give each guest their own small plate with a challah roll, apple slices and small bowl of honey to save some of the time that slips away when passing these essential holiday elements around the table. Perhaps I invented these challah rolls that are filled with sautéed apples and honey to further streamline the entire beginning of the meal?
Dough
1/2 ounce (2 envelopes) dry yeast
1/2 cup warm water
1 cup boiling water
½ cup cold water
½ cup plus 1 teaspoon canola oil, divided
1 tablespoon salt
2/3 cup plus 1 teaspoon sugar, divided
3 large eggs
1 teaspoon pure vanilla extract
2 teaspoons cinnamon
6 ¼ to 6 ½ cups bread flour
Apples
5 Gala or Fuji apples
2 tablespoons oil
1/3 cup light brown sugar
1 tablespoon honey
2 teaspoons cinnamon, divided
2 pinches nutmeg
Glaze
Reserved egg plus 2 teaspoons water
1 tablespoon honey
Place 1/3 cup warm water into a liquid measuring cup. Add the yeast and teaspoon sugar and mix. Let sit five minutes, or until thick. Meanwhile, in a large mixing bowl, place 1/2 cup of the oil, salt and 2/3 cup sugar. Whisk well. Add the boiling water and whisk to dissolve the salt and sugar. Add the cold water and mix again.
Beat the eggs in a separate bowl and add to oil mixture, reserving one tablespoon to brush on the loaves. Cover the reserved egg and place in the fridge. Add the vanilla and cinnamon to the bowl and whisk in. Do not worry that the cinnamon does not dissolve; it will mix in later. When the yeast bubbles, add the yeast mixture to the bowl and stir.
Add 6 cups of the flour, one cup at a time, mixing the flour in completely after each addition. You can use the dough hook in a stand mixer. Place the dough on a floured surface and knead until smooth, adding flour a little at a time from the remaining ½ cup. The dough is done when you rub your palm across the dough and it feels soft. Shape the dough into a ball. Lift up the dough and add the remaining one teaspoon oil to the bowl and rub all around the bowl and on top of the dough. Place the dough into the oiled bowl and cover with plastic wrap. Let rise one hour.
Meanwhile, prepare the apples. Peel and core the apples and cut into 1/4-inch cubes. Heat the oil in a large frying pan over medium heat. When hot, add the brown sugar, 1 teaspoon cinnamon, nutmeg and apples. Cook for 5 to 10 minutes, stirring often, until fork tender. You do not want them to be too soft. Add the remaining teaspoon cinnamon and honey and stir. Scoop into another bowl and let cool. If any liquid remains in the bowl, strain out before filling the rolls.
Cover two cookie sheets with parchment paper or silicone baking mats.
When the dough has risen, divide into 24 pieces. Roll each piece into a ball and then roll between your hands into an 8-inch strand. Place horizontally in front of you and use a rolling pin to roll the dough until it is about 4 inches wide. Add one heaping tablespoon of apple filling and use your fingers to spread along the dough the long way. Fold one long side of dough over the filling and then roll up to close. Pinch the edges closed, tucking in any apples that try to escape. Tie each strand into a knot, pulling an end through the top to look like a button, or shape into a spiral by coiling the strand around and tucking in the end. Place on the prepared baking sheets and cover with plastic wrap. Let rise 30 minutes.
Preheat oven to 375°F. Take the reserved egg, add two teaspoons water and one tablespoon honey and stir. Brush the tops of the rolls.
Bake for 20 to 25 minutes, or until lightly browned. Store covered at room temperature for up to three days or freeze for up to three months.
ABOUT PAULA SHOYER
Paula Shoyer is the leading authority on Jewish baking. This busy mother of four believes that a healthy diet can include desserts . . . if they are homemade. A former attorney, she graduated from the Ritz Escoffier pastry program in Paris, and now teaches cooking and baking classes across the country and around the world. Paula is the author of the best-selling The Kosher Baker: Over 160 Dairy-Free Recipes from Traditional to Trendy, The Holiday Kosher Baker, and her first savory cookbook, The New Passover Menu released February 2015. Her books are carried in Williams Sonoma, Crate & Barrel and Costco. She is a contributing editor to several kosher websites such as kosherscoop.com and jewishfoodexperience.com, and magazines such as Joy of Kosher, Whisk, and Hadassah as well as the Washington Post. Paula has appeared on TV 22 times: Food Network’s Sweet Genius, twice on Home & Family on Hallmark Channel, Good Day New York on FOX, San Diego Living, Daytime, and is a frequent guest on several Washington DC news shows. Paula also serves as a consultant for kosher food companies and bakeries. Paula lives in Chevy Chase, MD.
The Phragmites invasion was identified as the number one concern facing the Long Point area at this summer’s Long Point Biosphere symposium on ecosystem stresses.
In the pond adjacent to my house, a few Phragmites plants appeared about 20 years ago. Those few stalks then turned into a patch covering 15 per cent of the pond. It took 20 years but I’ve now eliminated it – although it has cropped up elsewhere on our farm. I realize what I’ve seen for an increase is small in comparison to what has occurred in some areas, for example, Phragmites dominates the ditches along Highway 402.
More than 10 years ago, Dr. Scott Petrie and Long Point Waterfowl were one of the first to research the expansion of Phragmites in the Long Point area. At that time, the potential threat was just beginning to be realized. Its threat wasn’t widely known outside Long Point except amongst waterfowlers and naturalists.
The last session of the legislature debated Phragmites as a part of the Invasive Species Act. This bill has currently had its second reading.
My concern as a landowner is to have the tools to deal with Phragmites. The Invasive Species Act doesn’t provide this kind of help. Ideally, the Act should contain an education plan, funding and ways to prevent spread. The Act puts an emphasis on landowners to control invasive species, but doesn’t provide the wherewithal to make it happen.
This is not to say the Invasive Species Act is all bad legislation, it’s just big on stick and small on carrot.
Now in talking about tools, we realize the challenges of controlling Phragmites. It spreads through both seeds and rhizomes and is just about impossible to control without herbicide.
I recently attended a St. Williams meeting on Phragmites, hosted by the Ontario Phragmites Working Group and Long Point Ratepayers’ Association, that focused on methods of control. Control alternatives varied from manual extraction, to discing it under, to experimentation with herbicides, to prescribed burns. Herbicides are the best alternative for large areas, but the issue is approval needs to be granted for application over water.
When Phragmites colonizes an area, it spreads quickly and prevents the new growth of other plants. It’s also poor habitat for wildlife. It impacts humans as well through loss of recreational opportunities, negative tourism impacts, decline in property values and blocked sightlines.
When Purple Loosestrife was the hot invasive plant, I was Parliamentary Assistant to the Minister of Natural Resources. In conjunction with the Ontario Federation of Anglers and Hunters, hit squads went into areas where Loosestrife was rampant and manually removed it. It’s not that simple with Phragmites, and we have yet to see this kind of commitment from government.
During the St. Williams symposium, we learned the City of Thomas has tackled Phragmites with minimal expenditure. The goal is to have the city Phragmites-free by 2020. Lambton Shores has also been aggressive and the plant is now 99 per cent under control in the municipality.
When Purple Loosestrife was first identified as an issue, it was thought to be the worst invasive plant in the province’s history – Phragmites now has that dubious honour. It will take a concerted effort by government, communities and individuals to take it on. It’s time to get serious! For the Silo, MPP Toby Barrett
This article focuses on the challenges for authors of dealing with an editor’s and reviewers’ comments within the manuscript publication process. The paper commences with an overview of the peer review process. The nature and style of comments from editors and reviewers is outlined and the inherent meaning demystified. Using a wide range of anonymised examples, sample comments are categorised according to their ease of being addressed and whether or not the author agrees with them and the need to respond highlighted. Advice is offered regarding the construction of a response document, outlining how editor and reviewer comments have been addressed in the revised manuscript and an example comprising both editor and reviewer comments and author responses provided.
The importance of this document in providing a clear audit trail of associated amendments to the manuscript and their justifications in response to the editor’s and reviewers’ comments is emphasised. Céline Rojon and Mark NK Saunders
Levallois lithic technology in the USA? The cores tell the story by Richard Doninger EDS. DISCLAIMER- We reproduce here a portion of our disclaimer from Doninger’s PCN Part1 article. Doninger’s collection is controversial and may indeed be a mix of genuine artifacts and geofacts.
One of the primary reasons to look at his material is the story he tells. It is one that the founders, members, and many readers of PCN (click here)are very familiar with. It involves a mainstream science community that is so dogmatic in its beliefs that it is willing to both block evidence or not even look at evidence that might challenge those beliefs. These beliefs include that there were no genuinely ancient people in the Americas and that early people throughout the world were less intelligent than us.
The idea that Lower, Middle, or Early Upper Paleolithic-style tools (in the European archaeology sense) are present in the Americas and mainstream resistance to the possibility is something that founding members geologist Virginia Steen-McIntyre (volcanic ash specialist), archaeologist Chris Hardaker, and geologist, the late Sam L. VanLandingham (diatomist) are/were all too familiar with as are also copy editors Tom Baldwin and David Campbell. This is not to mention the layout editor’s experience of censorship regarding evidence disproving cognitive evolution.
So, in a field where censorship of challenging evidence is routine—anthropology—virtually every proclamation the field makes needs to be questioned. One thing that we can be certain of is that once someone becomes “professional” in this field, in all likelihood, they will already be strongly opinionated regarding what is possible.
Dr. Steen-McIntyre, who started this regular feature section of PCN make it as a means to encourage avocational archaeologists and to help them raise the bar above the mere collecting of artifacts (the easy part) to adopting as many professional practices as possible especially in the recording and presenting of their finds. While Doninger’s artifacts are all surface collected, with few specific details of their discoveries recorded he does, nonetheless, present an interesting case that Levallois technology was established and varied in the southwest Indiana (c. Evansville) region.
Our publishing of Rick’s series is not an endorsement of his collection per se, but a reminder that we in the U.S. need to hold our anthropologists accountable as objective scientists, and, like in the field of astronomy, take the contributions of its amateur enthusiasts with a degree of interest.
In Part 1, I shared the story of my initial experience in trying to get input from the mainstream American archaeology community regarding Levallois artifacts including cores I have found in southwest Indiana (e.g., Fig.1) They repeatedly told me that such lithic technology wasn’t present in this country. After many years of research and communication with many professionals, I came to realize a few things that I wasn’t aware of. The first thing is that just because someone is an archaeologist by profession it does not mean that they have any expertise in lithic technology from prehistoric times.
The second is that just because an archaeologist has expertise in Native American lithic technology, does not mean they have any knowledge about lithic technology of early man such as that found abroad, e.g., “Levallois.” This leads to the third and most disappointing which is that many mainstream archaeologists will pretend to know a great deal more about the subject than they actually do and, often, rather than admit that they don’t will fall into simply towing the party line and coming back with a standard mainstream answer should you offer them any kind of evidence that challenges their long held beliefs such as about our origins or how old were the “first Americans” or who might they have been.
I guess one lesson I have learned well is that PhD B.S. is still discernible as B.S. even to a window cleaner such as myself and even though the attempt to camouflage it in scholarly data is present.
After almost two decades of inquiry and research on early lithic technology it seems to me that there is still very little known by American archaeologists about what is considered late Lower or Middle Paleolithic technology such as that found in sites abroad which are “usually” associated with Neanderthal occupations. The terms “Acheulian,” “Mousterian,” or “Levallois” all seem to produce perplexed looks when mentioned in most archaeologist circles and among those who are considered experts in the area of ancient flint tools and flint knapping.
Having said all of these things, I would like to share a bit from an amateur perspective on the subject. I mentioned in my last PCN article that I was told by lithic experts abroad that the only way to identify Levallois lithic reduction was to have some of the cores from which the proposed Levallois flake tools were struck.
Levallois cores are very distinct in appearance and are rarely mistaken for later type technologies such as those blade cores from what is considered the Upper Paleolithic.
There are at least four known core preps which I have found to be considered Levallois which yield several different flake types used in producing a fairly wide variety of tools found from what is considered the late Lower and Middle Paleolithic. All of these are unmistakably different from the American Clovis and later technologies commonly found in the USA.
Those four include the most commonly described “tortoise” (refer to Fig. 1, above), the “centripetal or discoidal” (refer to Fig.2, above),“triangular or chapeau de gendarme,” and the “blocky” core (see Fig.3 below)- all of which yield a very specific type of tool which are similar in morphology and are mostly made on flakes rather than blades (which are the hallmark of most known Native American technologies).
When archaeologists or collectors discover lithic scatters or “debitage” left from Clovis or later archaic tool production it is very recognizable to the trained eye familiar with Native American tool industries. The same applies with Levallois technology and the debitage produced from it. It is unmistakable to the trained eye but can remain virtually invisible to the eye programmed to see Clovis and later evidence, which seems to have been the case for decades now among American archaeologists. They have been recognizing only the evidence that they have been trained to see. That can now change as there is sufficient evidence in enough quantity to recognize what has been considered late Lower and Middle Paleolithic technology all over the world and is now available for analysis here in the USA.
If “the cores tell the story” it can now be told because we have the cores! For this article I have included an example of each core preparation as well as an example point tool (see Fig.4 below) made on Levallois flakes from such cores. A close look at the cores will reveal the negative triangular scars from where triangular flakes were struck revealing the method of reduction.
Levallois lithic reduction has been shown to be a more productive method of tool making in general than the later blade technologies as a wider range of tools can be produced by making the tools on flakes rather than blades. Contrary to the most commonly held belief that later blade technologies such as Clovis or Solutrean were more advanced, I personally believe the Levallois reduction resulted in a much wider range of tools from the same basic core preps which leave one to conclude that it is actually more advanced and complex than those who are assumed to have come later in history.
Over the last several years I have witnessed many who claim expertise in flint knapping who are able to produce virtually every kind of Native American “arrowhead” or bifacial blade tool commonly seen within the known Clovis or later tool industries. Some talented knappers can produce a very fine Clovis point in a matter of minutes and other arrowheads present little challenge in reproduction; but rare are the ones who can reproduce Levallois tools. How the flakes are struck so systematically and consistently from the same core preparation remains a mystery to most. One simply cannot appreciate the complexity of the industry without having such an industry to observe and most American archaeologists have never seen much less handled tools from an actual Levallois assemblage.
We have in recent years witnessed various claims of alleged “pre-Clovis” tools having been found. There are the tools from Meadowcroft Rock Shelter, Buttermilk Creek, Paisley Cave, Cactus Hill, Topper and others, each producing artifacts believed by the finders to represent cultures living here prior to those which produced the famed Clovis industry.
Unlike Clovis technology which has been found in sufficient quantity to establish an identifiable industry, none of the alleged pre-Clovis artifacts have been proven to be of an identifiable technology which has been seen anywhere else in the world in contexts believed to be older than Clovis, leaving only speculation and theory in regard to an actual identifiable “industry” to accompany the claims of a “pre-Clovis” origin.
This is not the case in regard to the assemblages of Levallois artifacts such as the ones being found in as many as eight different states now. These collections clearly display a specific identifiable technology commonly found in sites around the world which are always believed to be from contexts thousands of years older than any yet recorded in the USA. The scholarly critics of “pre-Clovis” claims often use the reasoning that none of the sites have produced a “coherent set of lithic artifacts” to justify the claims.
Having seen much of the lithic evidence from the sites such as Buttermilk Creek and Meadowcroft, I can understand the reluctance to welcome such scant evidence to support the claims because of the absence of a recognizable technology.
Levallois technology is not ambiguous when it is found, regardless of the location. The name is the first indicator in the process of identification…”prepared core.” When such cores are found, identification of the “industry” can begin and an understanding of the actual “technology” becomes comprehensive.
Although I am only showing a few cores and point tools in this article, there are hundreds more in my possession to support my claims of an actual “industry” based on Levallois reduction.
As I have stated previously, I am making no claims regarding the age of these artifacts but rather the “technology” of the tools which is clearly paralleled in the later Acheulian and Middle Paleolithic Mousterian industries of the Old World.
Although the images shown are some of the basic cores and points of the industry, there are also dozens of other tool types present in our assemblages such as burins, blades, hand axes, bolas, scrapers, planes, awls, ochers and effigies. Tools made on the cores themselves are also common, displaying the life of the core and its utilization as different tools during the reduction process of extracting flakes for points, blades and other utensils.
Although considered and labeled as “primitive man” technology when found abroad to support the proposed “out of Africa” human migration theory, I disagree with such labels and assumptions in regard to this technology. Levallois reduction obviously requires both planning and skillful execution to produce such an industry in such an efficient use of available lithic material resources.
The presence of what has been called “old world” technology here in the USA clearly shows that what is being taught in regard to our origins as a nation is wrong and needs to be acknowledged by those who are promoting such error. The evidence is as solid as the rock from which it is hewn. For the Silo (from PCN Vol7 Issue3)- Richard Doninger, a surface-artifact collector living in Evansville southwest Indiana.
Eds. Comment- Rick makes a very interesting case for a lithic technology that appears to be little-known to archaeologists in the U.S. There is still the problem that the artifacts are not documented as to the exact context of each, which, unfortunately, limits the value of the specimens.
However, if the technology is as abundant as Rick’s collection suggests, we simply recommend that he “re-collect” duplicate examples from specific locations with an exacting record of what he has found and where.
Avocational archaeology is a special section of Pleistocene Coalition News started by PC founding member, Dr. Virginia Steen-McIntyre, to encourage amateur archaeologists.
Have you been playing hashtag games on Twitter? Hashtag games are fun and free word games where Twitter users contribute funny or clever responses around a common theme, like #RejectedPrezCampaignSlogans or like #Things20SomethingsSay.
Hashtag games can often be found in the “what’s trending” area of Twitter but to discover all of them there’s a new app called Hashtag Roundup (www.hashtagroundup.com) that creates and hosts its own creative games, recruits comedians and Twitter celebrities to host live games, and aggregates the best trending games, making Twitter easy and accesible for everyone.
The Hashtag Roundup app, now available for Apple and Android, provides game alerts, peer-to-peer awards, and exclusive leader boards to serve the rapidly expanding global hashtag gaming community. Hashtag Roundup is the leading creator, promoter, and aggregator of hashtag games in the US, Canada, and UK, with a cumulative weekly reach now exceeding 100 million Twitter users.
Hashtag games are word games where Twitter users contribute often clever or funny responses to a common theme. For example, a recent game promoted by Hashtag Roundup was #4BestWordsEver, and contributions included tweets like “Open bar, free food” (@2p2TrollCat), “School is finally out” (@trjx1d), “Mom got us pizza” (@Broganza16), and “You’re the best mommy” @darksidedeb).
Brands get in the game as well, with submissions like “We’re going to Universal” @UniversalORL), “No soup for you!” @Seinfeldtv) and “a dozen original glazed” @krispykreme). The “winners” are the ones with the most retweets and favorites. Hashtag games provide a fun diversion and creative outlet for individuals and a marketing channel for big brands.
Hashtag Roundup recruits comedians and Twitter celebrities to host and create games. Users download the app in order to see what games are running and what the best responses are. Hashtag Roundup shares both original games and trending games on Twitter.
Hashtag Roundup is a joint venture of @TheHashtagGame and @absrdNEWS. In February 2012, @theHashtagGame was launched by Scott Fischler (@fastlaugh) and quickly established itself as the leading 24/7 hub of hashtag gaming. Meanwhile, @absrdNEWS and absrdCOMEDY.com were launched in February 2014 by Jeff Dwoskin (@bigmacher), immediately gaining recognition and followers for its sharp news parody and frequent, funny Top Ten Lists. Fischler and Dwoskin, both comedians, joined forces in 2014 to jointly develop the Hashtag Roundup app for iOS and Android. Hashtag Roundup delivers a consistently great Twitter experience, with engaging hashtag games and hosts.
“We love watching the hilarious and creative answers our fellow Twitter users come up with in hashtag games, but as hashtag addicts ourselves, we struggled to keep track of all the games, and all the responses,” said Jeff Dwoskin, founder of absrdCOMEDY.com.
“Hashtag gaming is rapidly becoming a significant marketing vehicle for brands, celebrities, major league sports teams… even political candidates. All are now frequently playing our games, and recognizing the massive positive exposure to new audiences that hashtag gaming provides,” said Scott Fischler, founder of @TheHashtagGame.
Skulls & Bones: Skulling the heights of perfection
The skull motif made popular in watchmaking by ArtyA has long been copied, resulting in a whole range of derivatives. Now, the fully independent brand has taken the helm once again. The Skulls & Bones is an extreme timepiece that pushes the creative concept to the limit.
Word has it that if you really can’t compare a Swiss watch to any other, it really is original. By that standard the Skulls & Bones is one original watch.
ArtyA’s latest creation doesn’t do things by halves, and it certainly isn’t a mass-market kind of timepiece. Critics might say that it’s rather extreme – and they wouldn’t be entirely wrong. But more objective minds will first and foremost note its wholly coherent style.
Back in the day, the Skull universe, popularized many years ago by Yvan Arpa, was decried in the world of watchmaking as being in frightfully bad taste. Since then, it’s become trendy and fashionable, as people started wearing this style of timepiece to try and stand out from the crowd – with varying degrees of success. But in most cases, the relevant styling doesn’t go much further than a dial illustration, some sort of ‘skull’ motif on the hands, and little else. Until now, that is.
Skull-tural!
With the Skulls & Bones, ArtyA has embarked once again on the style trajectory it was the first to pioneer (with many following in its wake), as ArtyA’s CEO and designer Yvan Arpa guides the concept to what must surely be its ultimate destination. The skull is much more than a simple drawing: sculpted and engraved, it’s been released from the two-dimensional representations to which it’s been confined elsewhere. As is its wont, ArtyA has suffused the Skulls & Bones symbols with new meaning, taking concepts through to their logical conclusion, and once again placing the artistic dimension at the heart of its work. The dial is fully hand-made.
Every one of the new 47 mm models is unique, featuring hand-crafted engravings and sculptures. Each includes the brand’s own movement, frequently used in its Son of a Gun collections. This results in a reliable, high-performance caliber, the heart of which is incorporated within a small central space. Its surface is covered by a rough, seemingly unfinished steel plate surface, featuring a twitchy drawing of a skull, rather like a hastily spray-painted tag.
This is surrounded by six hand-engraved skulls in polished steel outlined in black. The style is at once tribal and urban, modern and ancestral. ArtyA leaves the interpretation of this universal symbol to each individual’s imagination. By definition, each timepiece will be unique, with each person free to have their own take on the skull universe.
Gangs of skulls
The Skulls & Bones bezel sports another dazzling spectacle, exploring both “skulls” and “bones”. Here, ArtyA extends the core theme to encompass other graphic elements such as crosses, totems, barbed wire, guitars, and guns, expressing the whole gamut of the world of rock. Here too, ArtyA has not gone for simple cookie-cutter drawings, instead favouring genuine steel engravings. The shapes of the movement are seemingly drawn inexorably towards the bezel, each feature setting off the other.
SipSup is a new beverage drinking glass that communicates with smart phones via app technology to become an interactive media display and storage unit. When you have finished drinking your beverage of choice, digital photos and videos you have dropped into your glass via the SipSup app are left behind. The SipSup app enables you to keep your special moments only for yourself (private) or to make them visible to every person who happens to tap their phone to your glass (public). The social interaction possibilities are endless- many of us already spend a lot of time at coffeehouses or pubs, consider bringing your glass along- it would be a great way to meet new people and discover new forms of interaction- all via your hi-tech SipSup glassware. If that wasn’t enough, another feature called “post-it”, allows your guests to leave photos or videos on your glass and even write on a fun message. Hydration will never again be boring. A Slovenian start-up that prides itself on ‘out of the box’ thinking, the SipSup team have taken an object we all use on a daily basis and given it new functions. SipSup will stand out from the other glasses in your kitchen because of it’s distinct curved shape designed to naturally fit your hand. It’s base resembles the ripple effect of a drop falling into water and was inspired by the notion of “dropping moments into a glass”. You can get this great looking piece of smart glassware on Kickstarter. For more information email: marketingdirector@thesilo.ca
Truth and Reconciliation Report – One Oneida Woman’s Perspective
Indian Residential Schools are a large part of Canadian History. I use the present tense. Every Canadian lives with the fallout of these schools which were to, “Kill the Indian in the Child.” Cultural Genocide the TRC [Truth and Reconciliation Commission CP] says in its opening paragraph.
In Canada, we think it a right and obligation for our children to come home safe. We kiss them on the first day of school, knowing that we will see them again when school is finished. How would you feel if your child never came home?
Rather than empathy or acknowledgement of the past, we are told to, “Just get over it.”
Before colonization, we had no abuse, no addictions. We had no poor. Our needs were met- meaning we were one of the richest people on earth (thank you, Professor John Milloy for pointing that out to me).
I have been told that, “Since the Jews got over the Holocaust that we should just get over it.” That is insulting to both me and those who are Jewish.
Get over it.
First Nations communities suffer from the effects of the Residential Schools by having Intergenerational Trauma. We alone are not the only people who have this. Those with a family history of addictions, or abuse, or neglect feel the same effects. We had a generation or two of people who did not see parenting. They saw institutionalized abuse. How could they possibly know how to parent when they left school?
Without proper healing sources in place, and without feeling stuck in the anger, hurt, and pain which comes from Trauma, no one recovers from it.
I can only speak for myself. My grandfather went to the Mush Hole in Brantford, Ontario. He was a bright student, plus when home, he spoke a couple of the Native Languages on our Six Nations Reserve. I am very proud of that.
However, while he says he (personally) was not sexually abused, he had friends who were. He was not allowed to speak his languages at school. He was denied medical care while at school, which caused permanent damage to his brain. My bright and intelligent grandfather became stuck in the poverty cycle. And, the addictions cycle. He couldn’t cope without the structure which was forced on him at school. He couldn’t function well on the reserve. What the school taught his was agriculture. He worked the tobacco fields when he could. Then, he was on welfare.
On top of his mental capabilities, the alcohol killed him inside. Because of him, my mother was raised in a non-Native foster home, not knowing she was Oneida until she was 18. Her foster home denied her access to knowledge of her family on the reserve which was 10 minutes away.
My mom’s foster family did the best they could according to the times. In the 1940’s and 1950’s, it was best to be seen bringing up a little Indian girl in a good Christian family, a family which included a foster father who also had an addictions issue.
Her upbringing effected how I was raised. She also did the best she could. She tried her best to be a good mom, a mom who loved and cared for her own biological children. But also kept them at bay emotionally. She did not know how to really bond as a mom.
Because of the Residential School, my mom did not learn how to properly parent. As for me, I looked for parents I could follow. I am doing the best I can. I hope I my kids do better.
I hope my kids see that while I am Oneida, that does not make me less-than a full person. I hope they see that the Oneida blood that we share is a privilege, something to be honoured and respected. I hope they see it as something that bonds us to other First Nations people around Turtle Island. We are a strong people. We didn’t die. We learned how to survive. Now, we are striving to learn how to live in peace again.
For, you see, the Residential Schools did not kill the Indian in the child. Even with the horrific events which happened, we did not die. We are blossoming as a rose. We will overcome and heal.
Anger needs to be let go. Treaties need to be upheld. If the Canadian government did not want to fulfill the treaties, why were they included in the Canadian Constitution? They are a matter of law. Deal with it, Harper. We don’t expect handouts. We need the highest levels of Canadian law respected and enforced. The government needs to honour their obligations which they proposed, agreed to, and reinforced in the Constitution in 1982.
There is Truth – they tried to kill us off. Now, please, let there be Reconciliation. We all need to acknowledge the past and present to make a future which honours the laws of Our Lands. We agreed to share our land for the benefit of all, not to be killed off. Let us all honour our agreements. For the Silo, Stephanie MacDonald
What is a corner? The corner represents a symbolic value. Children are told to stand in the corner when they are disobedient. The corner is a place where one meditates on one’s shortcomings. One can be ‘backed into a corner’ and left with few options or one can retreat into a corner for safety. Animals corner their prey. Corners are places where things get lost and are found. Corners are neglected and swept in the spring. Unfortunate artists can paint themselves into a corner if they are not aware of the space around them and the area beneath their feet. Corners are forgotten with the bustle of activity in the centre of the room.
Gilles Deleuze’s book on Francis Bacon contains a short chapter in which he describes some of the possible reasons for why Bacon consistently displayed his figures against a “round area or ring.”1 Deleuze asserts that the main reason for utilizing this “simple technique” is to create a “place” and to isolate the Figure.2 There is a progression and fatefulness in assigning the Figure to this place. Deleuze claims that the round area or ring relates the Figure to the setting and, in so doing, posits the Figure or painting as a kind of fact or isolated reality.3
The horizon, ring, corner or wall is a painterly convention frequently revisited by contemporary artists. Although many painters have excluded these settings in favour of fields (e.g. a field of pure colour, or a field of refuse), such settings are useful constructs for displaying objects of value or inducing value within objects. Fields are distinct from settings in that they form a systematic or total (rather than operative or local) context for objects. Conversely, settings function by separating the object from its context so that the viewer can have an unmediated experience of that object. The setting recedes ‘into the background’ as a decorative relief or incidental support.
Corners are specific settings that feature the intersection of three planes (i.e. two walls and a floor). The intersection forms a point. The corner can function simply as the intersection of three planes or as a construct that creates depth and dimensionality. This bivalent nature hints at its duplicity as a setting. It creates a false depth. In this respect, the play of surfaces conspires to become a point of convergence or vanishing point. As a convergence of three surfaces it is a point of ‘agreement’, or perhaps a type of foreclosure; three colours and three lines converge to form a dimensional whole. The duplicity of the corner consists of its character as both a play of surfaces and as a convergence of three lines. The duplicity consists in the fact that the corner realizes both the idea of form and the Form itself through both a convergence (of surface and line) and a construction (of dimensionality).
Two of the most significant questions a painter may ask is, “What must I paint?” and “What is the painting about?” The idea of form contained in a painting is inevitably ‘about’ a sensation or perception. The painter’s nervous system is trained not only to recognize particular sensations and perceptions but to actualize them in the materiality of paint.4Painters practice their art as a way of learning to live with a given set of perceptions and sensations. The act of representation in painting is therefore second to the sensations and perceptions which inaugurate it.
The critic’s judgment (i.e. the critique) is the genesis of painterly sensations and perceptions. Critique is the limit of art and limits art to what it alone can do. It functions as a form of violence that is inflicted, observed or endured and occurs when one form overcomes another or when a form is ‘deformed’ by a superior consciousness. The deformation heralds a new and hitherto unappreciated beauty. It is the beauty of a projection or displacement of the painter’s subjective point of view into the materiality of paint. The transformation of sensations and perceptions through the pure and practical reason of the painter reflects the painter’s critique of power. What power? The power of judgment. The critique is therefore absorbed into the very colour of the picture.
Ludwig Wittgenstein’s picture theory holds great explanatory appeal in these cases because it contains propositions regarding the logic and structure of a picture. The painter labels the painting with a title because it represents a state of affairs. There is a close correspondence between the fact represented by the title and the pictorial content of the painting. It is in this sense that the picture functions as a relation between the physical or material world and the thoughts of the painter. Within this context, pictures are criticological constructs. Their titles are statements or propositions that are endowed with sense. As a function of these statements the painting’s pictorial components correspond almost identically with a set of defined elementary forces.
The corner can therefore play several conscious roles within a painting. They are the place of an encounter between a convergence and a defined space. These corners embody a perception. Moreover, corners function as a limit. As the limit of pictorial space they set up a picture plane that functions as a limit to logical thought. By using corners in this way, painters can represent unusual objects with a degree of normative ‘factuality’ – even if they are only representations. Finally, corners function as a place or setting. These corners are settings in which something can take place as well as a destination for various ideas. They instantiate and materialize Form in unanticipated ways. For the Silo, Timothy deVries http://www.timothydevries.ca/
Gilles Deleuze, Francis Bacon: The Logic of Sensation (New York: Continuum, 2003), 1
COOPY is a small, hand-held tool which provides users with a solution to complete multiple functions by simply clicking a button.
With the simple action of clicking one of three buttons included on this smart device, COOPY uses its own application to complete designated functions as set by the user. This includes, but is not limited to, sending predefined texts, alerting someone of your geographic location in the case of an emergency, locating objects and turning on home or office appliances, etc.
Aleksander Preglej, Chief Technology Officer of Pentasens: “COOPY is perfect for any type of user: a business professional, athlete, parent, young adult or even a child. We also designed this device to include time and location awareness, so the functions automatically change based on where you are and when. This is one of the major features that sets us apart from our competition.
With the ever-growing demands of our day-to-day schedules and the potential danger of multi-tasking at inopportune times, our company wanted to create COOPY as an easy-to-handle gadget that allows you to be as productive as possible without jeopardizing your safety or the safety of those around you. We know that everyone’s time is valuable and sometimes it could pose as a risk when you’re trying to do too much at one time.”
Pentasens rolled out its first product, SensMesh, a wireless sensor system (www.sensmesh.com) in 2014, which evolved into a smart modular solution for boats, BoatEye (boateye.io). Keeping up with the latest trends in technology, Pentasens strives to provide consumers with state-of-the-art products, safe to use and modern and sleek in design.
Kickstarter campaign for COOPY runs until July3rd and can be accessed here.
Selfies—an act in which the photographer is also the subject of the photograph—are hugely popular in today’s world. Selfie sticks, selfie apps and even selfie songs are taking the world by storm. If you’re on a hike or at the dentist and feel the need to let your associates know, take a selfie!
PicPal combines social media, real-time collages, and the ever important selfie into one App. Want to share what you’re doing right now with a close group of friends? Simply open PicPal, choose the friends you want in that collage and take a selfie. The app simultaneously sends a request to your friends to take a selfie too. PicPal will automatically create a selfie collage of all users and send it to each person’s phone.
Yes, there are already an enormous amount of apps that make collages; but the process is tedious and always after the fact. PicPal has social collage creation built into the app, effectively turning a lengthy process into instant creativity. Picpal isn’t always about the end result – it’s about the immediate moment. Friends who are across the country can meet in an instant through a Picpal photo. Whether they want to see what’s up or simply miss being in pictures together, Picpal lets them do it. All you have to do is invite your friends and watch the Picpal develop into an amazingly spontaneous shared experience.
PicPal is designed so that users can have fun with collages that are both “in the moment” and hassle-free. Want to show your friends what you are doing as well as see what they are doing and create a collage of it? PicPal makes this quick and enjoyable.
– Sign up! Sign in with one simple click using your Facebook account. The app automatically finds your Facebook contacts that are on Picpal.
– Invite! Pick up to 3 (you can add more friends to a Picpal in future releases) Picpal friends to participate in a Picpal selfie collage.
– Snap! Take your selfie while your friends take theirs.
– Watch! See your selfies transform into a shared experience – a Picpal selfies collage – right before your eyes!
Whether you’re missing your friends or just want to see what’s up, Picpal allows you to connect, create, and share in real time.
– Share! Skim through your gallery to see what Picpals your friends have shared with you.
– Interact! “Heart” or comment on Picpals that you love! OR Upload to Instagram or Facebook straight from the app
Whether you’re wishing someone Happy Birthday, playing a game, or just interacting with your friends, PicPal allows you to be with your friends – even when you’re not.
Twenty-seven thousand athletes ran the last Boston Marathon. However, one man ran it four times … four times in one day. David Clark is a former 320-pound alcoholic who was also addicted to painkillers. He’s been sober for nearly a decade and credits extreme endurance sports for his path to recovery in his bestselling autobiography, Out There: A Story of Ultra Recovery.
Clark runs with purpose and his 24 hour, 17 minute Quad Boston (104.8 miles) was no exception. He began his quad marathon in downtown Boston where he ran for people struggling to overcome addiction. Then he ran to the finish line for people who have conquered addiction. Then he ran back to the start line for the families of addicts and finally he ran his official race in memory of a Boston girl who died last year of a drug overdose.
While Clark’s life story is about his addiction, his lessons learned easily transfer to others, providing inspiration to never give up despite life’s challenges. “Healthy mind and body is where I found peace,” says Clark. “My hope is that people are able to see, through my story, that there are no boundaries to what we can achieve.”
David Clark is a running coach, sponsored runner, inspirational speaker, and gym owner. Prior to running his Quad Boston, he has competed in some of the most difficult endurance races on the planet. David is considered an elite athlete and is well respected in the national running community.
Marshall Ulrich, extreme endurance athlete, speaker, and author of Running on Empty: “[The book] …is as jarring and intense as it is motivating and uplifting.”
Ross Harrington: “…raw and riveting—a real-life “Rocky” story about a guy who just refused to give up. David Clark pulls no punches in telling us what he’s been through, and it will be a long, long time before I get this book out of my head.”
Marlin Keesler “The Reluctant Runner”: “To say David Clark’s story is inspiring would be an understatement. His personal narrative is so captivating, gripping, and energizing it compels one to revisit abandoned aspirations and to get out and achieve them…”
Dean Karnazes, endurance athlete and NY Times bestselling author: “David Clark has overcome adversities most of us can’t even begin to fathom. Morbidly obese, hopelessly addicted to drugs and alcohol, he not only turned his life around but went on to complete the world’s toughest footrace, the 135-mile Badwater ultramarathon. Inspiring and engaging, [the book] is a dramatic story about dealing with profound difficulties and having the strength and courage to persist, endure and prevail no matter how badly the odds are stacked against you.”
Justin McCune: “If nothing else David tells his story with an air of honesty not often seen! His story will take you to rock bottom of alcohol addiction, and lift you back up to the essence of living for the moment!”
Charlie Engle, athlete and author: “David has an undeniable energy as both a runner and a sober man. He sets a stellar example for anyone who wants to take charge of their own life and make a difference in others’ lives. He is all out, all the time. I love this book.”
The Chopra Center has just announced that the 2015 Global Meditation for Compassion will be held on Saturday, July 11 at 9 a.m. PT In Carlsbad, CA at the Omni La Costa Resort & Spa and meditation will be accessible worldwide for free via livestream in both English and Spanish [see link below DE]. Gabrielle Bernstein, best-selling author and motivational speaker, will lead a conversation around meditation and compassion with Deepak Chopra, M.D., founder of The Chopra Center and best-selling author, and Ismael Cala, acclaimed CNN en Español anchor, best-selling author and speaker.
A 15-minute guided meditation led by Chopra will follow the discussion. In addition, the event will include videos and questions contributed from the global livestreamed audience along with inspiring musical performances and special guest appearances. The Chopra Center 2014 Global Meditation for Peace currently holds the Guinness Book of World Record title for the largest global meditation worldwide with 140,000 in attendance from nearly every country. This will be their second annual global meditation and they are expecting to unite more than 500,000 people worldwide – breaking 2014’s record by nearly four times.
The second annual global movement will also host 1,500 guests at the live event and unite individuals, families and groups across the world for the largest meditation gathering in history. In addition, the event will include videos and questions contributed from the global livestreamed audience along with inspiring musical performances and special guest appearances.
“The Chopra Center’s mission is to serve as the global source for balance, healing, transformation and the expansion of awareness. By creating an opportunity for the world to be a part of the largest guided meditation, we hope to create a more compassionate world,” said Chopra. “It is time to rediscover our common truth – that we are all one.” This year’s meditation aims to increase compassion worldwide, creating a movement towards a kinder, more connected culture. For more information on how to sign up or to learn more, please visit: http://www.chopra.com/globalmeditation.html or email: marketingdirector@thesilo.ca Tickets to the live event are currently available for purchase for 49$USD+service fee at: https://tickets.brightstarevents.com/event/GlobalMeditation
Please note, Outer Shores Expeditions is in no way affiliated with the ‘Haida Gwaii: On The Edge of the World’ nor is it portrayed in the documentary. What Hot Docs’ best Canadian Feature Documentary explores on film, Outer Shores Expeditions explores by classic wooden schooner.
Documentary film fans were given an intimate look into life on the Haida Gwaii archipelago during Toronto’s Hot Docs film festival in 2015, and now travelers can experience one of the planet’s most spectacular places for themselves with Outer Shores Expeditions, British Columbia’s leading sailing operator.
‘Haida Gwaii: On The Edge of the World’ was awarded top honours at the prestigious documentary film festival. Director Charles Wilkinson’s film about First Nations rights activists, ecologists and locals took home the Best Canadian Feature Documentary award, receiving praise from the Hot Docs festival jury for its “stunning cinematography.”
Toronto audiences were captivated by the film’s journey, as the documentary sold out all four of its screenings throughout the festival. It’s a journey travellers can also experience for themselves aboard Outer Shores Expeditions’ classic 70-foot wooden schooner Passing Cloud this summer.
To those of us familiar with Haida Gwaii, its people, and its history, it really doesn’t come as a surprise that a film placing this spectacular setting at its centre would enrapture audiences,” says Russell Markel, Captain and Founder, Outer Shores Expeditions. “You look around you and you have to believe that a talented filmmaker would find a perfect story of place and people in Haida Gwaii.”
‘Islands of the People’
Outer Shores guests will be able to experience first hand the history and pre-history of the ‘Islands of the People.’ The expedition is dedicated to exploring and learning about the ecosystems, wildlife and cultural heritage also featured in ‘Haida Gwaii: On The Edge of the World.’ Excursions include Gwaii Haanas National Park Reserve, Haida Heritage Site, National Marine Conservation Area, ancient Haida villages, old-growth forests, estuaries, white-sand beaches and rocky shores. Expedition Schedule
Outer Shores offers five “”Haida Gwaii Archipelago: Islands at the Edge expedition sailings from June to August.
For more information on Outer Shores Expeditions, visit www.outershores.ca or call 1-855-714-7233 Please mention The Silo when contacting.
About Passing Cloud
Passing Cloud is a classic, 70′ schooner designed by William James Roué, famous for designing the legendary schooner Bluenose. Built in Victoria, BC, in 1974, Passing Cloud has a rich history on the BC Coast, renowned for her elegant design, exceptional accommodation, robust construction, and remarkable sailing abilities. Designed to sail around the world, Passing Cloud is an ideal vessel for small-group natural and cultural history expeditions throughout the BC Coast. Among her many features are Passing Cloud’s classic West coast wheelhouse, four private staterooms and gorgeous main salon.
About Outer Shores Expeditions
Outer Shores offers multi-day wildlife and cultural expeditions that are once-in-a-lifetime experiences. Guided by a crew of professional mariners and expert naturalists, Outer Shores Expeditions small groups of 6 to 8 guests explore, experience, and learn about the stunning wildlife and ancient cultures of coastal British Columbia while living and traveling aboard the 70′ classic wooden schooner Passing Cloud. President and Captain Russell Markel holds a PhD in marine biology and is dedicated to hosting guests from around the world while fostering stewardship and supporting conservation-based research in the areas where Outer Shores travels.
Don’t miss out on incredible historic space items such as the first complete Lunar Bible flown aboard Apollo 14. Heritage Live! allows you to place late proxy bids and compete live against the auction floor from your PC or mobile device*. We recommend placing proxy bids before the live session in the unlikely event either side experiences technical problems during the auction.
The software is available for Android, Safari for iPhone, and Opera Mobile version 10+. More will be supported in the coming months.
MacLean’s columnist, Paul Wells, wrote a book on Prime Minister Stephen Harper entitled “The longer I’m Prime Minister: Stephen Harper and Canada 2006 –“. In this book, the author warns that as the years pass with Harper in office, Canada is being radically transformed.
Truthfully, Canada is being transformed because of Stephen Harper’s government in Ottawa – just not in the way that Paul Wells anticipated it would be. Wells pictured our federal government being fashioned into a reflection of a Reagan-esque Washington, where an enduring small-c government will be his legacy.
If Wells is right and that was Harper’s goal, then he hasn’t accomplished it. Canada’s Economic Action Plan was one of this country’s largest ever public spending policies and Harper’s government has run deficits each year in office, except for the last budget.
But Stephen Harper has changed Canada, and in at least one case irreparably, because of his influence on Provincial politics.
Over the course of the past 50 years, provincial leaders have postured during campaigns that Ottawa has been unfair to their province. Trudeau’s National Energy Policy was pure gold to the Alberta PC’s led by Peter Lougheed. Anti Liberal sentiment has endured and kept the PC’s in power for more than a generation after Trudeau left office.
Canadian voters inherently understand the need for checks and balances by electing a strong Premier who promises to guard against the power of the federal government.
The trend in Ontario is if the Prime Minister is a Liberal, then the Premier will be a PC – and vice versa. This trend has been going on for generations.
In reaction to Stephen Harper being Prime Minister, Ontarians have sleep-walked into re-electing Liberals who have put in place policies that have devastated the Ontario economy. Seven years have passed since the great recession and Ontario shows scant few signs of recovery. The crown jewel of the Ontario economy, it’s manufacturing sector, has left Ontario after years of artificially high energy costs and unnecessary red tape. Local economies once buttressed by auto manufacturing are left reeling under Kathleen Wynne’s government.
The longer that Stephen Harper remains Prime Minister, the deeper the chasm for Ontarians created under provincial Liberal mismanagement. With public debt loads skyrocketing, it will soon be impossible for the next generation to find its footing after a decade of reckless waste.
What is going on in Ontario today under the ardently left wing government of Kathleen Wynne should be a splash of cold water in the faces of Albertans who recently voted to give a majority mandate to the NDP.
Alberta had 42 years of provincial PC power. During that time, they saw four conservative Prime Ministers, Joe Clark, Brian Mulroney, Kim Campbell, and Stephen Harper. (Clark and Campbell held power for only a few months and they had little impact on provincial politics.)
When Mulroney won his massive majority by piecing together a winning coalition of conservative voters in Alberta and Quebec, his government elicited a jarring reaction from Alberta voters. Rather than change the provincial government, Albertans birthed a new federal party, the Reform Party, and booted all of the federal PC’s out of the province in the next election.
And the provincial vs. federal dynamic played a role in last night’s Alberta election results. A former high ranking cabinet minister in the Harper government, Jim Prentice was soundly rejected by voters, ending the PC dynasty as the party moves from first to third in the provincial legislature. Simply put, Jim Prentice was too close to Stephen Harper. And when Alberta’s only sound opposition, former Wildrose leader Danielle Smith, shocked her party to join Prentice in an attempt to “strengthen forces” we saw the idea backfire magnificently in last night’s results with a crushing Orange wave. Alberta voters did not trust Prentice to provide the checks and balances that will see the province through the economic crisis brought on by low oil prices.
Does an Alberta Orange Wave mean that Stephen Harper’s support in Alberta is waning? Will we see prominent cabinet ministers defeated on October 19th?
Anti-Harperites might think so but there really isn’t a chance the CPC will lose seats in Alberta this time around.
Alberta has an Albertan Prime Minister. Many of the most powerful cabinet ministers are also Albertan. When Harper retires, his successor will likely also be an Albertan.
Alberta voters have people in Ottawa that they know they can count on.
On the other hand, the two other federal options can be easily discounted. Mulcair and Trudeau are both from Montreal and each have a checkered history with Alberta oil interests.
Rather than change the Prime Minister, Alberta voters decided that they will change the provincial government instead .
Checks and balances will be restored in the voter’s minds. For the Silo, Maddie Di Muccio.
ABOUT MADDIE:
A former municipal town councillor in Newmarket, Ontario, Di Muccio often appears as a political pundit in the media and her freelance columns in the Toronto Sun discuss political issues across Canada. She currently serves as President of York Region Taxpayer’s Coalition and President of the Society for Quality Education.
Swiss invention milKit makes mountain biking with tubeless tires easier than ever. With milKit, riders and racers can quickly measure and check their remaining tire sealant with a simple, portable kit, adding sealant as needed while leaving their tires on the rim, maintaining air pressure, keeping their hands clean and saving time. The inventors are currently running a campaign on IndieGoGo
Tubeless without the tedium: milKit is the fastest way to inspect, measure and add sealant; easy to install and compatible with all standard rims.
Tubeless tires have more traction, a lower rolling resistance and are more puncture proof than traditional bike tires. But they can also be a pain to maintain, potentially slowing you down in the middle of a race — unless you’re riding with milKit.
Mountain bikers riding on tubeless tires normally must detach their tires to check their remaining sealant, a time-consuming and messy process. milKit eliminates the guessing game and lets professional and amateur riders alike quickly and easily check and add to their remaining sealant in seconds, while their tires remain on their rims and their bikes stay at the ready.
The Swiss invention milKit comprises two easy-to-install valves that are compatible with all standard rims and a custom applicator that lets bikers remove, inspect and inject sealant whenever needed, with no mess or fuss.
Installation:
– Installing milKit is easy: Insert the special milKit valves like usual valves in rims. They fit to any standard rim.
– Pump the tire to 1.5 bar / 22psi
– Insert sealant with the milKit applicator and keep your hands clean
Advantages:
– Save time: Measure and refill sealant without deflating the tire.
– No more guessing games: Riders will always know exactly how much sealant is needed
– A rubber flab prevents sealant from filling and blocking the valves
– Clean hands and simple to use
Maintaining sealant volume and quality is paramount to a safe ride over any terrain, and there’s no better way to do it than with milKit. And milKit means briefer pit stops during endurance races, when a few minutes saved can make all the difference.
Professional riders agree: mountain biking legend Thomas Frischknecht approved of our prototypes, and Cape Epic 2015 champion Christoph Sauser believes they’re “great.”
The portable milKit applicator has a home in every biker’s pack. And now mountain bikers all over the world can use Indiegogo to help make milKit the ubiquitous product it deserves to be. By contributing on Indiegogo riders can ensure they’re among the first to experience easy tubeless mountain biking and faster races. Head to the milKit website to see for yourself what milKit can do.
About milKit
milKit is a Swiss team of experienced engineers, designers and computer scientists that share one passion: mountain biking. They work together to develop solutions to everyday problems that face mountain biking enthusiasts. Checking sealant presented one such a problem, and milKit is the answer.
National Geographic Traveler recently released its tenth annual ‘50 Tours of a Lifetime,’ a curated list of the best-guided trips offered by today’s top adventure tour operators around the globe. This year’s collection includes Adventure Canada’s Mighty Saint Lawrence expedition cruise, an incredible voyage that begins in historic Québec City and travels down the Saint Lawrence seaway to the French territory of Saint-Pierre. Travellers will search for beluga and blue whales in Saguenay Fjord, hike Anticosti Island, photograph the famous red cliffs of the Magdalen Islands, and discover the rich geological and natural histories of the region. The expedition departs June 14, 2015.
“It is a great privilege to be included in National Geographic Traveler’s 50 Tours of a Lifetime in 2015,” said Cedar Swan, CEO of Adventure Canada. “We’ve worked hard to curate an incredible team that will enhance the rich natural landscape and history that played such a key role in formation of Canada. We’re thrilled to help shine the spotlight on Quebec’s Maritime region and we look forward to connecting our guests to the people, culture, and natural wonders of this region for years to come.”
Sailing down the nation’s historic waterway, the 198-passenger Ocean Endeavour introduces guests to the best of la belle province. Accompanied by an expert team of expedition leaders—as well as renowned naturalists, historians, artists, and photographers—travellers will discover seldom-visited coastal communities by Zodiac, accessing remote areas unreachable by car or large cruise ship.
Featured activities include visits to bird nesting colonies, whale-watching, trekking through national parks, sampling French wine and cheese in Saint-Pierre, and learning about the region’s French and aboriginal heritage. Adventure Canada also debuts its new photography programming aboard the Mighty Saint Lawrence expedition, including interactive workshops with Fujifilm photographers Billy Luong and Dan Bailey.
The ten-day adventure starts at $2,595 USD per person, and includes the itinerary and educational program, all shipboard meals, entry and park fees, most shore excursions, service charges, and port fees.
For more information, email marketingdirector@thesilo.ca or visit adventurecanada.com or call 1-800-363-7566. About our new friends- Adventure Canada
Founded in 1987, Adventure Canada is a family-owned and operated adventure travel company specializing in land-based and small ship cruise adventures in Canada’s Arctic and east coast regions, Greenland, and select wilderness destinations. Adventure Canada’s trips feature a wide array of special guests including musicians, authors, biologists, and historians.
After a difficult bankruptcy auction process, the purchase of SkyMall’s brand name was announced last Friday, March 27th. The new owners paid $1.9 million for the well-known brand. The purchase price, however, didn’t include any assurances from the airlines that the catalog will be put on their planes. In fact, all prior agreements with the airlines are void. One fact is clear: SkyMall no longer has a monopoly to sell in the skies. Scott Jordan, CEO and Founder of multi-pocket clothing company, SCOTTeVEST, has been both a supporter of getting SkyMall back onto planes and a critic of the mismanagement that landed SkyMall into bankruptcy in the first place. Jordan was the most vocal during the auction process and many assumed he would be the winning bidder for SkyMall.
He explains why he let the SkyMall name go to another party: “At the most basic level, there are two things required to make SkyMall work: a catalog and placement of that catalog on airplanes. Producing a catalog is easy. The only way to get a catalog onto airplanes is with the cooperation of the airlines. SkyMall allowed every airline contract to lapse and, despite my best efforts, we were unable to come to terms with the airlines before the bankruptcy auction,” Jordan explains. “By losing the agreements with the airlines, SkyMall’s previous management team lost their monopoly on in-flight shopping. Since I didn’t like their business model, I chose not to submit a bid. I didn’t believe that the name alone was worth it.”
About six weeks ago when SkyMall declared bankruptcy, Jordan was quick to jump to the forefront of the public discussion with a series of widely read articles on LinkedIn and many press mentions, including an appearance on CNBC’s Closing Bell. Due diligence quickly uncovered that all of SkyMall’s contracts with airlines – the foundation of the entire business- had lapsed. Jordan insists that the concept of in-flight shopping is still valuable — if and when a brand can get back on airplanes. And, that is exactly what he hopes to do.
Introducing SKY2BUY: Your New Mall in the Sky, Inspired by Duty Free Shops Jordan’s new new venture is SKY2BUY. It will be in planes in test markets in the U.S. in June or July of this year and plans to become the go-to source for in-flight shopping. Jordan’s emphasis is on creating a high-end travel magazine with shopping opportunities instead of a kitsch-filled catalog. Brands that cater to travelers — like Jordan’s own SCOTTeVEST — will be featured. In addition to shopping, SKY2BUY will include editorial content of interest to travelers. Rather than developing a stand-alone publication, Jordan’s SKY2BUY will be a special advertising section in airline magazines that are already onboard every flight. The model is simple: reward travelers with massive discounts (just like a Duty Free Shop) based on shopping while traveling. Fliers already flip through in-flight magazines and SKY2BUY will provide added incentives to reach into the seatback pocket. Cooperating with in-flight magazines is a sound cost-saving measure. Whereas SkyMall paid over $350K annually to each airline just for fuel surcharges, SKY2BUY will be integrated into the print materials already found on board. This efficiency both reduces the amount of print materials on each flight and makes SKY2BUY’s discounting model possible. This is just one example of cost-cutting to be implemented by SKY2BUY intended to pass savings to the consumer and profits to the airlines.
What to Expect from SKY2BUY Shoppers will always be able to make purchases from SKY2BUY, but only travelers are eligible for the discounts. One is considered a SKY2BUY traveler when (s)he is in an airport, on an airplane or has arrived at his or her destination within the past 24 hours. This is verified electronically by geo-tagged locations or by entering a flight confirmation number. A traveler’s boarding pass acts as a ticket to savings. This unique, location-based model rewards travelers who shop during/immediately after travel. SKY2BUY’s discounting concept is similar to a duty-free shop. A shopper can buy the same goods elsewhere, but it is only while traveling that the discounts are available. SkyMall cited the increased use of electronic devices in-flight as a reason for decreased interest in their catalog. SKY2BUY will address this challenge by offering tech-savvy fliers free in-flight apps to encourage immediate purchases, as well as partnerships with in-flight wi-fi providers to provide free wi-fi for purchases made on SKY2BUY. As a former SkyMall advertiser, Jordan’s company SCOTTeVEST was frustrated by the amount of time from when a customer placed an order and when SCOTTeVEST received the order from SkyMall so they could fulfill it. SKY2BUY’s customers will purchase directly from advertisers. By removing the middle-man, advertisers will receive order information in real time, thus enabling them to provide a better customer experience. In some cases, orders will be available upon landing at the shopper’s destination. The elimination of the middle-man will not only make things faster, it will also remove an unnecessary layer of costs. “Realize that you forgot a tie for that big meeting? Turn to SKY2BUY. Left your sunscreen at home? There’s an outdoor excursion kit waiting for you at your destination,” explains Jordan.
The Content SKY2BUY will dial up the entertainment aspect that made SkyMall enjoyable by embracing creative content and making it more than just a catalog. Because all travelers are going from one location to another, there is a shared experience. SKY2BUY plans to build on that experience, offering gadgets and travel aids… not alien butler statues or dragon bookends. Travel should be enjoyable and SKY2BUY’s product selection will be curated to combat in-flight boredom and encourage shopping by providing items that are relevant to travelers. The focus on travel-related items and purchasing directly from advertisers should take care of the low conversion rates that contributed to the demise of SkyMall. Focusing on conversion rates comes naturally to Jordan after years running the highly successful, ecommerce company SCOTTeVEST. He understands the importance of creating content the resonates with customers. A small sampling of planned sections in SKY2BUY’s initial 16-page spreads include:
Travel gear and Luggage
Gadgets
Food and Drink
Fashion
Auto-Related Items
Just as most airline magazines are updated monthly, SKY2BUY will be refreshed on the same schedule, ensuring that readers always have something new to peruse – and buy – while in transit.
The App While most customer’s first experience with SKY2BUY will be in print form, SKY2BUY is developing a sophisticated, user-friendly app. It will be available as a free download prior to take-off (without having to pay for wifi). Travelers can then shop while they are in the air. Purchases will automatically sync upon landing, with no need to pay for in-flight wireless.
The Editorial “Content and commerce are inextricably bound together,” explains Jim Louderback, the former editor of PC Magazine who has been tapped to lead SKY2BUY’s content efforts. “Entertaining product curation creates stories as compelling as those on Netflix or in the movie theater. By combining great storytelling with great product curation we’ll be building a cure for boredom AND an experience you’ll want to share over and over again.”
SKY2BUY is Cleared for Take-off Jordan hasn’t revealed which airline magazines will include SKY2BUY, but confirms that he has three major U.S. and multiple international airlines in active conversations. The airlines have been very open to Jordan’s model because of the likelihood of profitability from day one. A June launch is SKY2BUY’s goal, to coincide with the summer travel season. On a parting note, Jordan said, “This summer, fly with SKY2BUY: your new mall in the sky.” Full SKY2BUY details may be found at www.SKY2BUY.com.
When you’re a 20-something, what’s the first and the last thing you do? You check your Facebook or you tweet. When you want to buy a pair of jeans and you want to ask your friends’ opinions, you post a picture on Instagram with a #needyourhelp! And who needs to go to a store when Amazon is only a click away right? Social Media and E-Commerce have permeated your personal and social lives. Nowadays, to keep up with the rest of the world, you have to have a smart phone, a tablet and at least 3 social media accounts. Your thought process can now be summarized into: Click. Like. Share. Repeat. Information in an instant !
The coolest thing about Social Media and online stores is the ease by which you send and receive information. The idea that you can connect to a friend in Asia, check out the latest happenings in Europe, and buy the outfit you’ve been eyeing for on discount via Amazon still fascinates many. Not only does the connection happen in real-time, it is also extremely convenient for the hyperactive, multitasking yuppie. Who would’ve thought that you can talk to someone halfway around the world while riding the train? Or that now, you can buy everything you need online while working out. Literally, the world is at your fingertips.
What about Design my Home?
If social media transformed the way you connect with the world, then mobile technology is revolutionize the way you see and experience it. With its public launch in February 2015, everyone is expected to rock the new Art Plus Home Virtual app and two words are sure to be immensely popular: “Share and Buy” This new breakthrough promises to merge the real, the virtual, and the social. Indeed, the possibilities are endless. Two fields that can definitely benefit from this innovation are art and design, particularly for the home. As more and more young professionals climb the ladders of success, you find yourselves located in a condo or in an apartment at the heart of the city. And in the name of individuality, almost all of you are heavily involved in truly making your homes a place to call your own. “I’m a minimalist guy. I like a lot of black and white pieces,” shared Alex, a young accountant. “I’ve always had a penchant for quirky furniture and eclectic painting, both of which are very hard to find by the way,” explains Jessica, a law graduate.
Here lies the conundrum. In as much as you newly-empowered breed want to go all out to design your homes, you simply don’t have the time. “Designing your own place is a completely different animal. It’s almost a full-time job,” says Ashley. She went on further, “It’s almost like a cat and mouse game. You go to an art gallery to find a good painting. Then you have to go to another store for the drapes. Then you go look for a nice coffee table. They’re a perfect match in your head but after you install them in the living room, they just look horrible.” Dary Rees, an artist and a designer herself, knew exactly what Ashley meant.
“Designing your home takes a lot of imagination. All the time, you have to close your eyes and visualize how every art piece, every furniture, and every drape will come together. That’s not easy. But it should be.” Then idea struck! Bringing together a team of people, Dary went to work. After months of development, the Art Plus Home virtual app was born. “With the Art Plus Home app, you can shop, visualize, and buy for your home in your own time and at your own convenience. You get to choose anything you like from the online gallery, superimpose them together in your space, and see how it looks – all in a matter of minutes. You can even share the design to friends! If you like the design, you can buy them right then and there. If not, you can start all over,” explains Dary. This is perfect for the Gen Y who is always on the go. You can design and buy for your home on the way to work, after a Yoga session, or even before you go to bed. The Art Plus Home app is also ideal if you’re on the look out for the latest in art and design. Check-out gallery openings, up and coming artists, or simply browse what’s hot (and not) so you have something to talk to with your date.. The Art Plus Home app is available in Android and in iOS.
Generation Y is a new breed. You’re motivated to succeed, you’re proud of your individuality, you’re always mobile, and you’re extremely connected to the world around you. With such a personality, you’re a perfect match for the Art Plus Home app! www.ArtPlusHome.com and download the free app at any app store.
At approximately 10:15 PM EDT on March 17th I witnessed a strange sight. While driving into Simcoe, Ontario via Hillcrest Road, something low on the horizon caught my attention. At first I wondered if this was a planet but after I pulled the car over to the side of the road and focused harder, it became clear that this object was flashing through a whole spectrum of colours: red, blue, yellow, white one at a time at a high rate. Strange lights?
Yesterday was St. Patrick’s Day and skywatchers were made aware of the forecasted Solar Storm that brought Northern Lights much further south than normal. This was not the Northern Lights.
I wasn’t able to take any video because my camera phone would not zoom in to capture the object but I did manage to zoom in using the photo feature. Today I moved the photo’s onto my laptop and zoomed in further using a video editing program. I then re-opened those photo’s and used the desharp/enhance/deinterlace feature in gimp software to attempt a better look at what I saw. I am still surprised by the results- the colours that I saw vividly and clearly did not show up on the photographs and the photographs reveal what looks like a shape-shifting object!
I’ve been so intrigued by this I decided to return to sighting location so I could take a daytime photo of the sky/horizon where I had the sighting and I used my phone to get a compass reading on the direction of where the object was.
The first series of photo’s- shown below are the camera-zoomed in series and are unenhanced by software. The second series of single photo’s are the software-zoomed in and enhanced versions of the first four photographs . I’m hoping someone can offer up ideas on what I saw by commenting below or emailing The Silo (contentproducer@thesilo.ca) *name with held by request*
Province Committed to Providing Fairness for Workers, Predictability for Business
Ontario is raising the general minimum wage from $11 to $11.25 per hour, effective October 1, 2015. Minimum wage rates for jobs in special categories such as liquor servers, homeworkers, and students are also increasing at the same time.
The increase is the result of recent changes to the Employment Standards Act, 2000 (ESA) that tie minimum-wage increases to Ontario’s Consumer Price Index (CPI). This was recommended by the Minimum Wage Advisory Panel in its final report last year.
Increasing the minimum wage in a fair and predictable manner is part of the government’s economic plan for Ontario. The four-part plan is building Ontario up by investing in people’s talents and skills, building new public infrastructure like roads and transit, creating a dynamic, supportive environment where business thrives and building a secure savings plan so everyone can afford to retire.
“Our government has taken politics out of minimum wage increases while ensuring wages for Ontario workers keep pace with inflation and businesses have time to prepare for payroll changes. This puts more money in people’s pockets, gives our businesses predictability and helps build a more prosperous economy, while ensuring a fair society for all.”
Dear Silo, a thought to remember- Marx said,”Remove one freedom per generation and soon you will have no freedom and no one would have noticed.” These are words to the wise, if you can understand what’s going on around you…. *
There was a chemistry professor in a large college that had some exchange students in the class. One day, the professor noticed one young man, an exchange student, who kept rubbing his back and stretching as if his back hurt. The professor asked the young man what was the matter. The student told him he had a bullet lodged in his back. He had been shot while fighting communists in his native country who were trying to overthrow his country’s government and install a new communist regime. In the midst of his story, he looked at the professor and asked a strange question.
He asked: “Do you know how to catch wild pigs?” The professor thought it was a joke and asked for the punch line. The young man said that it was no joke. “You catch wild pigs by finding a suitable place
in the woods and putting corn on the ground. The pigs find it and begin to come every day to eat the free corn. “When they are used to coming every day, you put a fence down one side of the place where they are used to coming. When they get used to the fence, they begin to eat the corn again and you put up another side of the fence.
“They get used to that and start to eat again. You continue until you have all four sides of the fence up with a gate in the last side. “The pigs, which are used to the free corn, start to come through the gate to eat that free corn again. You then slam the gate on them and catch the whole herd. “Suddenly the wild pigs have lost their freedom. They run around and around inside the fence, but they are caught. Soon they go back to eating the free corn. They are so used to it that they have forgotten how to forage in the woods for themselves, so they accept their captivity.”
The young man then told the professor that is exactly what he sees happening in Canada .
The government keeps pushing us toward Communism/Socialism and keeps spreading the free corn out in the form of programs such as supplemental income, tax credit for unearned income, tax exemptions, tobacco subsidies, welfare entitlements, medicine, drugs, etc., while we continually lose our freedoms, just a little at a time.
One should always remember two truths: There is no such thing as a free lunch, and you can never hire someone to provide a service for you cheaper than you can do it yourself. Name withheld by request. Originally post Fall 2014.
Garth Ennis: “Wayne Vansant has done a magnificent job with these first two volumes of Katusha.”
Wayne Vansant’s epic war story KATUSHA, GIRL SOLDIER OF THE GREAT PATRIOTIC WAR is being made available to read for free atwww.katushagirlsoldier.com. KATUSHA (according to babynology.com, Katusha is a dimunitive form of Russian Ekaterina and Yekaterina, meaning “little pure one”. Katusha is also a famed Russian war song written shortly before World War II) tells the story of a farm girl from Ukraine who becomes a Red Army tank commander during World War II.A coming-of-age story told against the backdrop of the bloodiest conflict in human history, the 1941-1945 Eastern Front between Nazi Germany and Soviet Russia, KATUSHA is created by writer/artist Wayne Vansant (Marvel’s THE NAM, Zenith’s Graphic Histories series). Inspired by the experiences of thousands of women who served in the Red Army as pilots, snipers, tank drivers, and other roles, it forms a sprawling epic that will total three volumes and over five-hundred pages upon completion.
The first two graphic novels in the series, KATUSHA BOOK ONE: EDGE OF DARKNESS and KATUSHA BOOK TWO: THE SHAKING OF THE EARTHare currently available in digital and print format from Grand Design Publishing. The webcomic version of KATUSHA will serialize both, adding a new page every day, with BOOK ONE completing in June and BOOK TWO completing at the end of 2015. The third and final volume, expected in print in mid-2015, will begin serialization in January 2016.
KATUSHA has received praise from critics and comics professionals. History magazine Armchair General Magazine included KATUSHA in its “Stuff We Like” column. PatMills, writer of the legendary British war comics series CHARLIE’S WAR has praised Katusha for dealing with a chapter in history that’s been overlooked in the West. Garth Ennis, writer of PREACHER and WAR STORIES (which includes THE NIGHT WITCHES, a story about Soviet women pilots) said of Katusha, “It’s great to see the story of the Soviet women tankers kept alive. Wayne Vansant has done a magnificent job with these first two volumes of Katusha; I look forward to reading more”. Print editions are now available from Amazon.com, Barnesandnoble.com and other online retailers. Ebook editions are available to consumers through ComicsPlus, Google Play, Kindle, and (soon) Comixology, and to libraries though Overdrive and iVerse.
KATUSHA BOOK ONE opens with young Katusha’s graduation from her tenth and final year of school. The next morning, Sunday June 22, 1941, Nazi Germany invades the Soviet Union. The young woman and her family escape to the forests to begin a partisan war against the German occupiers. In KATUSHA BOOK TWO, Katusha and her sister Milla join the Red Army and are sent to tank school. Trained to operate the mighty T-34, Katusha fights from countryside to cities and learns the steep price to pay for victory.
Vansant has chronicled history in comics format since 1986. He was the primary artist for Marvel’s acclaimed Vietnam War title, THE ‘NAM, and he has recently returned to historical fiction with his three-volume series KATUSHA, an epic of the eastern front of World War II. He has researched, written, and illustrated many non-fiction graphic novels on subjects including the Korean War, Abraham Lincoln and Frederick Douglas, and the Battle of Antietam. Since 2013 Vansant has released six non-fiction graphic novels through Zenith Publishing. Vansant is a native of Georgia and served in the United States Navy during the Vietnam War era.